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India enjoyed a free and vibrant media. Narendra Modi’s brazen attacks are a catastrophe

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In January, the BBC broadcast a two-part series, India: The Modi Question, which looked forensically at the role of Narendra Modi in fomenting the Gujarat anti-Muslim riots of 2002 in which at least 1,000 people were killed. Now the prime minister of India, Modi was then the chief minister of Gujarat.

The response in India was swift. Kanchan Gupta, an adviser to the ministry of information and broadcasting, called the documentary “propaganda and anti-India garbage” that “reflects BBC’s colonial mindset”. The BJP government invoked emergency laws to ban the documentary and any online links to clips. When students at the Jawaharlal Nehru University tried to screen the documentary, the university authorities cut off electricity to the whole campus.

Then, last week, the authorities raided BBC offices in India, supposedly to investigate “tax evasion” by the corporation’s Indian operation. On Friday, the government claimed to have discovered “evidence of tax irregularities”. Most local journalists are deeply cynical. The raid on the BBC, the Press Club of India observed, was “a clear cut case of vendetta”.

The cynicism about Delhi’s motives is well earned. Since Modi and his Hindu nationalist BJP party came to power in 2014, he has pursued a relentless campaign to curb the independence of India’s media. “Criticise us and we’ll come after you,” is the banner under which the government operates. As the Editors Guild of India put it, the BBC raids (which the government, in BJP Newspeak, calls not “raids” but “surveys”) are part of a well-established “trend of using government agencies to intimidate and harass press organisations that are critical of government policies or the ruling establishment”. The government – and many BJP-controlled state administrations – have also sought to intimidate journalists through the use of sedition and national security laws. In 2020, Siddique Kappan, a journalist from Kerala, reporting a story of a 19-year-old Dalit woman who died after being allegedly gang-raped by four men, was charged by police in BJP-controlled Uttar Pradesh with sedition, promoting enmity between groups, outraging religious feelings, committing unlawful activities and money laundering. Still awaiting trial, he was finally released on bail this month after two years in jail.

That same year, Dhaval Patel, editor of a Gujarati news website, was charged with sedition for writing an article critical of the state government’s Covid policy. In 2021, the journalist Kishorechandra Wangkhem was charged under the National Security Act by the BJP-led Manipur government for writing that cow dung does not cure Covid; he spent nearly two months in jail before being released by the courts.

India’s ministry of information and broadcasting blocked the television channel Media One for 48 hours because it had covered mob attacks on Muslims in Delhi in 2020 “in a way that seemed critical toward Delhi police and RSS”. The RSS is a paramilitary Hindu-nationalist movement with close ties to Modi and the BJP.

In 2021, as Delhi was rocked by huge farmers’ protests against new agricultural laws, prominent journalists, including Siddharth Varadarajan, editor of the digital website The Wire, and Vinod Jose, Anant Nath and Paresh Nath, editors and publishers of Caravan magazine, were charged with sedition for reporting on the death of one of the protesters. As Hartosh Singh Bal, Caravan’s political editor, observed, the targets were not surprising: the farmers’ protest was the biggest challenge to the BJP since it came to power, while The Wire and Caravan are “among the few media organisations willing to look at the ruling government critically”.

These are just a handful of the cases that Indian journalists have faced in recent years. Charging someone with sedition has become the weapon of choice, especially for BJP politicians and administrations when faced with criticism.

Journalists, especially female journalists, and those critical of Hindu nationalism, have not just been censored, they have been assaulted, even killed. Journalists like Gauri Lankesh, shot dead by three assailants in Bangalore in 2017. In 2021, Reporters Sans Frontières (RSF) named India as one of the five most dangerous countries for a journalist.

Many media bosses have been only too happy to comply with government strictures. In 2020, during the Covid pandemic, hours before he announced the world’s largest coronavirus lockdown, Modi met senior news executives and urged them to publish only “inspiring and positive stories” about the government’s efforts. As Caravan noted, Modi’s intervention ensured little critical coverage of the government’s Covid failures. The supreme court, however, denied the government’s request for prior censorship of news stories, ordering the media to “publish the official version” of pandemic developments. Unsurprisingly, India has plummeted in the global press freedom rankings compiled by RSF. In 2002, India stood 80th in the world. Today it stands at 150th out of 180 countries, below nations such as Turkey, Libya and Zimbabwe.

Repressive censorship did not originate with the BJP. India has long had a vibrant media culture; it has also long had a culture of censorship and repression. The most despotic moment came with the imposition of the Emergency between 1975-77, when prime minister Indira Gandhi cancelled elections, suspended civil liberties, rounded up political opponents and muzzled the media. She expelled the BBC from India after it refused to sign a censorship agreement.

Nevertheless, the BJP under Modi has helped remake the relationship between the media and the state, and, outside of the Emergency, has imposed the tightest leash on the press.

While many media owners and big-name editors have toed the government line, smaller fiercely independent outlets and individual journalists have pushed back against the climate of censorship and borne the brunt of the repression. What many now fear is that the geopolitical importance of India, especially as a counterweight to China, is muting the western response, particularly after the assault on the BBC. While western governments lecturing other nations about freedom and liberty is often an unedifying sight, many fear the silence of London and Washington “could pave the way for more ‘brazen’ action… by the Modi government”.

As rightwing populists do in many other nations, the BJP presents its battering of the media as a challenge to the “elite”. It is, in reality, an attack on any criticism of the elite. The slow strangulation of a free and independent media is a catastrophe for India. But not just for India. It is a development that should trouble all of us.

Kenan Malik is an Observer columnist

 

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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