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How Do You Pack For Art Basel Miami? The Art World Answers.

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Thanksgiving is over and you are ready to go to Art Basel Miami Beach. You open your suitcase. Now, what do you pack?

As art world heavy hitters flock to Miami Beach for the annual art fair extravaganza, Miami Art Week has taken on a larger than life, spring break-esque mania. But what are these art world players actually bringing with them to their art fair weekend?

A quick poll of art world contacts their must-have items revealed a pleasantly surprising diverse array of responses. From executives to artists, gallerists to freelancers, insiders of all walks know the tips. So, what should you pack for Art Basel in Miami Beach? These guys have you covered.


Charged Devices

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“It’s pretty simple for me: An iPhone with the Airtable application, (‘Are you looking for a late [Pierre] Soulages or a subversive [Christopher] Wool text painting? I’ll WhatsApp you!’), and a phone charger.”

Evan Beard, Executive Vice President at Masterworks


Comfortable Shoes

It’s a no-brainer that you’ll be running around like crazy to hit all the art exhibits and events. Multiple art world professionals mentioned the importance of shoes that could take the heat. Some spoke of embarrassing scenes of women wearing stilettos sinking into the sand…all the way through the plastic on the ground of art tents!


A Spare Cigarette

Even if you don’t smoke, having one on hand can seal the deal when securing a new client outside a stressful event or after a late night.


A Standout Accessory

“Accessories are the punctuation to every ensemble and the perfect way to break the ice when networking. This year I am packing a vintage gold banana pin to channel my inner Carmen Miranda—and how bananas the market is!”

Chellis Baird, Artist


Hair Oil

For the frizzy tendrils among us, don’t forget that the Miami sun is powerful and its humidity unparalleled. If you are going to be attending events where you need to look your best, some argan oil may do the trick to keep the sun damage and moisture absorption at bay.


SPF

Yes, you’ll spend most of your time indoors during the day and out at events in the dark of night. But the sun is stronger than you think in Florida, and SPF is never a bad idea.


A Travel Umbrella (With A Big Bag To Fit It)

“For Miami showers, I pack a travel size umbrella. Umbrellas are a must, and I don’t do tiny purses so it will always fit in my bag.”

– Jessica Wong, Former Art Gallery Director, Co-Founder of 88Finds


A Journal

“A must-have for Basel (and any art or work trip) is a journal for the cherished mornings spent alone in my room before the frenzy. I live in fear of anyone reading my diary and I guard it with my life.”

Maddie Phinney, Art Advisor at Maddie Phinney Agency


Binoculars…because why not?

“While I have not been to Basel, you can never go wrong with a pair of binoculars or even opera glasses. You can see items in further detail. It works great when visiting artistic sites as well.”

– Max Elefson, Art Collector

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Kapwani Kiwanga To Represent Canada At The 60th International Art Exhibition Of La Biennale di Venezia – Yahoo Canada Finance

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OTTAWA, ON, Jan. 26, 2023 /CNW/ – The National Gallery of Canada (NGC) announced today that Kapwani Kiwanga will represent Canada at the 60th International Art Exhibition—La Biennale di Venezia from April 20th to November 24th, 2024. Kiwanga is recognized as one of the country’s most acclaimed contemporary artists whose research-driven work is instigated by marginalized or forgotten histories, and articulated across a range of mediums including sculpture, installation, video, and performance. Her presentation in Venice will be curated by Gaëtane Verna, Executive Director, Wexner Center for the Arts.

Kapwani Kiwanga will represent Canada at the 60th International Art Exhibition—La Biennale di Venezia from April 20th to November 24th, 2024. Photo : © Bertille Chéret (CNW Group/National Gallery of Canada)Kapwani Kiwanga will represent Canada at the 60th International Art Exhibition—La Biennale di Venezia from April 20th to November 24th, 2024. Photo : © Bertille Chéret (CNW Group/National Gallery of Canada)

Kapwani Kiwanga will represent Canada at the 60th International Art Exhibition—La Biennale di Venezia from April 20th to November 24th, 2024. Photo : © Bertille Chéret (CNW Group/National Gallery of Canada)

Angela Cassie, Interim Director & CEO of the National Gallery of Canada, commissioner of the Canada Pavilion in Venice, said: “The NGC is proud to present Kapwani Kiwanga’s work for Canada at the 60th International Art Exhibition—La Biennale di Venezia. Widely recognized for her singular approach, Kiwanga’s work presents rigorous research in imaginative ways to enable historically excluded narratives to flourish. I would like to congratulate our national jury members in choosing such a timely and provocative voice to represent the vital role and place of Canada in international contemporary art.”

The artist was selected by experts in contemporary Canadian art comprised of Daisy Desrosiers, Director and Chief Curator, Gund Gallery at Kenyon College; Heather Igloliorte, Concordia University Research Chair and Co-Director, Indigenous Futures Research Centre; Michelle Jacques, Head of Exhibitions and Collections/Chief Curator, Remai Modern; Adelina Vlas, Head of Curatorial Affairs, The Power Plant Contemporary Art Gallery; and Tania Willard, Assistant Professor of Creative Studies and Visual Arts, University of British Columbia, Okanagan.

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The co-chairs for this year’s artist selection committee—NGC’s Michelle LaVallee, Director, Indigenous Ways and Decolonization, and Jonathan Shaughnessy, Director, Curatorial Initiatives—said: “Kiwanga’s interdisciplinary approach to art making has received international attention for its eye-opening investigations into the structures, systems, and narratives underlying today’s power asymmetries. The treatment of space for Kiwanga is an artistic gesture. Working across sculpture, mixed-media installation and performance, her projects often pay close attention to the sites in and on which they are exhibited.”

Canada Pavilion Curator Gaëtane Verna, Executive Director, Wexner Center for the Arts, added: “Kapwani Kiwanga delves into the archives of the world and conducts in-depth research that is woven elegantly throughout her artworks. She is interested in the role of art as a catalyst for revealing and addressing alternative and often silenced, marginalized socio-political narratives that are part of our shared histories. It is an honour for me to have been invited to curate the Canada Pavilion, in continuous conversation with Kiwanga, and I look forward to supporting her in every aspect of this momentous project in which she will undoubtedly transcend the materials that she will choose to use to transform our own understandings of the world.”

The International Art Exhibition of La Biennale di Venezia is the largest and most prestigious contemporary art exhibition in the world with more than 80 participating countries. The exhibitions on view at the Canada Pavilion are commissioned by the National Gallery of Canada and produced in partnership with the Canada Council for the Arts. The Canadian representation in 2024 is made possible through the National Gallery of Canada Foundation.

For more than 60 years, the Canada Pavilion, situated in the Giardini in Venice, has featured the work of the most accomplished Canadian artists, curated by the country’s most renowned curators. Canada’s representation at the international exhibition has played a part in shaping the role and place of Canadian contemporary art within international circles, helping to launch or elevate the international careers of many of the country’s most celebrated artists including Jean-Paul Riopelle, Michael Snow, Geneviève Cadieux, Janet Cardiff & George Bures Miller, Rebecca Belmore, David Altmejd, Shary Boyle, BGL, Geoffrey Farmer, Isuma, and, in 2022, Stan Douglas.

Social Media

  • Facebook: @nationalgallerycanada

  • Twitter: @NatGalleryCan | #BiennaleArte2024 | #CanadaPavilion

  • Instagram: @NatGalleryCan | #CanadaPavilion

About Kapwani Kiwanga

Kapwani Kiwanga (b. 1978, Canada) is a Canadian and French artist based in Paris. Kiwanga studied Anthropology and Comparative Religion at McGill University in Montreal, Art at l’école des Beaux-Arts de Paris and at Le Fresnoy—Studio national des arts contemporains in Tourcoing. In 2022, Kiwanga received the Zurich Art Prize (CH). She was also the winner of the Marcel Duchamp Prize (FR) in 2020, Frieze Artist Award (USA) and the Sobey Art Award (CA) in 2018. Solo exhibitions include Museum Haus Konstruktiv, Zurich (CH); New Museum, New York (USA); State of Concept, Athens (GR); Moody Center for the Arts, Houston (USA); Haus der Kunst, Munich (DE); Kunsthaus Pasquart, Biel/Bienne (CHE); MIT List Visual Arts Center, Cambridge (USA); Esker Foundation, Calgary (CA); Power Plant, Toronto (CA); Logan Center for the Arts, Chicago (USA); South London Gallery, London (UK) and Jeu de Paume, Paris (FR) among others.

About the National Gallery of Canada
Ankosé — Everything is Connected — Tout est relié

The National Gallery of Canada is dedicated to amplifying voices through art and extending the reach and breadth of its collection, exhibitions program, and public activities to represent all Canadians, while centring Indigenous ways of knowing and being. Ankosé—an Anishinaabemowin word that means Everything is Connected—reflects the Gallery’s mission to create dynamic experiences that open hearts and minds, and allow for new ways of seeing ourselves, one another, and our diverse histories, through the visual arts. The NGC is home to a rich contemporary Indigenous international art collection, as well as important collections of historical and contemporary Canadian and European Art from the 14th to 21st centuries. Founded in 1880, the National Gallery of Canada has played a key role in Canadian culture for more than a century.

To find out more about the Gallery’s programming and activities visit gallery.ca and follow us on TwitterFacebookYouTube and Instagram#Ankose #EverythingIsConnected #ToutEstRelié.

About the National Gallery of Canada Foundation

The National Gallery of Canada Foundation is dedicated to supporting the National Gallery of Canada in fulfilling its mandate. By fostering strong philanthropic partnerships, the Foundation provides the Gallery with the additional financial support required to lead Canada’s visual arts community locally, nationally and internationally. The blend of public support and private philanthropy empowers the Gallery to preserve and interpret Canada’s visual arts heritage. The Foundation welcomes present and deferred gifts for special projects and endowments. To learn more about the National Gallery of Canada Foundation, visit ngcfoundation.ca and follow us on LinkedIn.

About the Canada Council for the Arts

The Canada Council for the Arts is Canada’s public arts funder. The mandate of the Canada Council is to “foster and promote the study and enjoyment of, and the production of works in, the arts.” The investments made by the Canada Council contribute to greater engagement in the arts among international audiences and within Canada.

SOURCE National Gallery of Canada

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View original content to download multimedia: http://www.newswire.ca/en/releases/archive/January2023/26/c3061.html

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Hunter Biden's art dealer praises first son, says his perspective is 'very much needed' as probes heat up – Fox News

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FIRST ON FOX: Hunter Biden’s art dealer said Thursday that the first son “will become one of the most consequential artists in this century” as House Republicans demand more information from the New York City gallery owner as part of their wider investigation into the Biden family.

“This week the Chairman of the House Committee on Reform & Oversight of the 118th Congress of the United States of America issued a letter to the Georges Bergès Gallery with certain requests,” Georges Bergès told Fox News Digital in an email.

“At the moment I cannot comment and I will refer you to my legal counsel, but know that my singular focus has always been, and will continue to be, the integrity of our artists and the privacy of our art collectors,” he said.

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Fox News Digital reported Wednesday that Rep. James Comer, R-Ky., chairman of the House Committee on Oversight and Accountability, sent a letter to Bergès demanding he turn over all communications between his gallery and the White House related to a reported deal to withhold all records of the prices and final buyers for Biden’s art. 

Georges Bergès attends Dr. Gina Sam's Resident Magazine Cover Party at Georges Bergès Gallery in New York City on Sept. 20, 2018.

Georges Bergès attends Dr. Gina Sam’s Resident Magazine Cover Party at Georges Bergès Gallery in New York City on Sept. 20, 2018.
(Jared Siskin/Patrick McMullan via Getty Images)

REP. COMER VOWS TO PROBE HUNTER BIDEN’S ART SALES, DEALER’S CHINA CONNECTIONS: ‘IT IS DEEPLY CONCERNING’

“You have advertised that Hunter Biden’s latest artwork ranges in price from $55,000 to $225,000. It is concerning that President Biden’s son is the recipient of anonymous, high-dollar transactions — potentially from foreign buyers — with no accountability or oversight (other than you),” Comer wrote to Bergès. “The American people deserve transparency regarding certain details about Hunter Biden’s expensive art transactions. We believe you possess important information related to this investigation.”

Bergès defended Hunter Biden’s art in a statement to Fox News Digital, saying the embattled first son has a “personal narrative” to tell through his art.

“Almost 10 years ago I opened a gallery that has a global perspective on the human experience and that seeks to find artists who I feel will be consequential not just in the art world but in the broader culture,” he said. “Artists that are relevant to the times, not to esoteric circles where art and exhibitions come and go unnoticed by society, by the people, by culture, but relevant innovative artists and exhibitions that challenge us, and engage us.”

“I represent Hunter Biden because I feel that not only his art merits my representation, but because his personal narrative, which gives birth to his art, is very much needed in the world,” Bergès continued. “His is a story of perseverance; Hunter’s story reflects what I believe is the beauty of humanity, judged not by the fall, but by having the strength to rise up, by having the character required to change and the courage to do it. Hunter Biden’s art reflects all of that and more. His art gives us hope; it reminds us that tomorrow brings a new day, a new beginning, a new possibility.”

“Hunter Biden will become one of the most consequential artists in this century because the world needs his art now more than ever,” he added. “In a world that beats us down, we need art in our lives that reminds of the unrelenting divinity within each of us.”

President Biden waves alongside his son Hunter Biden after attending mass at Holy Spirit Catholic Church in Johns Island, South Carolina, on Aug. 13, 2022.

President Biden waves alongside his son Hunter Biden after attending mass at Holy Spirit Catholic Church in Johns Island, South Carolina, on Aug. 13, 2022.
(NICHOLAS KAMM/AFP via Getty Images)

HUNTER BIDEN, CHINA, CLASSIFIED DOCUMENTS: MYSTERY SWIRLS AROUND PENN BIDEN CENTER

Fox News Digital previously reported that Bergès has long-standing ties to China and said in 2015 that he wanted to be the art world’s “lead guy in China.”

Comer responded to that comment on Wednesday, telling Fox News Digital that “foreign adversaries, including China, have used transactions involving sham art sales to launder money and evade sanctions imposed by the United States.”

“For decades, Hunter Biden has peddled influence and access to his father and engaged in shady business dealings with foreign adversaries around the world,” Comer said. “Given Hunter’s history of suspicious activity, it is deeply concerning that the President’s son continues to sell his amateur artwork to anonymous purchasers for sky-high prices.” 

“Hunter’s art dealer, Bergès, has also made it clear that he intends to be the ‘lead guy’ in China for art,” he continued. “Why would anyone pay Hunter top dollar for items that are arguably worthless? He’s no Pablo Picasso. As Chairman of the House Oversight Committee, I will continue to push for transparency and answers for the American people to get to the bottom of who is buying Hunter’s art.”

Hunter Biden is seen at a park in Malibu, California, on Jan. 12, 2023.

Hunter Biden is seen at a park in Malibu, California, on Jan. 12, 2023.
(Backgrid)

PSAKI DEFENDS HUNTER BIDEN’S PARTICIPATION IN ART SHOWS: ‘NO SCENARIO’ IN WHICH BUYERS CAN ‘PROVIDE INFLUENCE’

Republican Reps. Lauren Boebert of Colorado, Paul Gosar of Arizona and Clay Higgins of Louisiana, all members of the House Oversight Committee, said they strongly support probing Hunter Biden’s art sales.

“Hunter Biden’s finger paintings clearly aren’t worth $500,000 per piece,” Boebert told Fox News Digital. “His clients weren’t buying art, they were buying access. Who these buyers were and what access they received is something the American people absolutely deserve to know — especially if it turns out the art was being bought from Georges Bergès’ friends in the CCP.”

HUNTER BIDEN INTERVIEW GOES OFF THE RAILS AS HOST SAYS HIS ‘HANDS WERE TIED’ FROM ASKING POLITICAL QUESTIONS

“I strongly support investigating what appears to be open and notorious corruption and possible bribery of Joe Biden through transparently thin payments for no show jobs, amateur ‘art’ and other money laundering tactics,” Gosar told Fox News Digital. “The integrity of our government is too important to let Ukraine or China openly bribe our elected officials via a ruse with payments to Biden family members.”

“We’re going to investigate everyone involved with the Biden crime family,” Higgins said. “We are looking into the 148 suspicious activity reports issued by federally insured banks, money laundering, and corrupt interactions with China. Oversight investigations will reveal deep, uncomfortable truths. If someone goes to jail, then so be it.”

The gallery’s website says it is currently “under maintenance,” and Hunter Biden’s webpage was deleted in recent days.

CLICK HERE TO GET THE FOX NEWS APP

As recently as Jan. 17, Hunter Biden’s page on the gallery’s website read, “A lawyer by profession, Hunter Biden now devotes his energies to the creative arts, bringing innumerable experiences to bear. The results are powerful and impactful paintings ranging from photogenic to mixed media to the abstract. His chosen substrates are canvas, YUPO paper, wood, and metal on which he affixes oil, acrylic, ink along with the written word; all of which creates a unique experience that has become his signature.”

Now, the page reads, “404 not found.”

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Kapwani Kiwanga to represent Canada at 60th Venice Biennale

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Kapwani Kiwanga, who grew up in Brantford, Ont., and studied anthropology at McGill University before moving to France for graduate studies in art, is based in Paris.Bertille Chéret/Handout

Kapwani Kiwanga, the Ontario-born artist who lives and works in France, will represent Canada at the 60th Venice Biennale, the National Gallery of Canada announced Thursday.

Kiwanga will create work for the Canada Pavilion in the Biennale’s Giardini park where the international art exhibition opens April 20, 2024. Her participation will be curated by Gaetane Verna, former director of Toronto’s Power Plant and now director the Wexner Center for the Arts at Ohio State University.

Kiwanga, who grew up in Brantford, Ont., and studied anthropology at McGill University before moving to France for graduate studies in art, is based in Paris. Born in Hamilton, she is of Tanzanian and Scottish ancestry.

Starting with social and historical research, she uses video, performance, sculpture and especially installation to look at power structures and colonialism. She has created installations that investigate the manipulative elements of prison architecture; in another major series, she has recreated the floral arrangements that can be seen in the 20th-century photographs of independence ceremonies or military parades in African nations.

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In the Giardini, she will be provided with a strong backdrop for her themes: The park features national pavilions for all the traditional colonial powers. The Canada Pavilion, a shell-shaped modernist wood-and-glass structure built in 1958 and renovated in 2018, is a small building sandwiched between the larger German, British and French pavilions.

Kiwanga, who was chosen by a panel of Canadian and U.S. curators assembled by the National Gallery, is already an international star. In 2020, she was awarded the Prix Marcel Duchamp, France’s top art prize, and in 2018 she won Canada’s Sobey Award for an emerging artist.

She has exhibited widely in Europe and, in February, the Museum of Contemporary Art Toronto will unveil the first major survey of her work in Canada. That exhibition will feature five new commissions as part of her research into the politics of botany.

In Venice, the 60th Biennale will continue to Nov. 24, 2024.

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