Into the Vault: Collecting artwork at the Woodstock Art Gallery | Canada News Media
Connect with us

Art

Into the Vault: Collecting artwork at the Woodstock Art Gallery

Published

 on

Have you ever wondered how an art gallery’s collection works behind the scenes? Where does the artwork come from? Who decides what ends up in the collection?

Before joining the Woodstock Art Gallery as the summer curatorial and collections assistant, I didn’t know much about how artworks were chosen to become a part of the collection. As a fine art student, I was excited to gain hands-on experience with a variety of art and learn more about the acquisition process.
With nearly 2,000 works in its growing permanent collection, the Woodstock Art Gallery follows a thorough process to decide if an artwork fits the gallery’s collecting mandate, mission and values.

When determining what kinds of artwork we should accept, the gallery has a few priorities. Artists of local, regional and national significance are essential to the collection and showcase the diversity of talent in Oxford County and beyond.

The gallery also has a significant focus on the artwork of Florence Carlyle, a noteworthy female artist who lived and worked in Woodstock in the early 20th century. Printmaking and other works on paper are also an important asset, complementing the printmaking studio in our education department and expanding on our educational material.

Artworks might be gifted by the artists themselves, donated by collectors, bequeathed or, in some cases, purchased by the gallery. But to become a permanent part of the collection, artworks must go through the acquisition process where they are assessed, researched and voted on by the collections committee.

This summer, I have had the privilege of assessing donated works and writing justifications for the committee. It has been an amazing experience to be so close to some exceptional works by Canadian artists.

When potential new artworks first arrive at the gallery, they first go through an assessment by a member of the collections staff. For paintings, this might mean checking the state of the frame and canvas, and looking for missing paint or blemishes. Works on paper, like drawings or prints, are checked for discolouration, rips, tears and smudging or other marks that are not part of the artwork.

These factors determine the quality of the work and whether it requires professional conservation before it is displayed. Assessing the artwork has been my favourite part of the job, and I have learned a lot about identifying different art mediums and their potential issues.

The next step is the research and justification for the committee. The artist, date, medium and size are noted, and the history of the artist and their work is written up. The justification consists of an artist biography, the relevance of the artwork to the gallery’s collection, a description of the aesthetic qualities of the work and all the information gained from the assessment. The justification is presented at committee meetings alongside the artwork and helps the committee decide if the work should be added to the collection.

If the artwork is accepted for the collection, it gets a designated spot in our vault and an accession number to help us keep track of it in our digital database. Everything we know about the work is captured in that database, from its exact location in the gallery to the location of the artist’s signature on the work. Our collection database is also available to the public!

Working with the collection has been the highlight of my time at the gallery and has given me many new skills, as well as a deeper knowledge of the art collecting process.

Brynn Murphy is the curatorial and collections assistant at the Woodstock Art Gallery. The Woodstock Art Gallery gratefully acknowledges the youth employment funding from Young Canada Works for this position.

 

Source link

Continue Reading

Art

Ukrainian sells art in Essex while stuck in a warzone – BBC.com

Published

 on


[unable to retrieve full-text content]

Ukrainian sells art in Essex while stuck in a warzone  BBC.com



Source link

Continue Reading

Art

Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

Published

 on

The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

Source link

Continue Reading

Art

Sudbury art, music festival celebrating milestone

Published

 on

Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

Source link

Continue Reading

Trending

Exit mobile version