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Interactive display has 'Impact' on St. Lawrence Music & Digital Media students – Kingstonist

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Students from the St. Lawrence College Music & Digital Media Program visit the Impact Installation in downtown Kingston. The experience involves playing on seesaws to activate sounds and lights. Photo by Lucas Wimmer.

Students from the St. Lawrence College Music & Digital Media Program took part in a hands-on arts field trip on Monday, Jan. 31, 2022. The second-year Integrated Arts/Installations class moved to downtown Kingston to visit Impact, an experiential installation that involves sitting on seesaws to activate sounds and lights.

Students in the Music & Digital Media program explore diverse subjects, ranging from traditional music studies to digital media, audio engineering and audio production, sound design, musical composition for visual media, video production, ensemble work, arts installations, and multiple integrated arts courses. Gaining a diverse skill set places them in a positive position for future careers in a world that increasingly demands that new employees enter the work world with multiple talents.

The SLC Music & Digital Media students happily got a feel for how the interactive installment operates. Students in this photo, from left, are Caleb Russell, Natalia Uporova, Adam Dashney, and Julia Good. Photo by Colin Bieganek.
Exploring Impact in downtown Kingston offered the SLC students inspiration for their own upcoming projects. Photo by Colin Bieganek.
Not all field trips are created equal – Gaining first-hand experience of the interactive displays, which will remain on King Street across from Springer Market Square until Tuesday, Feb. 22, 2022, was a different kind of hands-on learning, part of what SLC refers to as “Action Learning.” Photo by Lucas Wimmer.

The field trip was a mandatory visit for second- year students in the Integrated Arts/Installations course. The goal was to help inspire them in the development of their own culminating arts installations that will be publicly exhibited in April. Past showcases are accessible on the St. Lawrence College Music & Digital Media YouTube channel, where the upcoming Spring Showcase in April will be featured in the future.

As the daylight faded during their visit, the SLC students got to see Impact in ‘a different light,’ and get an idea of the full dynamics of the experience the display offers. Photo by Julia Good.
The darkening blue of the evening sky and the quieter street traffic made a real ‘Impact’ on the experience of the interactive sound- and light-producing installment. SLC students in this photo are Colin Bieganek, left, and Matthew Wren.
Adding a warm glow to the otherwise dull and dreary February night, Impact was able to demonstrate to students the actual impact such creative digital installations can create. Photo by Lucas Wimmer.

As part of the trip, the students from SLC’s Music & Digital Media class took their own photos of the experience. All of the photos above were taken by those students.


Mark Aidan Bergin is a Kingston-based photographer, writer, and educator. He is currently a professor at St. Lawrence College, and his works have been published throughout Kingston and Frontenac County, across the province and country, and around the world. His ‘Street Ballerinas Performance Art‘ project is well-known locally for featuring local professional ballerinas juxtaposed against some of Kingston’s most iconic and unique backdrops.

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Watergate's 50th Anniversary: A Multi-Media Guide For Today – Forbes

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The January 6th hearings from the House of Representatives Select Committee are unfolding just as we are marking the 50th anniversary of the Watergate break-in and the beginning of the end of the presidency of Richard Nixon. With this remarkable confluence of history, it’s an important time to revisit the deep well of Watergate-related media content not only to enhance our understanding of the stunning events of the 1970s but to contextualize the horrors of what we are watching in real time today.

In sharing these suggestions, I’ll confess I have been a Watergate junkie – ok, nerd – from early on in my life. I don’t know how many young kids were mesmerized by figures such as Senator Sam Ervin and star witness (and current CNN commentator) John Dean, but I couldn’t get enough. Still, you don’t have to be a Watergate addict to find not only lessons of history but entertainment and even humor from a series of extraordinary storytellers about this era. And as we say in the digital age, and for the benefit of my students among many others, they are available in multiple formats.

All The President’s Men (1974 book; 1976 film). Of course, all Watergate roads trace back to Bob Woodward and Carl Bernstein, the young reporters who doggedly broke the link between the supposed “third-rate burglary” and the Oval Office. Their book doesn’t read like one of today’s quick retracing of recent events but is more akin to a John le Carre novel with an intricate plot of espionage and corruption. Both the book and the movie also rightfully helped inspire a generation of young journalists and helped bring to life the vital need to expose government wrongdoing.

As for the film, it’s hard to know where to start. How about two of the biggest movie stars of the 20th Century, Robert Redford as Woodward and Dustin Hoffman as Bernstein? How about Academy Award-winning screenwriter William Goldman? And as Washington Post editor Ben Bradlee, Jason Robards closed the film with the legendary entreaty: “Nothing is riding on this except the, uh, first amendment to the Constitution, freedom of the press, and maybe the future of the country.” Well said.

Blind Ambition (1976 book). John Dean, Nixon’s White House Counsel, wrote one of many Watergate memoirs, but this book is distinguished for several reasons. Dean was integral to the attempted Watergate cover-up but ultimately told the truth to Congress and the American public and his story resonates as the tale of a young, initially idealistic, brilliant lawyer – part of Washington, D.C. mythology – seeking to make an impact on history. When you see the courage of Cassidy Hutchinson and a group of other young Trump White House aides that have cooperated with the January 6th Committee, this book will give you feel for the alluring power of the White House and the strength it takes to stand up to it.

Slow Burn (2017 podcast). This is one of a series of in-depth “true history” podcasts, and provides a serious, methodical, digestible unfurling of Watergate and the investigation to uncover the truth. I’ll admit to a personal bias with this one as it features in-depth interviews with an old Washington friend Marc Lackritz, who (along with his wife) served as counsels for the Senate Watergate Committee. If you’re looking for an inside understanding of what it is like to serve on a congressional committee in the eye of a hurricane, you can’t do much better.

Frost/Nixon (2008 film; 2006 play). In need of cash after exile from the presidency, Richard Nixon sat for a historical series of interviews with David Frost which became controversial in part for the huge payout Nixon received to do them. Frost, mostly known in the U.S. as the host of an afternoon talk show, ended up drawing out rare candor from Nixon and the film captures the pressures of big-ticket TV journalism and the torturous soul of the ex-President. Michael Sheen as Frost and Frank Langella as Nixon brilliantly don’t go for impersonations of these historical figures but delve deep into the psyches at play here.

Richard Nixon: A Fantasy (1972 comedy album). I’m heading out to left field on this one, but it’s worth it. David Frye was a comedic impressionist whose career was inextricably linked to his uncanny impersonation of the often-imitated Nixon. Think of Alec Baldwin’s Trump during an era when comedy albums from George Carlin and Richard Pryor were major cultural forces. This album treated Watergate as precisely what it was – a massive criminal enterprise with overtones of a Mafioso playbook. When you’ve got Trump and his acolytes allegedly engaging in witness tampering and myopic paybacks, it’s not hard to see the linkage to the 2020 post-election conspiracy.

Watergate: Blueprint for a Scandal (2022 TV series). You’d think that in the last 50 years there would have been a definitive HBO drama series providing the 1970s equivalent of Game of Thrones, but it doesn’t exist. The current Starz series Gaslit covers this ground but I found it mostly slight and unworthy of its topic, despite the presence of Julia Roberts and Sean Penn. So better to head to CNN’s serious documentary treatment featuring the retrospective voices of key players such as Dean, Watergate prosecutor Richard Ben-Veniste and former Congresswoman Elizabeth Holzman.

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Pro-Chinese agents pose as activists on social media to protest Canadian rare earth mine – Financial Post

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Cybersecurity experts say fake accounts created to give China miners competitive advantage

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Pro-Chinese agents posed as concerned local residents on social media to try to spark protests over the opening of rare earth mines in the U.S. and Canada, cybersecurity researchers said in a new report.

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The fake Twitter and Facebook accounts were created to give China, the largest producer of rare earth minerals, a competitive advantage, cybersecurity research company Mandiant disclosed on Tuesday.

Mandiant has reported on a network of thousands of fake accounts across numerous social media platforms, websites and forums since 2019 that support China’s political interests. In one recent campaign Mandiant coined “Dragonbridge”, fake accounts purported to be concerned local residents and environmentalists on Facebook to orchestrate protests at the Texas facility of the Australian mining company Lynas Rare Earths Ltd., according to Mandiant. It was unclear who was behind the campaign, the firm said.

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The fake accounts claimed that the processing facility would spur irreversible environmental damage and radioactive contamination that could cause cancer and deformities in newborns, Mandiant researchers said. The accounts also criticized President Joe Biden’s plan to expedite mining of these rare minerals.

China has used its dominance in the rare earth minerals market, critical for manufacturing mobile phones and other electronics, to threaten the U.S. with export bans.

As a result, the Pentagon has promised to beef up domestic production. It inked a US$30 million deal with Lynas in 2021 to build a facility in Texas, which the Australian company said could help it produce a quarter of the world’s demand.

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Dragonbridge was also behind fake accounts criticizing a new mine in Saskatchewan from Canada’s Appia Rare Earths & Uranium Corp., which was announced this month, according to the report. In addition, the campaign’s accounts stoked anger over USA Rare Earth LLC’s plans to open a mine in Oklahoma, Mandiant said.

The Department of Defense said it will review the report, adding it would look into “ongoing concerns regarding a lack of transparency and over-reliance on concentrated foreign sources of critical minerals in key U.S. supply chains for essential global civilian and national security applications.”

Dragonbridge has been behind 10 disinformation campaigns targeting Ukraine, according to Mandiant, including claims that the U.S. was storing bio-weapons in labs in the country, according to Mandiant.

“The private sector is now the victim of attacks by Chinese information operations, which are growing increasingly aggressive,” said John Hultquist, vice president for Mandiant Intelligence.

“Information operations are typically a problem for civil society, governments, and platforms,” he said. “They rarely target the private sector so directly and aggressively.”

Bloomberg.com

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Hollywood Enlists Asian Media in US-Led $71 Billion Piracy Fight – BNN

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(Bloomberg) — Hollywood studios battling online piracy have enlisted the first Asian members of an industry coalition set up to seek out and shut down illegal streaming sites.

The Hong Kong-based streaming service Viu and True Visions, a leading Thai pay-TV provider, will be the first Asian companies to join the Alliance for Creativity and Entertainment, whose members include Netflix Inc., Walt Disney Co. and other major media companies.

The alliance is part of the US Motion Picture Association and has 39 members, with plans to enlist other players in Latin America and elsewhere. Dues from the media organizations are used to finance legal fights against the theft of content.

Piracy has been on the rise during the pandemic, costing US entertainment companies an estimated $29 billion to $71 billion in lost revenue annually, according to executives at the organization. And media companies typically notice, and act on, copyright and intellectual property theft before police.

“We now have local partners fighting this local fight, who can connect to local law enforcement,” Charles Rivkin, chairman of the alliance and the Motion Picture Association, said in an interview. “It’s a whole lot more effective when you have a local player come in with the MPA than the MPA just parachuting in on our own and trying to make headway.”

Expanding Ranks

While the organization is mostly made of US companies, including all of the major Hollywood studios and streaming services that form the MPA trade group, it also has international partners. BBC Worldwide and Vivendi SE’s Canal+ are two of its biggest European members. Rivkin said he has long sought to expand the group’s footprint in Asia-Pacific, where some of the largest illegal streaming sites are run.

Viu is one of the biggest streaming platforms in Asia, with 58.6 million monthly active users, according to the company. True Visions is a cable and satellite TV operator based in Thailand, and last month helped the alliance and local police arrest an alleged content pirate and shut down his website.

“We recognize the need to address the piracy that is widespread in our markets,” Marianne Lee, chief of content acquisition and development at Viu, said in a statement. “We are committed to ensuring consumers move from illegal piracy sites to legal options.”

While Hollywood has battled film and TV piracy for years, it became particularly problematic after major studios made their content more readily accessible online during pandemic lockdowns. John Fithian, the head of the National Association of Theatre Owners, said in April piracy was so widespread in 2021 that studios scrapped plans to debut their big, new films online rather than in theaters.

The alliance says it’s also looking to partner with major sports leagues across the world, since they are also the target of digital content thieves. In April, ACE added beIN Media Group, one of the biggest international sports broadcasters, to its ranks.

©2022 Bloomberg L.P.

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