Thinking of a hospitality project as static
“I believe strongly in hospitality as being a driver for cultural and art-based” activations, says Mekhayech, whose firm’s projects include the Montage Cay in the Abacos Islands, Momofuku restaurants, the landmark NeueHouse Bradbury in L.A., among others. A mix of fixed and rotating pieces can be exciting, especially as more hotels do double duty as offsite galleries and unorthodox exhibition spaces. Champalimaud’s Elisabeth Rogoff appreciates this type of flexibility as long as it emerges from “an intentionally thoughtful process.”
Forgetting to go with your gut and heart
“Art is a personality, it’s a feeling, it’s an emotion, it’s a reaction,” says Rogoff, who counts her mother and other relatives as professional artists. Merely fixating on pretty pictures can mean “throwing interest, whimsy, or provocation out the window. Complement the interior with the art, and think about what you are trying to accomplish by wanting to activate a space,” she says.
Getting too stuck on local
Many hotels and consultancies promote their local art programs, which can be a powerful tool to support surrounding creative communities. Context and project dynamics are everything, and art should add another rich layer to the brand and/or interior design vision. A mix might be best, such as Lendrum Fine Art’s deft curatorial work seen alongside Martin Brudnizki’s interiors at the Pendry West Hollywood. “If it ends up being local, great,” Mekhayech says, and yet looking farther afield need not be a deal breaker. Ultimately, beware of how the term local is bandied about as a marketing buzzword.
Playing it too safe
Each hotel has a distinct set of parameters, but art is meant to be fun, challenging, and push boundaries. (That said, violent or sexually graphic content is typically off limits.) With that in mind, designers should feel emboldened to experiment with materials and mediums.
Mekhayech, for one, has recently gotten into sourcing digital art, for instance. Designers need to confidently remember that their clients hire them for their eye and expertise—so don’t be afraid to expand comfort zones. With decor and furnishings, “We’re only going to put forward what we believe in,” Rogoff says. “That’s true for art too.”
Rare First Nations Artwork Uncovered at Yukon Friendship Centre – CBC.ca
Staff at the Skookum Jim Friendship Centre were shocked to find 183 art pieces in their basement recently, many of them created by well-known artists.
“This recent discovery during this year of significant hardship has been a very welcome surprise,” said Bill Griffis, the centre’s executive director, in a news release.
The art was originally donated to the non-profit organization in Whitehorse back in 1997, but forgotten over the years as staff left.
Among the pieces found, 28 belonged to the well-known contemporary artist Carl Beam. The other 155 were created by Stephen Snake and other Indigenous artists.
Griffis said the next step is to determine the value of each piece.
“Each one [of Beam’s art pieces] has an appraisal certificate with them,” said Griffis. “Part of the process is to figure out what the value is now because we have a collection [and] there may be some historical value to it.”
Out of the other 155, about a third of them also had appraisals from the late 90s.
Significant impact on Canadian art sector
As one of Canada’s most ground-breaking Indigenous artists, the art from Beam is of particular interest.
He was from M’Chigeeng First Nation, located on Manitoulin Island, Ont. He was born in 1943 and passed away in 2005.
Beam had a significant impact on the Canadian art sector. His work, which ranged from Plexiglass to canva and other media, provoked conversations about the Indigenous experience of injustice in Canada.
Beam’s cousin, Joe Migwans, is a long-time Yukon resident and cultural mentor.
“He was my cousin by blood, but he’s more like my uncle because in our way, when we have a cousin like that, that age, he’s more like my uncle. I always listen to what he said to me because he’s my elder,” explained Migwans.
He said Beam’s work has a powerful message and is even more relevant today.
“He’s basically preserving those kind of snippets in this time and telling, and it kind of like how he perceives the world to be and what his take is on it. And then in the future, people will see kind of what was going on here from from his perspective,” he says.
Towards the end of his life, Beam started to talk more about what life could be or what life is all about, said Migwans.
“What it’s about is overcoming and then achieving something in your life and not having to go through what you did in the past. So your life can move forward. I mean, that’s the vision, right? And a lot of us back home that knew him and worked with him, we always believed that he was more well ahead of his time,” he said.
Migwans said art is used to tell a story and capture a moment in time. He added that most of Beam’s work came from his anger from residential schools and injustices towards Indigenous people.
“Some of the things he would like to really do was to take any stereotype around First Nations people. One of the things was saying our people were dirty Indians. Except there never was. We never were like that,” said Migwans.
5:06Art by Carl Beams and Stephen Snake discovered at the Skookum Jim Friendship Centre in Whitehorse
Beam was the first Indigenous contemporary artist featured at the National Gallery of Canada in Ottawa.
“He did it on his own in his own way. Not as a First Nations artist, as the contemporary artist, which means he’s just like anybody else. He’s not under the guise of First Nations or the idea that he’s entitled to something because he’s First Nation.
“He didn’t have to use that as something to get him forward,” said Migwans.
Out of nearly 200 pieces, some will be sold to the public and some to private galleries across Canada.
The remaining pieces will be part of a silent auction on the Friendship Centre’s website from Dec. 4 to the 14th.
The auction is part of a fundraiser between the Skookum Jim Friendship Centre and Sundog Veggies Training Farm.
Heather Finton, owner of Sundong Veggies, said the organization is grateful they can use the found art to raise some money.
“Not only is this artwork like amazing and so timely but the way that some of these gifts are going to be available to the community to support the work Skookum does is … it’s just a privilege to be part of these amazing story,” she said.
The two organizations have been collaborating since 2020 for the community lunch program which feeds several families in Whitehorse. They share a goal of building food security in the Yukon and creating opportunities to develop land-based skills.
Bringing Together Art & The Cosmos | astrobites – Astrobites
Anyone who has seen an image from Hubble knows that space is downright beautiful. It’s almost no surprise that the wonders of the cosmos have inspired art and culture for much of humanity’s history. Science art is both valuable for and created by scientists, science communicators, and really anyone with any interest in space. In today’s Beyond Bite, we’ll look at the role and importance of science art in modern astronomy, as well as hear from many science artists about what motivates them to create.
The Value of Science Art
Science is inherently creative
Although science is often thought of as separate from and more objective than art, people are finally breaking down that idea. Science is done by people, for people, and inherently includes all the complexity that comes along with that. Science also requires a great deal of creative thinking, a fact that is integral to the popular STEAM (Science, Technology, Engineering, Arts, and Math) framework of education. This educational strategy incorporates both arts and science into a holistic education, building students’ critical thinking, problem solving skills, and creativity.
Visual art also comes into play in part of the scientific process: data visualization. Designing engaging, understandable, and appealing plots is akin to a creative art practice, and there are even contests for the best plot art, such as the John Hunter Excellence in Plotting Contest. Sometimes, the mistakes of data visualization create abstract art on their own, too, as displayed in @accidental_art.
Art bolsters wellbeing
From art therapy to adult coloring books, there is ample evidence of the benefits of practicing art on peoples’ mental health and overall wellbeing. Science, on the other hand, has a history of being hard on mental health (especially in graduate school!) and encouraging poor work-life balance. Research has shown that having hobbies, such as creative and artistic pursuits, can lower stress levels and improve people’s sense of work-life balance. Although hobbies and art certainly have value outside of their use in science, they can also help scientists find new creative inspiration to solve problems and even improve their productivity in the long run. Scientists can also share their hobbies and art as part of their science communication, breaking down harmful stereotypes and even boosting their credibility and effectiveness in connecting with various public audiences.
Science communication through art
One of the most often cited reasons for making science art is that it helps share science in a fun way that engages broad audiences. Only a fraction of the science being done makes it to the public, partially due to the fact that many audiences harbor mistrust of scientists or are simply unfamiliar with scientific thinking and methods. Another problem is the widely used “deficit model” of science communication, in which people need to simply be given objective information to change their views and learn.
Instead of seeing emotionality as simply a barrier to objectivity, we can harness emotion to engage audiences and build trust, often through art. Art can open the door to a different model of communication—two-way engagement, in which people actively ask questions and participate in understanding scientific discovery. Nature has even recently extolled the virtues of artist-scientist collaborations, describing the results as “exhilarating, challenging, enlightening, stimulating, inspiring, fun.”
A 2016 study of science communication found that art is increasingly being incorporated into science communication and outreach efforts through artist residencies, classes, exhibitions, and more, although physical science lags behind other disciplines in its use of science art. Dedicated science art galleries and events are also growing, such as the The Art of Planetary Sciences show at the AAS Division for Planetary Sciences yearly meeting and the STARtorialist booth at the AAS bi-annual meetings. Some institutions, such as Caltech, also have art installations within their academic buildings.
Stories from Science Artists
Although research has looked into the value of scientific art, it’s impossible to truly understand the impacts and motivations to make astronomical art without actually talking with the people involved. Below are quotes from many different science artists, describing their “why” for creating art based on outer space or telling stories about ways science art has enriched their lives, careers, and more.
“I’m pretty into space cross stitch…I realized the pulsar plot profile would work perfectly, and it turned out awesome so I made a second when Jocelyn [Bell Burnell] visited our department for her! The pulsar plot profile I made her is of the first pulsar she discovered. Think I reached my peak nerd in that pic of the two of us for sure. She loved it!” — Dr. Yvette Cendes @whereisyvette [Images below courtesy of Dr. Yvette Cendes]
“I make my little astronauts because they remind me to explore in wonder, to appreciate having a breathable atmosphere, and to remember what we can do when we collectively aim ourselves at a goal!” — XXYXXYART @xxyxxyart
“I think it’s very important for artists to make the huge universe something that everyone can relate to and enjoy in tangible ways.” — Yugen Tribe @yugentribe
“There are a lot of cool images in the Hubble archive that don’t make it out to the public in a meaningful way, so I try to find those and bring them out. Other than that, it’s a fun way to explore and begin to understand astronomy and astronomers.” — Judy Schmidt @SpaceGeck
“Space is vastly interesting…I usually am inspired by whatever I am learning about as my amateur astronomer/space lover self. Oppy up there [in the image] was in order to keep busy while I was worried about the dust storm. New Horizons was designed just after flyby, and I worked on Juno while watching it arrive at Jupiter.” — Alyshondra Meacham @AlyshondraM
“I do a lot of sci art because I want people to appreciate the things I study in a way where they might not normally see them…I think also a big thing for me too is I love defying expectations, and I’m so tired of seeing scientists depicted in such one-dimensional ways…we have other passions, especially in the arts, and I think the two go hand-in-hand. I think being solely invested in a singular science is not sustainable and is more susceptible to burnout.” — Marina Dunn @Astro__Marina
“I’ve tried my hand at some astro artwork as part of our #AstroOnTap LA [outreach] posters (for Caltech Astro)…it’s nice to take a break from science to work on these. They’re a labor of love.” — Cameron Hummels @astrochum [Images below courtesy of Cameron Hummels / Caltech Astronomy on Tap]
“In a nutshell, I find it hard to communicate ideas verbally. I’m very socially anxious, too, but I appreciate that science communication is extremely important. This [art] was my attempt of using the knowledge and toolset I have to communicate science and my research.” — Soheb Mandai @TheAstroPhoenix
“I just recently became a science artist…When COVID took over and we self-isolated, I knew the only way I’d be able to get through it would be creativity and connections. I sent out over 300 postcards (mostly astronomy and famous women in science) all over the world. Then someone said I should make my own postcards…I began making Afronaut Space Art postcards that I send out to my patrons once a month. I love it. I never imagined I could be a space artist and now here I am doing it.” — Astronaut Dr. Sian Proctor @DrSianProctor
“I do #sciart for three reasons: 1) When the universe is trying to kill you, sometimes you just need to find zen in the art of planetary sciences. 2) Not all news stories have good art to go with them and I fill gaps. 3) The income makes a difference.” — Dr. Pamela L. Gay @starstryder
“10 years ago I needed an illustration for a book I wrote on astronomy in national parks. That illustration was so popular with park rangers it launched a career that eventually let me retire as a professor to pursue science outreach through art full time.” — Tyler Nordgren @NightSkyPark [Images above courtesy of Tyler Nordgren]
“Creating sci art gives me another way to communicate science to the public. As an astrophysicist, I’m passionate about science, but it’s nice to be able to take a visual approach. I enjoy making distant phenomena more tangible through a painting, like an exoplanet landscape of clouds on a brown dwarf.” — Dr. Lacy Brock @stellerarts
“I’ve always had an interest in science fiction pop culture, mostly inspired by stories of lone astronauts bravely fighting against the unknown. They hit close to home a few years back, when my dad was dying from cancer and it felt like everyday I was facing new, intimidating worlds. A lot of my work at that time shows small astronauts alone on fracturing moons. But despite all that threatens them, they stand and face the uncertainty. The setting of space is a great backdrop for stories about confronting change bravely and to express empathy for people whose experiences and struggles seem so distant from our own.” — Amy Hill @amyraehill
Astronomical art illustrates the importance of creativity in science, and has a number of benefits to both its creators and viewers, enriching lives, creating community, and more. Art can help us share science in new and engaging ways, and together with art we can gain a deeper appreciation of our place in this vast universe.
Edited by Luna Zagorac
Featured image courtesy of Dr. Yvette Cendes
Thank you again to everyone who shared their experiences and stories with science art for this Bite! If you’re on the lookout for more science artists, check out this list of science artists, curated by the SETI Institute.
Celebs, fashion, 24k chicken wings at Miami Art Basel – BradfordToday
MIAMI (AP) — After a pandemic hiatus, the official Art Basel show is back in Miami with all its eccentric glory, a dizzying list of celebrity attendees and dozens of spin-off shows that are already generating a buzz, including a phenom child painter and a $4 million Banksy sale.
Ten-year-old contemporary artist Andres Valencia’s gallery has already nearly sold out at Art Miami. The San Diego-based artist simply saw a cubist painting in his living room two years ago and declared, ‘I can do that’.
Actress Sophia Vergara bought one of his pieces this week and Channing Tatum, Jordan Belfort, and artist Shepard Fairey stopped by his booth at the Art Miami fair to check out his work, according to a spokesperson for Chase Contemporary.
Proceeds from Valencia’s works are going to the Perry J. Cohen Foundation, which supports the arts, and environmental and wildlife education and preservation.
Maddox Gallery is also showing at Art Miami, selling Banksy’s Charlie Brown for $4 million dollars on Tuesday. A spokeswoman for the gallery said this is the first year they’ve had a profound collection of Banksy canvases including many original works.
Basel’s annual prestigious December art fair draws collectors, socialites and celebrities from around the world. But fashion has also played a prominent role in recent years with Christian Dior hosting its first ever U.S. show in 2019 as a sort of unofficial kick-off to Miami’s art week.
Louis Vuitton did the same on Tuesday night, with its first ever U.S. fashion show. But the sudden death of its 41-year-old legendary designer Virgil Abloh turned the show into a somber yet whimsical celebration of life attended by Rihanna, Kim Kardashian West and her daughter North, Ye, the rapper formerly known as Kanye West, model Bella Hadid, Joe Jonas, Maluma and Pharrell. Kid Cudi and Erykah Badu performed at an after-party. Ivanka Trump and hubby Jared Kushner were also in the crowd.
And Chanel collaborated with artist Es Devlin for a monumental sculptural installation to celebrate its iconic fragrance. The fashion house is taking over Jungle Plaza to create a multi-sensory experience using hundreds of plants and trees. The installation is open to the public, but several big name celebs are expected to attend Friday’s VIP dinner with a top-secret performance.
Gucci is hosting a party Thursday night to celebrate Mickalene Thomas’ Monograph.
Alicia Keys, Lizzo and Cardi B are also among those performing around town this week. The rapper is launching a new line of Vodka infused whipped cream on Saturday. After-party performances at various clubs this weekend include Migos, Meek Mill, Diplo and Marshmello.
While Miami’s art week is a draw for serious collectors, it is also full of the absurd, including diamond and gold chicken wings. Yep, Miami’s DJ Khaled dropped “bling wings” topped with 24-karat gold dust and edible diamonds to promote his restaurant Another Wing.
There’s also an 18 carat gold bagel avocado toast on sale for $2.9 million at Galerie Rother at Art Miami.
Celebrity sightings included Martha Stewart in a gold coat and walking cane at Komodo restaurant and the Denver Nuggets and Venus Williams popped bottles all night at Pharrell and David Grutman’s restaurant Swan.
Hailey Bieber, Olivia Rodrigo, Brooklyn Beckham, Nicola Peltz were spotted loading up on cocktails and caviar at Papi Steak and singer Camila Cabello was spotted in the trendy art district of Wynwood on Monday for an unveiling at Wynwood Walls to celebrate 14 new artists with murals and sculptures.
Kelli Kennedy, The Associated Press
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