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Hunter Biden to critics of his art: ‘F— ’em’ – POLITICO

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Hunter Biden has a message for critics of his nascent art career: “f— ’em.”

A New York City gallery is exhibiting nearly a dozen works from the president’s son at an estimated worth of between $75,000 to $500,000. The price tag for such an untested artist is highly uncommon, and has raised concerns of the possibility that someone would purchase the art as a way to curry favor with the first family.

Asked by hosts of “Nota Bene,” a podcast dedicated to covering happenings in the art world, to respond to the people accusing him of using the art to improperly enrich himself and his family, Biden interjected: “Other than f— ‘em?”

“If I were going to hatch a plan, it certainly wouldn’t be to make paintings,” Biden said, given how intensely personal his artwork is to him.

“I could just stay in my studio and paint for myself — and I ultimately do do that — but it’s kind of exciting to know that there’s an audience, and for that audience to be able to have its own interpretation of what that painting means to them,” he said.

Several art critics recently told West Wing Playbook said that the value of the art is inextricably tied to the younger Biden’s surname, a point that Hunter Biden said he does not dispute.

“It’s been the unfair advantage of my whole life,” he said the episode released Thursday. “It’s a hell of a lot easier to get noticed, not only by the cop who pulls you over for speeding but also by the school or whatever the endeavor may be.”

He said that notoriety has only been compounded by the attention generated by his well known struggles with substance abuse, and his business dealings that drew attention from conservative media outlets during the 2020 presidential campaign.

“I think I am the most famous artist in the MAGA world,” Biden joked.

The Biden administration has worked to allay fears that the art exhibition risks undue political influence and said there’s an agreement with the George Bergès Gallery to shield the buyer’s identity from the president and his son, as well as the White House and the general public.

For his part, the younger Biden said he had no say in determining the value of his art and noted that the market can be “completely subjective, and completely arbitrary at times, and has sometimes nothing to do with anything at the moment.”

“I never said my art was gonna cost what it was gonna cost, or how much it was gonna be priced at. I’d be amazed if my art had sold for $10.”

Biden, who has insisted he is not a dilettante, also acknowledged that while his family name can land him opportunities, there’s a limit.

“If you don’t come with the goods it can be really, really a horrible experience,” he said. “So I don’t do this lightly, and I don’t do it without the knowledge that there’s so many incredible artist that never get the chance to find a gallery or share their art with the wider world.”

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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