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Influx of donated art a 'fantastic problem to have,' says Oak Bay mayor – Victoria News – Victoria News

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Two more sculptures were donated to Oak Bay this week, bringing the total to four donations so far this year.

Council accepted the pieces which are both from the 2019 ArtsAlive public art exhibition. The pieces came with a suggested location, however, council amended the recommendation and reserved the right to have the public art advisory committee help decide where they should go.

It’s part of an influx of public art in Oak Bay and brings the total number of permanent outdoor pieces to 10. That’s up from hardly any prior to 2015, said Mayor Kevin Murdoch

“It’s a fantastic problem to have,” Murdoch said.

It adds up to 20 when including the 10 annual ArtsAlive pieces on exhibit, not including the biggest mural in the region, Parade of Play, on the back of the public works building.

“[Before ArtsAlive] there was not one piece, besides the piece hanging inside the recreation centre,” said Oak Bay arts laureate Barbara Adams. “The idea was to build a legacy of public art in Oak Bay for future generations to enjoy. We had no idea in starting this that the public would really like it, and it’s been very successful.”

The donations started with an anonymous patron who was inspired by the Stanley Park mermaid. They thought the tidal rock along Beach Drive between Haynes and Queens’ Park could have something similar but with an Oak Bay twist.

That was denied last year. Since then, though, there’s been an influx of sculptures donated. So many, council has asked for a plan.

READ ALSO: Mayor’s arts fund to purchase sculpture in honour of Nils Jensen

READ MORE: Voting window for 2019 ArtsAlive sculptures nears its end

“Do we need a policy for these donations is a question that has come up,” Murdoch said. “The responsible thing is to look at every piece whether we have a policy or not, they are individual pieces.”

As Coun. Hazel Braithwaite noted, while the sculptures are built for durability, council does retain the right to remove or move the sculptures as seen fit.

The newest two pieces are Jelly, by Nathan Smith, which was exhibited at Oak Bay Village at Hampshire Road, and Portal, by Heather Passmore, which was at Willows Beach. These are in addition to the recent donation of the 25,000-pound marble sculpture Soul of a Wolf (inspired by Takaya) to be installed at Cattle Point (pending final details). Earlier this year the Winds of Time, a 2019 ArtsAlive sculpture, was accepted as an anonymous donation to go into King George Terrace.

But it’s not just the donations that are popping up. In 2019, to the ‘M’akhotso sculpture (Mother of Peace), a 2018 ArtsAlive sculpture by Linda Lindsay, that was purchased to permanently honour the late Nils Jensen at Monterey Recreation after his 2019 death.

Plus, there are the first five people’s choice winners of the annual ArtsAlive exhibition which are purchased by the district. The latest is the 2019 winner Harmony Humpback, installed on the sidewalk of Beach Drive at the parking lot entrance to Willows Park.

“When we started this about eight years ago, we had 28 locations identified, in principal, as locations for permanent art,” Adams said. “But we needed public input. The public needs to own this. That’s been a big part of it.”

READ ALSO: Winds of Time breezes onto Oak Bay lookout

It’s only speculation, but as council deliberated on Monday night, there is a question as to how many pieces are appropriate for McNeill Bay or Willows Beach. It was suggested in the council report that Portal be installed on Willows again, this time further along the Esplanade closer to Cattle Point.

These final two months of 2020 are Adams’ last as Oak Bay’s first arts laureate. The district will put out a call for a new arts laureate soon. It’s a volunteer position that can sometimes feel like a job, a worthy passion project, Adams said.

One thing Adams’ would like to see ArtsAlive tackle that it hasn’t is the addition of some performance spaces.

“Creating some performance spaces was part of the vision from the beginning,” Adams said. “We have had to put it on the back burner to focus on other things.”

Adams envisioned a circular bench area near a sculpture that people could sit at while musicians performed. It’s a vision shared with the mayor.

“I would like to see [dedicated] public space for performing arts,” Murdoch said.

reporter@oakbaynews.com


 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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