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How the US Media Failed to Tell the Story of the Occupation of Palestine

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Benjamin Netanyahu in front of a map of the U.S.
Israeli prime minister Benjamin Netanyahu waves in an image taken from the Occupation of the American Mind poster. The Occupation of the American Mind

The Media Education Foundation’s 2016 film The Occupation of the American Mind is being hounded off of campuses and communities on charges of antisemitism. The documentary looks at the ways propaganda from Israel and the United States governments about the occupation of the Palestinian Territories shapes US media coverage.

Since October 7, 2023, we have seen how the US media has a separate set of rules when discussing the total war being waged on the civilians of Gaza. With more than 35,000 dead, an unprecedented number of child amputees, and over a million at risk for starvation, the urgency to decode media obfuscation of a genocide has never been greater. Much has been written about this, especially after were revealed The New York Timeslanguage constrictions that limit how writers should discuss the current attacks on Gaza.

That makes The Occupation of the American Mind and its trenchant media analysis a vital tool for understanding the current situation. That’s also why it’s been attacked by politicians and policed by college administrators and compared to Birth of a Nation and The Protocols of the Elders of Zion. Such responses are similar to Netanyahu’s comparison of the sit-ins at Columbia to the Nazi rallies in the 1930s. I reached out to the film’s executive producer, Sut Jhally, and directors Loretta Alper and Jeremy Earp to discuss the film and the public reaction.

Dave Zirin: A slew of politicians and school officials in Maryland denounced your film as antisemitic. What’s your response to that charge?

Sut Jhally: My first response is they clearly haven’t seen the film and are just reading from some script that’s been handed to them. If they’d bothered to watch it, they might have thought twice about modeling such a perfect example of what the film is actually about. The film is really a history of how US news media have failed to tell the story of Israel’s brutal, decades-long military occupation of Palestinian land. It also details how pro-Palestinian voices have been marginalized and routinely vilified as antisemites and terrorist sympathizers, which is exactly what these Maryland state legislators and college administrators are doing. It’s just one small example of the mounting backlash that’s now spreading across the country as pro-Palestinian protests erupt on more and more college campuses. The clear goal is to prevent any kind of challenge to the dominant narrative that’s been circulating in the media about the Israeli-Palestinian conflict for decades. More than anything else, it reveals how petrified US and Israeli officials are that their control of the narrative is falling apart under the weight of reality.

Loretta Alper: These Maryland state representatives and school administrators seem to think our film reinforces the antisemitic trope that Jews control the media because we document how pro-Israel perspectives far outnumber pro-Palestinian perspectives in mainstream outlets. The problem with this claim is that we explicitly say the imbalance has nothing to do with some kind of Jewish conspiracy and everything to do with corporate media’s more general tendency to amplify, rather than question, the official claims of US and Israeli officials. Likewise, when we examine how the pro-Israel lobby helps build public support for US backing of Israel, we explicitly say that there are key elements of the lobby that aren’t even Jewish, including right-wing evangelical groups like Christians United for Israel, and we point to other powerful interests that shape media coverage, like the military-industrial complex. So, if anything, the film is a rebuttal to the antisemitic idea of Jewish control of the media.

Jeremy Earp: It’s worth adding that when politicians and college administrators weaponize the charge of antisemitism to silence pro-Palestine voices, it’s also intended to silence the tens of thousands of anti-Zionist American Jews who have been courageously speaking out against the occupation and defending Palestinian human rights for years. In fact, nine of the 16 critics of Israeli policy we feature in our film are Israeli and American Jews, some of them children of Holocaust survivors who explicitly condemn how antisemitism and the Holocaust have been weaponized to justify Israel’s brutal treatment of Palestinians. Rather than acknowledging any of this and engaging with the actual substance of our film, these state politicians and college administrators would rather throw around incendiary smears to scare people away from watching it and deciding for themselves what to think about it.

DZ: What kind of chilling effect can this response have? Is it too far to call it neo-McCarthyism?

SJ: Attacks like these are designed to make sure people know there’s a price to be paid for criticizing Israeli human rights violations and war crimes. The goal is to chill the discourse and to make sure people are scared. None of this is by accident. We now know that the Israeli government formed a task force to target American campuses and intimidate students and faculty and administrators into silence. And Congress has also joined in, holding hearings and interrogating university administrators about student protests at high-profile campuses like Harvard and Columbia, knowing full well it will trickle down and spread fear through other institutions. In that sense, I think you really can describe it as neo-McCarthyism. It’s designed to create a climate of fear and stamp out the expression of ideas. And there’s a logic behind it. Universities are one of the last places left in this country where there’s any kind of debate and diversity of opinion on the Israel-Palestine issue. So that has to be shut down. It’s deeply anti-intellectual in addition to being profoundly antidemocratic.

JE: When you watch these congressional hearings, it’s hard not to hear echoes of the McCarthy hearings. So much of the questioning of these university presidents and administrators comes down to, “Are you now or have you ever been a Hamas-sympathizer?” As Sut said, it’s all about instilling fear in anyone who even thinks about speaking out for Palestinian rights. What’s amazing is the growing movement of young people who are resisting these intimidation campaigns and refusing to back down. The mounting protests we’ve been seeing over the past few days at Columbia, the University of Southern California, and other universities are a clear sign young people are getting their news from very different sources than older Americans. They’re on social media and they’re seeing these horrors unfold in Gaza in real time, so they have a much more accurate and visceral sense of the genocidal violence the US government is actively supporting. This makes it much more difficult for them to simply shut up and go away.

DZ: You are experts on how the media shapes the Israel-Palestine narrative. What have you seen the media do since October 7?

SJ: As we show in our film, which came out in 2016, US and Israeli officials have been able to routinely transmit pro-Israel propaganda through the mainstream media without any kind of real pushback or debate for decades. Well, since October 7, pro-Israel propaganda has been on steroids. Over the past few months, a number of studies have shown consistent pro-Israel bias in leading newspapers and news broadcasts, allowing atrocity propaganda like the now-debunked beheaded babies stories to circulate without challenge. We’ve also seen journalists at CNN and The New York Times leak memos and release anonymous statements blasting editorial restrictions on their reporting, criticizing tight controls on the kinds of language they’re allowed to use, and talking about how these restrictions and controls have worked to dehumanize Palestinians and create an overwhelming pro-Israel slant.

LA: These are the same propaganda patterns we’ve been analyzing in our films for years when it comes to wars waged by the US or with US backing, from Vietnam to Iraq. First and foremost, there’s been no sustained coverage of the US’s role in Israel’s mass killing of Palestinians. Instead, it appears the US is doing everything in its power to help protect Palestinian civilians and restrain Israeli Prime Minister Benjamin Netanyahu. The extent of US complicity in Israeli atrocities in Gaza, especially the fact we’re supplying most of the weapons to carry them out, is mostly hidden from view. Likewise, in keeping with media coverage of other US and US-backed wars in the past, the killing of tens of thousands of Palestinian civilians has been repeatedly described as “unintended” and “unfortunate” rather than the entirely predictable result of Israel dropping tens of thousands of US-made bombs on civilian centers in Gaza. In addition, we now know that reporters have been encouraged by their bosses to use sanitizing language to describe the horrors unfolding in Gaza, to avoid using words and phrases like “ethnic cleansing,” “genocide,” and “occupied territories.” As media critic Norman Solomon has argued, the result is a dominant media narrative that tells Americans that Israeli lives matter a lot more than Palestinian lives.

DZ: What do you say to students who want to screen the film and fear condemnation?

SJ: I would say I don’t think it’s the responsibility of students—those with the least power on college campuses—to resist government efforts to silence the kind of free expression, debate, and protest that are the lifeblood of American universities. I think it’s the responsibility of those in positions of leadership and power on these campuses to do that. Administrators and faculty members, regardless of their politics, should be doing everything in their power to create an educational environment where students feel free to debate these issues and ask tough questions about US foreign policy, without fear of being criminalized or vilified as extremists or terrorist-sympathizers.

JE: In the end, that’s all our film is really about. It’s about clearing away all the distortions and myths and ideological filters that have warped people’s understanding of the Israeli-Palestinian conflict. And it’s about leveling the playing field for Palestinian voices so we have the context and information we need to make up our own minds about US support for Israel.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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