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How This Saint John Art Gallery Is Making Its Exhibits 'Pandemic-Proof' – country94.ca

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How This Saint John Art Gallery Is Making Its Exhibits 'Pandemic-Proof'

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Current Covid-19 regulations mean art galleries in New Brunswick can allow patrons inside their doors, but a Saint John gallery new project is making their exhibitions “pandemic proof” —  even if there’s another lockdown.

Jones Gallery, located at 1 Charlotte Street in uptown Saint John, has launched a new project called Gallery Sounds, which involved rethinking and designing the gallery to “pandemic-proof” their programming so everyone, even those not comfortable going inside, can enjoy the art.

“Back in the spring when everything shut down all of sudden, we started doing all the things that a lot of businesses were doing. We were spending more time on the online shop and stepping up social media, all the normal digital stuff,” says Sarah Jones, the gallery’s curator.

“But it felt like we were really missing having a cohesive exhibition for our artists. That’s the whole point of having a gallery. It’s not just a retail space, it’s a programming space for artists.”

Gallery Sounds combines physical and digital infrastructure to create a safe viewing and learning experience. They built additional walls inside the gallery facing the windows and added new lighting. They then equipped each window and sidewalk square with a link and QR code.

Visitors can go from window to window, see the artwork, scan the code, and hear conversations from the artist and curator about the work without entering the gallery.

“It’s the kind of conversation that you would hear inside the gallery, but you can access it outside,” says Jones.

With Saint John currently in the “orange phase,” Jones Gallery is offering online order and curbside pickup only, making the Gallery Sounds project’s mission quite pertinent.  The gallery plans to reopen to the public when the zone moves back to the “yellow phase.”

Under the “yellow” phase of recovery of Covid-19 economic recovery, art galleries like Jones’ are still able to host openings and events with proper social distancing measures and mandatory masks. But even though her spacious gallery makes hosting events feasible, Jones says some people are still left out from the experience.

“We have clients who are in the most at-risk age group or they have friends and family in that group who are going inside [places] as infrequently as possible. That was kind of the idea too,” she says.

“Can we do something so people can see the exhibition and still feel like they are still participating in some kind of gallery experience without having to come in?”

The project also positions the gallery so that if it even needs to close again due to a lockdown, it can still showcase their artists.

“If we have to shut down completely, what can we do to make sure that the exhibitions or the projects can go forward for the artists no matter what, even if the gallery has to close completely again,” says Jones.

Gallery Sounds currently features exhibitions by Saint John artist Darren Emenau and Fredericton-based artist Jared Peters. Though the project was spawned the challenges Covid-19 presented, Jones says it’s a format the gallery can continue to use even after the pandemic is over.”

“Covid has forced us to think about alternative strategies, but also the time to pursue ideas in a meaningful way also,” she says.

Cherise Letson is the associate editor of Huddle, an Acadia Broadcasting content partner.

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Filipina front-line workers are turning their pandemic struggles into art – CTV News

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TORONTO —
Throughout her career, registered psychotherapist Elda Almario has spent a great deal putting the mental health of children she works with ahead of her own. But during the pandemic, she says, it’s become even less likely for her to “take a break and reflect.”

Over the past few months, Filipina front-line workers like Almario have found an outlet to relieve bottled-up anxiety, loneliness and fear: Writing their stories down and sharing them.

“Allowing space for my experience to come to the surface became a form of self-care for me,” Almario told CTVNews.ca in an email. “It was great to have a voice and be heard especially during a time when I have been so focused on my work due to increased demands and complex needs.”

The “Stories of Care” writing initiative, run through North York Community House in Toronto, virtually brings together front-line workers such as nurses, retail workers, at-home caretakers, dental hygienists, and cleaners, to share burdens they’ve mostly carried alone.

“It gives me strength, I feel encouraged because I know that no matter what we are facing, we face it with courage, resilience, and positivity and we continue to love what we do,” Olivia Dela Cruz, a paid caretaker of a household of six children, told CTVNews.ca in an email. “My respect [is for] all frontline workers because they all put others before themselves.”

Jennifer Chan, the lead organizer of the initiative, told CTVNews.ca in a video interview that the writers “feel seen and heard in a completely different way.” She said one participant told her, “it was so meaningful to get to write my story and just spend time thinking about me.”

Filipinx people play a crucial role on Canada’s front lines, making up one in 20 health-care workers, according to one study. A third of internationally trained nurses in the country are from the Philippines, according to the Canadian Institute for Health Information; with Filipinos making up 90 per cent of migrant caregivers providing in-home care under Canada’s Caregiver Program.

EXPERIENCES CAPTURED IN ART

Chan was inspired to start the program through her work with North York Community House, where she regularly consults with caregivers from the Philippines, who need help filling out government documents.

She and her colleagues were noticing “a lot of stuff coming to the surface” and they wanted to give them an outlet.

“Stories of Care” began last summer as a six-week writing course for a few Filipina front-line workers, and has since grown in attendance and centred on less-time-intensive sessions.

As of last Friday, some of the stories are now featured in a digital exhibition in the DesignTO Festival, based on three Filipinx artists who “read the stories [and] took inspiration from them,” Chan said.

One video called “Balikbayan” – a term for Filipinx people living outside of the Philippines — shows a fruit falling to the ground, turning into a box, crossing the sea, hitting the shore and growing into a tree. This signifies people starting a new life in Canada. The title also refers to the care packages or “Balikbayan boxes” that are sent back to the Philippines.

Another video features an animated circle of faces encircling alternating excerpts about workers’ fears, including getting COVID-19 on the job.

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Another piece features a silhouette of a person holding a sign reading, “we love to deliver,” contrasted with alternating English and Tagalog phrases such as: “I need to sacrifice my comfort for my family,” “I didn’t want to move to Canada” and “Migration is no guarantee for a better future.”

Stories of Care

“Having artists make renditions of our stories gives us the validation that our stories are valuable,” Gretchen Mangahas, a communications specialist and newcomer to Canada, told CTVNews.ca in an email.

“I felt the power of stories in the shared lived experiences of my Filipina sisters,” she said. “I knew that I was not alone, and that the connection opens opportunities to learn how to navigate in a new country I would call home. It has also created friendships and new avenues for sharing with others.”

FILIPINX FRONT-LINE WORKERS FEEL ‘OVERSIZED TOLL’

Last fall, the Migrant Workers Alliance For Change released a damning report alleging that throughout the pandemic, migrant care workers were subjected to entrapment, long hours, and thousands of dollars in stolen wages by exploitative employers.

Chan said some writers “were feeling stuck in their employer situation” and thought about quitting, but knew it would mean they couldn’t provide for family back home and might potentially lose permanent residency status.

Medical news publication Stat News also reported that COVID-19 has taken an “outsized toll” on mental and physical well-being for Filipino front-line workers in the U.S. Chan said the same could be seen in Canada.

“They need an outlet to reflect through their own stories… we’re not hearing enough from them,” she said. Chan said attendees had a lot of cultural habits to overcome initially, including so-called “toxic positivity” and the “ongoing feeling that these women feel that they have to feel grateful to be here.”

Many worried about their families back home in the Philippines, which was hit by multiple typhoons last year. Chan said others wrote about the strict lockdown measures in the country and about “not being able to go home. Not feeling safe here or there.”

Although most people today are only being able to connect with family over video or the phone, that’s what immigrants have done for decades, said magazine editor Justine Abigail Yu, who facilitates the writing workshop in both English and Tagalog.

“Loving from afar” was a big theme in their writing, she told CTVNews.ca in a phone interview. “Obviously the conditions are quite different on an extreme level, but we’ve always had to show our family who are living in entirely different countries how we care for them and how we love them.”

The organizers said front-line workers’ feelings of isolation and homesickness while living in Canada have only been amplified by the pandemic.

Yu, the founder of magazine Living Hyphen, created an environment where Filipina workers could open up to themselves and to others.

“So many of these caregivers and our immigrant families, we just want to survive. We move to Canada, work our asses off to get by and to make sure that we’re providing for our children and there’s no room to tell stories,” she said. Yu’s role involved “breaking down that barrier first and foremost.”

And the investment appears to have paid off.

“In more ways than one, we deeply resonated with each other’s experience,” Almario said. “I gained a sense of belongingness and community, the feeling of not being alone.”

Caregiver and single mother Dela Cruz agreed, saying being a part of this project “brings back so many memories that I thought completely forgotten. Stories about me that I never thought I will have the courage to share.”

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‘Glorified littering’: Junk street art installations popping up around Montreal – Global News

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From the Van Horne skate park in the Mile End to NDG’s Saint-Jacques Escarpment, bizarre art installations are popping up around the city.

Prowling panthers, massive abstract beasts — it’s all put together from the imagination of the artist under the pseudonym Junko.

It’s a fitting name, for all the art he creates is entirely made from miscellaneous “trash” that he finds on the street.

“Basically, they’re carefully arranged piles of garbage,” Junko said. “You can call it glorified littering.”

Read more:
Black Lives Matter street mural removed from Ste-Catherine Street

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Using things found on the street like car tires, bike frames, even shoes, everything is a workable piece in Junko’s creations.

Car bumpers are a common staple in his creatures.

“They’re definitely a popular item for me,” he said with a laugh.

Over the past few months, he has put together some six different statues around the city and abroad, all varying in size from small to towering.

A timber frame made from recycled wood holds the installations together.

“I’ve been making art my whole life,” Junko said. “My art has always been around creating creatures and characters. This is a new chapter in that.”

He says finding the junk isn’t that hard in the city but finding the right piece can be.

“Sometimes it’s extremely easy. I’ll be walking and find something and carry it home,” he said.

Read more:
Montreal’s Mile End construction project ends up on residents’ doorsteps

While shying away from the spotlight, Junko says he isn’t trying to make a point with his art, which he says speaks for itself.

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“There no deep hidden meaning, it’s just a way to expressing myself,” Junko said.

That so-called trash is getting a lot of likes and recognition on social media and on the street.

“There is a lot of art in the neighbourhood, so it’s good, I’m not against it,” resident Nick Barry-Shaw said.

Juno sees his form of expression as a legal grey zone.

“The people are into it but I’m not sure about the city, though,” Junko laughed.

Read more:
Pointe-Saint-Charles mural defaced by graffiti a chance to reconnect with community, creators say

He said that unlike graffiti, his street art is not vandalism but simply “an organized pile of trash.”

So far, all four art installations in the city have not been taken down, according to Junko.

The young artist says there is a lot more art to come and people should keep their eyes peeled.

“I’m just getting started so, yeah, you can expect more work,” he said.

© 2021 Global News, a division of Corus Entertainment Inc.

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Fine art in your mailbox: local artist creates unique postcards – TheRecord.com

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WATERLOO — A new postcard art project will use snail mail to rekindle memories of travel while sharing evocative original artwork.

Art galleries are closed due to the pandemic, and opportunities for local artists like Paul Roorda to display and sell their artwork are sparse.

“I just wanted to find a way to get my art out there so people can see it,” Roorda said.

His project “Somewhere Anywhere Postcards” is a series of hand-printed postcards that feature abstract landscapes, vintage stamps and messages of hope.

Roorda photographed different parts of an old, weathered wall. The lines and markings reminded him of beautiful landscapes, the ones you typically see on postcards from tourist destinations.

The postcards are small works of fine art, Roorda said, from the imagined landscape of the weathered wall he photographed, down to the vintage stamps he found and attached to each individual postcard.

The photographs were processed using an age-old technique known as cyanotype. Roorda mixes chemicals and brushes them onto paper. He then exposes the photographs in the sun and develops each photograph in water. The result of this process creates cyan-blue prints.

“I wanted to stay true to the vintage nature of the art,” Roorda said.

He has also written hopeful messages on the back of each postcard to uplift people during the pandemic as it keeps everyone indoors this winter.

“Right now with COVID we are surrounded by our walls, and we can see walls around us as barriers. I wanted to write something about seeing past those barriers at a time when people are feeling discouraged.”

Roorda is fascinated with vintage and antique items as well as found objects. Three years ago he created mini art galleries out of metal cash boxes and attached them to utility poles throughout Waterloo.

Roorda was ordered to remove them by bylaw officers, but was later granted permission by the city to temporarily display his art. The project was called “Time Stops” and each piece featured a musical element, found objects and messages.

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Roorda’s postcard project is supported by a grant from the Region of Waterloo Arts Fund. He launched “Somewhere Anywhere Postcards” last week and has already mailed postcards to addresses across Ontario and to Europe.

Roorda’s postcards can be found in his online shop at www.paulroorda.com.

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