Artist Leah Dorian uses a chainsaw to take down her own creation outside the Provincial Court House on Saturday, Oct. 9. Photo Susan McNeil
People touring the Mann Art gallery this weekend will have noticed a common theme about some of the pieces, they were being painted over, pulled apart or cut up with a chain saw.
While public tours of the vault – a place where art works are carefully preserved, stored and catalogued – were available inside the building, on the outside Metis artists were busy destroying the creations they had made, deciding which paper bison they should keep and which should be consigned to a sacred fire.
It was all part of the focal weekend of Culture Days from the galleries perspective.
“This is kind of our big weekend day at the Mann Art Gallery,” said Lana Wilson, gallery educator on Saturday, Oct. 9. “This is the last day to see the Leah Dorian and Ashley Smith outdoor art installations,” said Wilson.
Dorian has taken on the role of mentor to Smith and 2021 marked the second year of the Inter-Generational Metis Artist Mentorship Project, a project she started with a different mentee, Danielle Castle.
“The goal of this is for Leah to be able to pass on different aspects of Metis culture,” explained Wilson.
While both mentees brought their own perspectives to the project, Dorian as teacher was passing on skills such as designing and planning a project.
“It involves Metis materials, skills, teachings and world views. They learned how to plan the project and do art installations,” Wilson said, “and, in these cases, using quite humble but accessible materials.”
An exhibit outside the door of the gallery showed colourfully painted cardboard bison being chased by cardboard horses over the cliff – in this case, a two inch high curb.
Another next to the provincial court house involved a willow woven meditation walkway decorated with orange ribbon tied on it and is dedicated to the survivors of residential schools.
“We think that a cross symbol – even a symbol that was widely embraced in the fur trade era by many cultures – placed beside a courthouse, we feel that’s a good site for a reconciliation piece,” explained Wilson. “So many people have interacted with it in a wonderful way.”
Inside the gallery, children or adults could pick a canvas painted by an artist who used to live in Prince Albert and choose to either keep it as is, add to it or paint right over it.
The idea was to educate people on what artists do with their finished pieces. Some sell it, some donate it or sell it to gallery collections. Others are prolific and just want their work out in the world.
The artist lives in a city for a few years, paints something every day and then divests it before moving to another city.
The artist suggested having other’s paint over his pieces.
“We can think of it as a collaboration,” Wilson said. “If they want, they can completely paint totally over his art and make it their own.” This is a technique used when an artist wants to add texture to their work.
Upcoming in this week for Culture Days activities in Prince Albert are a South Asian cooking class on Tuesday, Oct. 12 and a chance to try pottery on Thursday.
More details can be found a culturedays.ca and by going to Saskatchewan in the Regions pulldown menu.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
