How Jeanine Brito's pretty-creepy paintings made her an art-world darling | Canada News Media
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How Jeanine Brito’s pretty-creepy paintings made her an art-world darling

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Brito ran an online fashion magazine before posting her fairy tale–inspired painted creations on Instagram. They were an instant hit.

(Photography by Saty + Pratha, hair and makeup by Ashley Readings/Cadre Artist Management)

As a child, Jeanine Brito spent summers with her grandparents in Mainz, Germany, surrounded by castles better suited to Bram Stoker’s Dracula than any fairy tale. Back at school in Calgary, where she grew up, Brito channelled all that gothic inspiration into art. “The bulk of my drawings were of princesses wearing insane dresses,” she says.

Brito says she hung out with “a lot of freaks” at Calgary’s arts-focused Central Memorial High School, painting surreal portraits of her friends during lunch hour. Still, she didn’t aspire to art-world stardom; she was focused on fashion. “My idea of that world was entirely based on The Devil Wears Prada—deciding between near-identical turquoise belts, flying to Paris,” she says. “It seemed so glamorous in contrast to art, which involves a lot of struggle.” Brito studied fashion communication at Toronto Metropolitan University, and later ran the online fashion magazine Sophomore. She applied her graphic-design expertise to various jobs, but quickly grew disillusioned by corporate constraints. “I was desperate for an outlet—something I could build for myself,” she says.

Mid-pandemic, Brito resumed painting and posted some of her better attempts on her Instagram account—beautiful yet terrifying pieces depicting raw meat and knives juxtaposed against frilly ribbons and pearls. She quit her job early in 2022 to paint full-time, planning to take freelance design gigs to pay the bills. Her career took off almost instantly.

Within a month, Brito received an email from La Causa Galería in Madrid asking her to present a solo show. More invites followed, including an offer from Nicodim Gallery in Los Angeles, her current agency, to participate in a group show last September. This past spring, French fashion house Nina Ricci commissioned several of Brito’s works to be printed on postcards. One image—a docile lamb cuddled up to a gleaming candy-pink apple—wowed creative director Harris Reed so much that he sent it down the runway printed on two dresses during the brand’s fall-winter 2023 show.

Brito’s career has taken on its own fairy-tale quality, minus the gruesome elements. She says her freakish teen self would be thrilled at the opportunities before her: an American debut at New York’s Armory art fair this fall, plus a solo show of brand-new work in the Big Apple slated for next May. She’s also hoping for an exhibition here in Canada, working away on her craft in her downtown Toronto studio. “I’m always pushing myself to try things that scare me,” she says.

—Isabel B. Slone

***

PROSPECT POP QUIZ 

Colour palette: “I mix everything from five shades: medium yellow, cadmium red, ultramarine blue, phthalocyanine blue and raw umber.”
Studio snack: Pistachio gelato from Toronto restaurant Sud Forno
Moving picture: “ ‘The Birthday,’ an oil painting by Russian artist Marc Chagall, makes me cry.”
Power suit: A 1980s vintage black-and-white taffeta party dress from Mama Loves You Vintage in Toronto
Idea generator: “When I don’t know what to paint, I write the names of random objects on a set of cards. I pull three and make a sketch featuring those elements.”

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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