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Israel, Gaza, and the mass production of myths for mass media

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During the recent “March for Israel” in Washington, DC, Al Jazeera interviewed a confident young man from Connecticut about the war in Gaza. Draped in an Israeli flag, Charlie appeared ready to answer any question.

He made it clear from the outset that the ongoing war is not “Hamas vs Israel”, but “Hamas vs the whole world”. He said he regrets children’s deaths and prays for innocent lives lost. But he had no doubt about who is responsible for the death of civilians in Gaza. While Israel does everything to avoid civilian casualties, he said, Iran-backed Palestinian terrorists bomb their own hospitals, use civilians as human shields, and even place kids next to rocket launchers. Iran and its proxies are the source of all evil in Palestine and the region, he added.

Charlie has clearly done his homework. He has studied the Israel Project’s “Global Language Dictionary [PDF]”, memorised its lines, and repeated them verbatim, not missing a beat. The playbook was created in 2009 after Israel’s first war on the besieged Gaza Strip, to guide Israel’s supporters on how best to speak to the media about the conflict. Inspired by Israel’s leading spin doctors, such as Shimon Peres and Benjamin Netanyahu, it is directed at young activists, as well as politicians, pundits, journalists and more. It tells its readers what to say, and what not to say, alerting them to words that should be used and others that mustn’t.

One of my favourite tidbits in the playbook, as I wrote back in 2014, goes like this: “Avoid talking about borders in terms of pre- or post-1967, because it only serves to remind Americans of Israel’s military history. Particularly on the left, this does you harm.” And when civilian casualties mount during wartime in Gaza, the playbook recommends talking empathetically along these lines of “All human life is precious”, but emphasising that “it is a tragedy that Iran-backed Hamas shoots rockets at our civilians while hiding in their own” and that this “causes tragic deaths on both sides”.

Sounds familiar?

Like Charlie, I have also studied the spin playbook, albeit for different reasons. The playbook helps me detect more easily the spin in writings, speeches, and interviews.

Take the interview that Republican US presidential candidate Chris Christie gave to CNN the day after the “March for Israel”. He repeated the same soundbites that Charlie invoked the day before, albeit with less tact. Having had forgotten to mention “evil Iran” in his answers, he clumsily rushed to insert it before the end of the interview, as if he was being tested.

Like Charlie and Chris, Joe also loves the playbook. President Biden and his minions in the US administration have eagerly embraced its recommendation to highlight Israel’s “right, indeed obligation, to defend itself” against the attacks of a “terrorist” organisation at every opportunity. Since October 7, the United States president has regularly deflected criticism of US complicity in the killing of thousands of Palestinian children, by accusing Hamas of, you guessed it,  “using civilians as human shields”, and even repeating false Israeli claims about Hamas “cutting babies’ heads off” and “burning women and children alive”.

US Secretary of State Anthony Blinken went further, insisting that US officials stand behind Israel‘s claim that Hamas is using civilian facilities such as al-Shifa hospital in Gaza as “command centers”, and adding that “What we know across the board is that Hamas embeds itself in civilian infrastructure – in and under apartment buildings, in and under hospitals, in and under schools – and it uses people as human shields”, and hence, incriminating tens of thousands of doctors, nurses, teachers and others in war crimes.  All of which has thus far proved to be no more than propaganda used by Israel to justify its bombings of hospitals and schools.

On Saturday, in an opinion article on the US vision for post-conflict Gaza published in the Washington Post, Biden wrote to the spirit and text of the playbook. The president omitted any mention of Israel’s occupation of Palestine, the siege of Gaza, or any single part of the tortured history of Palestine in favour of more and more of the empty old rhetoric about “shared future” and “two states” that obfuscates the reality on the ground, and serves to justify the unraveling collective punishment and genocide of the Palestinians in Gaza.

Mind you, the playbook actively encourages its readers to talk in favour of the “two state solution”, and repeat the mantra “two homes for two peoples”, because, “given the overwhelming American support for a two-state solution, it will make support much easier and faster if you set the tone for all discussions by articulating Israel’s shared vision for the ultimate goal of two peoples, living side by side in a lasting and secure peace”. But then again, and here comes the punchline: “In the name of gaining credibility for why you might later say that ‘a two-state solution isn’t achievable overnight’, you should start with language [that signals] how your goals align with the public’s”.

President Biden is not the only world leader who appears to be following Israel’s 2009 playbook to a T. Britain’s Prime Minister Rishi Sunak has also been very careful not to sway far from the guidelines issued by Israel’s spin doctors. Asked by an opposition MP whether he would urge Israel to end its “collective punishment” of civilians in Gaza, Sunak responded:

“I actually believe that we should support Israel’s right to defend itself and to go after Hamas and recognising that they [Israel] face a vicious enemy that embeds itself behind civilians.”

For his part, United Nations Secretary-General Antonio Guterres did not toe the line as blindly as the US president and British PM, and was slammed for it. After condemning Hamas’s October 7 attack on southern Israel, he ventured to remind the UN Security Council attendees that, “It is important to also recognise the attacks by Hamas did not happen in a vacuum. The Palestinian people have been subjected to 56 years of suffocating occupation.”

Oh! The nerve, the audacity! How dare the UNSG state the obvious; “in what world” does he live? He must “resign”, or so the Israeli diplomats shot back, in accordance with the Israeli playbook, which clearly states, “the primary Palestinian public relations goal is to demonstrate that the so-called ‘hopelessness of the oppressed Palestinians’ is what causes them to go out and kill children. This must be challenged immediately, aggressively, and directly.”

History has no place in today’s political spin when it comes to Palestinians. Their tortured past – and present – is an inconvenience to the spinners that must be avoided at all costs.

In his warmongering Washington Post opinion piece, President Biden doubled on his earlier dangerous theological pronouncement about Hamas’s “pure, unadulterated evil”, which can only be explained except by its very nature. The fact that Hamas is a product of the Israeli occupation, established in response to Israel’s decades-long repression and disposition must be ignored and discounted, come what may.

In a nutshell, Israel has the right, indeed the obligation to defend itself and its racist occupation; the right to defend its military occupation and racist apartheid, according to the cynics and spinners, but the Palestinians have no such right to defend themselves, let alone resist their occupiers, by any means, even the most peaceful means, like boycott and divestment.

Fortunately, the lies have finally caught up with the liars, as more and more Western journalists, pundits and officials started to doubt the spin and question the Israeli spinners, even ridicule them, for their poor performances, doctored evidence, and vulgar lies. Soon, they will start to question the spinners’ overall deception about the war, its conduct and root causes.

 

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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