People were recently baffled by photos of Donald Trump being aggressively arrested by the NYPD and Pope Francis sporting a luxurious Balenciaga puffy coat circulating widely online.
They were fakes — but incredibly convincing ones.
Both images were created by Midjourney, an AI program that’s rapidly changing art and graphics design, digital culture and AI expert Jamie Cohen said.
“In one year, it advanced to such great quality,” the CUNY Queens College professor told The Post.
“I can’t imagine a world in which it’s not perfect a year or two from now.”
Midjourney is a guiding interface that uses, according to Cohen, an AI called Stable Diffusion to seamlessly create hyper-realistic photos and illustrations based on user prompts.
“Think of it like Midjourney is the steering wheel and Stable Diffusion is the engine of a car,” Cohen said, adding that the former makes the dense AI significantly more user-friendly.
New York Post artist Peter LaVigna tested Midjourney and prompted it to create a series of images of a female school teacher in a sky-blue dress, legs crossed, in the style of two dozen different artists. In just seconds, it spit out pictures in the exact style of everyone from Salvador Dali to comic-book artist Gil Kane.
“We like to say we’re trying to expand the imaginative powers of the human species. The goal is to make humans more imaginative, not make imaginative machines, which I think is an important distinction,” Holz told Forbes in 2022.
Not far off from the popular ChatGPT, Midjourney’s core software is a language-based learning model with a remarkably expansive, visual dataset that, in the words of Holz, is “just a big scrape of the Internet.”
Midjourney is part of a much larger wave of image-based AI technology. ChatGPT’s parent company OpenAI — which recently received a $10 billion investment from Microsoft — has its own text-to-image program known as DALL-E. But the images created by Midjourney appear more authentic.
“Midjourney makes more photorealistic outputs [than DALL-E],” Cohen said. “That’s a huge step forward.”
Some are raising the alarm bells about how these fake images could be used to spread misinformation. While photos of Trump being handcuffed could be cross-checked with news reports, many on social media were initially fooled by a couture-clad Pope Francis, which quickly circulated online.
Generative AI like that is more enhanced than “deepfakes,” which are when AI video and audio is overlayed into already existing content.
“I think misinformation is going to hit an all-time high when generative AI and deepfakes start to merge,” Cohen said. “You just create reality when that happens…How do you recognize it? Not easily, you have to apply a lot of media literacy skills.”
Midjourney CEO Holz is already restricting access to his program over such concerns.
Recently, Midjourney banned the word “arrested” from prompts as a spike of the fake Trump pics appeared. He halted free trials of the software earlier this week, he said via Discord, due to “extraordinary demand and trial abuse,” according to Gizmodo.
“We stopped trials because of massive amounts of people making throwaway accounts to get free images,” he told the outlet.
“Political satire in China is pretty not-okay and at some point would endanger people in [C]hina from using the service,” Holz wrote on Discord.
Age-appropriate content is also an ongoing issue of generative AI. As is privacy, such as creating fake porn of a real person.
On Midjourney, all generated content must be “PG-13” — despite Stable Diffusion being “trained” using nudity and pornographic material. Even Holz admits that the company is struggling to come up with proper guidelines.
“I think we’re still trying to figure out what the right moderation policies are. We are taking feedback from experts and the community and trying to be really thoughtful,” Holz told Gizmodo.
While the images generated can be astonishing in quality, it is possible to spot fakes, particularly by paying close attention to hands, shadows, jewelry, eyeglasses and backgrounds, according to Cohen. Reverse searching images can also provide clues — if no original photo comes up, it was likely software generated.
Still, Cohen said, a fake will be “extremely difficult to spot a year from now” without proper tools.
And while copyright issues are emerging in the generative AI arena — as well as lawsuits over image use — not everyone in the art world is worried.
Mark Winter of Art Experts, a Midtown-based appraiser, said that a work’s true value is always tied to its creator and that the remixing of ideas goes back to the ancient world.
“We have records going back to the Greeks, of basically recycling or pilfering the works of one artist by a lesser talented and creative artist,” Winter told The Post. “Would this be any different? I don’t quite think so.”
He’s also excited about the prospect of new creative possibilities opening up.
“It can be a brand-new window where all sorts of things you have trouble articulating are going to become possible,” Winter said. “I think it’s going to expand tremendously what we can do with our productivity . . . I think it’s going to be phenomenal.”
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.