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How To Master The Art Of Putting Yourself Out There – Forbes

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There’s a terrifying moment that comes after you hit publish, or send, or pick up the mic. A split second of realization; that you are out there. You’ve volunteered yourself upon the world. You’ve poured your heart and soul into the work that will now be revealed. There’s no going back. Everything has led up to this point.

Living completely within your comfort zone means passing up on these moments. If you never finish a book, you need never receive a review. If you never take centre stage, you can skip hair and makeup. If you never enter the race, you’ll never know if you could have won.

Shying away from limelight because of what people might think or say is a tragic excuse for inaction. Here’s how to master the art of putting yourself out there.

Increase your attention to detail

Every flawless TED talks took hours of planning, editing and practising; perhaps one hundred times the fifteen-minute talk length. The impressive prototype took undivided attention and improvements to be stage-ready. The more effortless something looks, the more effort actually took place.

The worry you have about exhibiting your work is inversely proportionate to how incredible you genuinely feel it is. All you can give is everything you’ve got. If your all has been given, the fear will be replaced by an excitement to present.

The happiness that comes with excellence is a unique feeling. In this moment, you’re bulletproof. You can withstand any remarks because you couldn’t have given more. Attention to detail is the difference between average and stunning. Between amusing and hilarious. Between mildly interesting and captivating. Don’t miss a beat and you’ll delight in the opportunity to be seen.

Create an alter-ego

You can be yourself or you can create an alter-ego. A character. It represents the version of you that has everything this performance needs. It’s the writer with a pen name or the singer with an alias.

They may only be subtly different to the person you really are, but they have some traits that make them happier in the limelight. The presence of a character lets you outsource any stage fright and focus on your craft.

Describe your character in detail so you can easily step into their shoes. What do they look, and sound like? What vibes do they radiate? How do they walk, talk and carry themselves? Give them a brand and match it to every action they take. Call on them during a key phone call, a big decision, a podcast interview or a media appearance.

Incorporate elements of your heroes within this character. Do they strut like a catwalk model or do they communicate as clearly as the speaker of the house? Perhaps they exude confidence like a television presenter or are as humble as your favourite writer. Create the trigger for the character taking over and deploy whenever necessary.

What’s the worst that could happen?

In my first year of high school I ran the hurdles race on sports day. I fell comically over a hurdle in front of the whole school and came in last place. I was teased for a while after, but I didn’t care. Although it wasn’t a conscious choice, I decided that I wasn’t going to let that moment define me. It was a one-off slip, literally, and I refused to associate with that version of myself.

Plenty of Oscar-winning actresses have tripped collecting their awards. Plenty of performers have hit technical difficulties, fluffed their lines or missed their cue. One-off mistakes and accidents aren’t ever the end of the world. How you respond to them is what will be remembered.

The worst that could happen, if you don’t put yourself out there, is that someone else will. One day you’ll be minding your own business, convincing yourself you made the right choice, when you’ll see someone living the life you were too scared to go out there and live. There are plenty of healthy-living chefs, but Joe Wickes put himself out there. There are plenty of people cleaning their own house, but Mrs Hinch dared to dream. For every bestselling book there are thousands that sit as unpublished manuscripts on someone’s dusty hard drive.

Don’t take it personally

You are not your internet persona and you are not your Instagram feed. Your headshot or avatar is the public-facing element of your work but it’s not the whole story. Truly happy people do not bring others down. Stop caring about what other people think. So what if someone doesn’t like your hair or your outfit? So what if you are judged based on what you just said? “According to Gayle King, “When people don’t want the best for you, they are not the best for you.”

Distance yourself from compliments and criticism by cultivating indifference to both. Critics are not your concern. Compliments won’t make you. Become so sure of your path that you could hear any feedback and not lose any sleep. Stay grounded no matter the highs or lows. Keep making good art and focus on the labour, not the fruits. The inputs, not the response.

Ten years from now, you’ll look back over the decade and wish you’d had the confidence to go for it. Twenty years from now you’ll feel silly for taking yourself so seriously. Thirty years from now you’ll think you’ve missed your chance. Make good art and put it out there.

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Irina Antonova, head of top Moscow art museum, dies at 98 – The Record (New Westminster)

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MOSCOW — Irina Antonova, a charismatic art historian who presided over one of Russia’s top art museums for more than half a century, has died at 98.

The Pushkin State Museum of Fine Arts said Antonova, its president, died in Moscow on Monday. It said Tuesday that Antonova last week tested positive for coronavirus, which exacerbated her chronic heart ailments.

Antonova began working at the Pushkin museum after her graduation in 1945, and in 1961 she became its director. She held the job until 2013, when she shifted into the ceremonial post of its president. The 52-year tenure made her the world’s longest-serving director of a major art museum.

As the Pushkin museum director, Antonova spearheaded major art exhibitions that saw the exchange of art treasures between the Pushkin Museum and top international art collections despite the Cold War-era tensions and constraints. Those exchanges, facilitated by her extensive personal contacts with colleagues in the museum world, brought Antonova wide acclaim worldwide.

She also was very active in promoting the museum’s treasures to the public.

Antonova has received numerous Russian and foreign state awards.

Russian President Vladimir Putin sent his condolences. Kremlin spokesman Dmitry Peskov said that the president often met Antonova at the museum and “highly appraised her deep expert knowledge.”

Antonova will be buried in Moscow’s Novodevichy cemetery alongside her husband, who also was an art historian. Funeral ceremonies will be closed to the public amid coronavirus restrictions.

The Associated Press


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Art world star gives back by buying work of the undiscovered – Bowen Island Undercurrent

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NEW YORK — Painter Guy Stanley Philoche, a star in the New York art world, had wanted to treat himself to a fancy watch after a hugely successful gallery show. Then the pandemic hit, and he feared for all the struggling artists who haven’t been so lucky.

So he gave up his $15,000 Rolex dreams and went on a different kind of buying spree, putting out a call on Instagram in late March to any artist anywhere who had creations to sell. The submissions rolled in, hundreds at a time.

He’s spent about $60,000 so far with plans to continue as long as he can, and Philoche’s own patrons have taken notice and asked him to make purchases on their behalf as well.

“It’s about artists helping artists,” said the 43-year-old Philoche, who came to America from Haiti with his family at age 3, nearly nothing to their names.

“I’m not a rich man,” he said, “but I owe a big debt to the art world. Art saved my life, and I made a promise to myself that once I made it, to always buy from artists who hadn’t gotten their big break.”

Philoche has a budget, seeking out works in the $300 to $500 range. He buys only what he loves, from as far away as London and as close as the studio next to his in East Harlem. An abstract mixed-media piece by Michael Shannon, his studio neighbour, was his first purchase, leading Philoche to include him and others he’s discovered in an upcoming group gallery show.

About half the artists Philoche has chosen are people he knows, many in New York. The others sent him direct messages on Instagram with sample work in hopes of being picked.

Philoche, who went to art school in Connecticut where his family settled, has lined the walls of his tiny apartment with his Philoche Collection During Covid, ranging from graffiti-inspired work and portraiture to pop art and a huge pistol done in bright yellow, red and blue paint.

Philoche’s own work goes for up to $125,000 a piece. During a recent interview at his studio, he slid out from storage large canvases from his breakthrough, Mark Rothko-esque abstract Untitled Series and a collection of female nudes with duct tape over their mouths. Often whimsical, he has also produced paintings inspired by Monopoly and other board games, as well as comics such as Charlie Brown.

Among his clients: Deutsche Bank, Merrill Lynch and Barclay Investments Inc., along with Uma Thurman, George Clooney and fellow artist Julian Schnabel.

Giving back isn’t something the affable Philoche just recently decided to do. Over his 20-plus year career, he has tried to stick to a simple rule to support other artists: Sell a painting, buy a painting. But it was a chance meeting with a friend and fellow artist who was anxious about the pandemic with a baby on the way that set him on his pandemic buying spree.

“I’m not on the first line, but my community was impacted as well,” he said. “It was just the right thing to do. I love waking up in my apartment every morning seeing the walls. There’s paintings on the floor, all over. Some of these people have never sold a painting in their life.”

His feisty French bulldog Picasso at his side, Philoche recalled his own meagre start in New York after he put himself through art school while working full-time as a bartender.

“People didn’t open the doors for me. I had to get into the room through the back door, or through the window,” he said with a laugh. “But now that I’m in the room, with a seat at the table, I have to open doors for these artists.”

Leanne Italie, The Associated Press

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Irina Antonova, head of top Moscow art museum, dies at 98 – Bowen Island Undercurrent

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MOSCOW — Irina Antonova, a charismatic art historian who presided over one of Russia’s top art museums for more than half a century, has died at 98.

The Pushkin State Museum of Fine Arts said Antonova, its president, died in Moscow on Monday. It said Tuesday that Antonova last week tested positive for coronavirus, which exacerbated her chronic heart ailments.

Antonova began working at the Pushkin museum after her graduation in 1945, and in 1961 she became its director. She held the job until 2013, when she shifted into the ceremonial post of its president. The 52-year tenure made her the world’s longest-serving director of a major art museum.

As the Pushkin museum director, Antonova spearheaded major art exhibitions that saw the exchange of art treasures between the Pushkin Museum and top international art collections despite the Cold War-era tensions and constraints. Those exchanges, facilitated by her extensive personal contacts with colleagues in the museum world, brought Antonova wide acclaim worldwide.

She also was very active in promoting the museum’s treasures to the public.

Antonova has received numerous Russian and foreign state awards.

Russian President Vladimir Putin sent his condolences. Kremlin spokesman Dmitry Peskov said that the president often met Antonova at the museum and “highly appraised her deep expert knowledge.”

Antonova will be buried in Moscow’s Novodevichy cemetery alongside her husband, who also was an art historian. Funeral ceremonies will be closed to the public amid coronavirus restrictions.

The Associated Press


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