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‘Indoor-Outdoor’ Public Art for Public Facilities Project Seeking Art Submissions

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The City of Peterborough Public Art Program is inviting artists to submit two-dimensional artworks for consideration as new public art installations at municipal facilities and community spaces across the City announced on Monday.

File Photo.

Indoor-Outdoor is a two-stage public art project that will integrate artwork created by local artists into City spaces such as parks, recreation facilities and downtown City Hall. Stage one (Indoor) will be completed early next year and stage two (Outdoor) will be completed later in the year.

The project is being administered through the City of Peterborough Public Art Program, in accordance with a resolution of Council in November 2021 on the funding of public art and is open to professional artists and cultural practitioners living in the City and County of Peterborough, Hiawatha First Nation or Curve Lake First Nation. The commission value for each artwork is $4,500.

Genius Dog 336 x 280 - Animated

The program seeks new, recent or past original works for indoor facilities. A selection committee will discuss each application and select four artworks; considering artistic merit, relevance and feasibility.

The City’s intentions with this project is to “enrich these spaces and people’s exposure to art by bringing art to places where people frequent,” and allow the art pieces to “speak to the spirit of sport and consider the inherent relationship between beauty and skill,” according to a press release.

The four selected artworks will be installed and displayed for twelve to eighteen months at either City Hall, Kinsmen Civic Centre, Healthy Planet Arena or the Sport and Wellness Centre, rotating the works between sites at the end of each term.

The Indoor artworks will be mounted on the main foyers of each facility.

Submissions for the Indoor-Outdoor project close on Dec. 15, at 4 p.m. All submissions must be completed online. More information about the project can be found on the City’s Public Art webpage.

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Hands-on art installation takes shape at college campus

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Artist Jill Price is showcasing some of her new art, called UN/making the Frame, at The Campus Gallery at Georgian College in Barrie.

Visitors will find in the printed handout that they are invited to “put on a suit, smell, water, zest, taste, move, touch, and rearrange elements in the space,” which helps illustrate “everyday performances that help to visualize how still-life paintings are neither two-dimensional nor still, and that the actions of humans matter.”

Price, a past instructor in Georgian College’s fundamental art and fine art programs, is an interdisciplinary artist and the recipient of several Queen’s University awards.

Genius Dog 336 x 280 - Animated

Her artwork has been shown may times overs the years going back to 2000 — in solo shows, as well as juried, group and invitational exhibitions across Ontario.

This particular exhibit “presents multiple assemblages that point to how a plastic garbage can or a ‘mere bowl of fruit’ whether painted or in the flesh, are all part of our animate and interconnected ecologies.”

“Embracing the ready-made for its potential to delineate space as well as bring attention to the accumulation and ‘liveliness’ of everyday objects.”

The arranging, placement and use of the objects is solely up to the viewer as they walk through the gallery.

There is also a stop-motion video screen that draws the visitor in to witness Price as she plays out the process of creating the pieces and documents the time, labour and the materials that were used in the artworks.

This whimsical and hands-on experience can be viewed at The Campus Gallery until Dec. 4.

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Art

Hands-on art installation takes shape at college campus

Published

 on

Artist Jill Price is showcasing some of her new art, called UN/making the Frame, at The Campus Gallery at Georgian College in Barrie.

Visitors will find in the printed handout that they are invited to “put on a suit, smell, water, zest, taste, move, touch, and rearrange elements in the space,” which helps illustrate “everyday performances that help to visualize how still-life paintings are neither two-dimensional nor still, and that the actions of humans matter.”

Price, a past instructor in Georgian College’s fundamental art and fine art programs, is an interdisciplinary artist and the recipient of several Queen’s University awards.

Her artwork has been shown may times overs the years going back to 2000 — in solo shows, as well as juried, group and invitational exhibitions across Ontario.

Genius Dog 336 x 280 - Animated

This particular exhibit “presents multiple assemblages that point to how a plastic garbage can or a ‘mere bowl of fruit’ whether painted or in the flesh, are all part of our animate and interconnected ecologies.”

“Embracing the ready-made for its potential to delineate space as well as bring attention to the accumulation and ‘liveliness’ of everyday objects.”

The arranging, placement and use of the objects is solely up to the viewer as they walk through the gallery.

There is also a stop-motion video screen that draws the visitor in to witness Price as she plays out the process of creating the pieces and documents the time, labour and the materials that were used in the artworks.

This whimsical and hands-on experience can be viewed at The Campus Gallery until Dec. 4.

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Ukrainian avant-garde art finds refuge from war in Madrid

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MADRID, Nov 29 (Reuters) – Ukrainian art has found a refuge in Madrid where a retrospective on the country’s avant-garde in the early 20th century is showing works little known to the general public while offering them a safe haven away from the bombs.

On Tuesday, the Spanish capital’s Thyssen-Bornemisza Museum inaugurated the exhibit “In the Eye of the Storm. Modernism in Ukraine, 1900-1930s”. It showcases a collection of about 70 artworks in various formats representing different trends, from figurative art to futurism and constructivism.

Genius Dog 336 x 280 - Animated

Aside from paying tribute to a little-known period in the history of Ukrainian art, the exhibition takes on particular relevance amid Russia’s ongoing invasion of the country.

“We wanted to do something in terms of showing Ukrainian art, but also taking Ukrainian art out of Ukraine and bringing it to Europe and to safety,” Katia Denysova, one of the exhibit’s three curators, told Reuters.

Denysova, who described her journey out of Ukraine as a “rollercoaster”, said that transporting the works through a country at war into the European Union ran into numerous challenges.

They included the temporary closure of borders in response to the impact of a stray missile on neighbouring Polish soil, which sparked fears of an escalation two weeks ago.

When the curators saw the works had made it to Spain safe and sound, they were “beyond delighted”, Denysova added.

She now hopes that Ukrainian avant-garde art will tell the public a story of creation and resistance.

“This is an integral part of our heritage, of our culture in Ukraine. This is what Ukrainians are fighting for right now.”

Reporting by Darío Fernández, Silvio Castellanos and Michael Gore; Editing by David Latona and Mark Heinrich

 

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