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International design competition underway for new Art Gallery of Nova Scotia – Daily Commercial News

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Architects from around the world are being invited to participate in an international design competition for a new, $100-million provincial art gallery in Nova Scotia.

The gallery is being moved about two blocks from its present location on Hollis Street to the waterfront in Halifax and will be a centre point for an arts district.

“This project is part of Nova Scotia’s vision for strengthening its culture sector by helping position Nova Scotia as a world leader in the visual arts, enhancing tourism, and creating a new public space to celebrate and showcase art and culture,” says Nancy Noble, director and CEO of the Art Gallery of Nova Scotia.

“Going the route of a design competition provides more information regarding the design capabilities of the short-listed firms and better demonstrates their understanding of the project requirements. A design competition also stands to bring new and unique perspectives to the design and will garner local, national, and international attention to what will become a new sense of pride for Nova Scotia.”

Noble says the gallery is seeking an exceptional team of architects and designers to realize the ambitions of the art gallery and the dream of creating an inclusive world-class centre for art.

A design competition is the best way to capture a global perspective on how a gallery can best serve a community, explains Noble, while also ensuring the architecture helps the art gallery achieve its vision of being an inclusive public gathering place that connects all people with art.

“The Art Gallery of Nova Scotia believes in being welcoming, contemporary, challenging, and ambitious and we are looking for a team that can bring these beliefs to life.”

The competition, which is the first of its magnitude for the province, is expected to last six months and will take place in two stages. The competition will be open to local, national and international teams and architects.

Stage one is a call for qualifications and interviews with the top qualified candidates. Stage two is the formal design competition where shortlisted firms will create conceptual designs for the art gallery and surrounding space. Architects who are shortlisted will have six months to submit their designs.

The conceptual designs of all finalists will be on public display for feedback which will be provided to the winning design team. The final design team will be chosen by a qualified jury of professionals, including architects and museum professionals.

The winning team will assist the province by leading the continued engagement process once a contract is awarded. There will be intensive period for broad engagement of the public and key interest groups at the start of the consultant’s work.

The province has stated that it wants to develop an iconic art gallery and public space to promote art, culture, world-class exhibitions, events and programming for all Nova Scotians and visitors to the province.

“We are embarking on an exciting phase of the project to build Nova Scotia’s new waterfront art gallery and public space,” Communities, Culture and Heritage Minister Leo Glavine said in a statement. “Our commitment speaks to the important contributions the arts make to our communities and to our economy.”

Trevor Murphy, chair of the Creative Nova Scotia Leadership Council, says maintaining a vibrant arts scene is integral to the vitality of the province and to the wellbeing of those who live there.

“The new Art Gallery of Nova Scotia and arts district will enliven creativity throughout the cultural sector, encourage economic growth and offer the opportunity to Nova Scotians and its visitors to experience a rich, ever-expanding tapestry of storytelling, talent and meaning.”

Jennifer Angel, CEO of Develop Nova Scotia, a provincial crown corporation that works with communities and partners to build on the assets of the province, says the gallery will be part of an arts district that will be a welcoming place for people from all communities to access art and experience cultural activities on their waterfront.

“Art and culture are important contributors to quality of life — both to the social fabric of a community and to our economy,” she notes. “We want to create a place that is truly inclusive, where art is accessible to everyone.”

In terms of economic impact, Angel says the new destination will contribute to the magnetism of Halifax and Nova Scotia as a place to visit and to live, as well as support the cultural sector which employs almost 14,000 Nova Scotians, and in 2017 contributed $929 million to the provincial economy.

“The arts district is more than just a relocation of an art gallery on the Halifax waterfront. It’s a project that’s about creating a place, including a substantial public space with year-round activity and opportunities for art-related business and programming, where everyone can access art.

“It also makes a statement about the value Nova Scotia places on art and culture with this location on the Halifax waterfront, our most visited destination.”

Angel says the arts district and gallery will be a place where all Nova Scotians feel they can belong.

“Although the arts district will be the physical hub, it will connect to art and cultural experiences around the province, providing opportunities for all Nova Scotians to experience and engage with the arts and with each other, no matter where they live.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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