It's not Gen Z who need to be protected from social media – it's boomers - The Independent | Canada News Media
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It's not Gen Z who need to be protected from social media – it's boomers – The Independent

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Hi mum, my phone has broke and I have a new one, please save this number x.” Remember this infamous scam text that did the rounds back in 2022 and 2023? Sent to a huge number of users on WhatsApp, it was a simple yet brilliant trick – spam a load of people purporting to be their children, and a proportion of those targeted will be in the right demographic. There were variations, but the messages usually involved entreating the parent to urgently lend money for rent or similar, to be transferred directly to a “landlord’s” bank account.

The scammers would rely on an emotional response – tugging at the heartstrings by pretending there was an emergency of some kind and their child needed help – to override parents’ suspicion. It worked. An estimated £1.5m was handed over to fraudsters between February and June 2022, according to Action Fraud, the UK’s reporting centre for fraud and cybercrime. The racket also swept across Australia in 2022, with over 11,000 people reporting they had fallen victim to it and losses totalling A$7.2m (£3.7m).

It was obviously a hugely upsetting experience for victims. But it’s also one way in which, contrary to popular opinion, baby boomers might just need protecting from the risks posed by social media more than Generation Z.

Much has been made of the fact that the younger generation can’t get off their phones and struggle with IRL interactions; that they’re all addicted to TikTok and regularly get sucked down YouTube rabbit holes pushing ever-more polarising viewpoints. But, in some ways, they are best adapted to digital life – there’s an argument that, having grown up online, they understand its pitfalls better than their older counterparts.

Take, for example, posting offensive opinions or thoughtless comments on social media. We’ve all heard the horror stories of both celebrities and civilians burned on the pyre of so-called “cancel culture” after an off-the-cuff comment or tasteless remark went viral. And that’s before you even get to the problematic IRL behaviour that can get individuals into trouble when it’s videoed, uploaded and shared (the whole “Karen” phenomenon being a good example).

“Baby boomers/Gen X really took to early social media platforms, especially Facebook, and one of Facebook’s characteristics that suits a lot of members of these generations is that it feels more closed,” says Eve Ng, an associate professor of media arts and studies at Ohio University and author of Cancel Culture: A Critical Analysis. “Sure, you’re able to set posts to ‘public’, but my sense is that the default settings for most FB users is having their content visible only to friends and friends of friends. So on FB, there’s a lot more open expression about (potentially) contentious topics.”

From being fired to having their TV shows cancelled or film franchises revoked, various baby boomer and older Generation X media personalities have paid the ultimate price for sharing “jokes” online that hit the wrong note. Radio presenter Danny Baker, 66, was axed by the BBC for comparing Meghan Markle and Prince Harry’s child to a chimp; ABC ceased airing the rebooted Roseanne sitcom after its star and co-creator Roseanne Barr, 71, referred to Barack Obama aide Valerie Jarrett, who is Black, as an “ape” in a tweet; comedian Kathy Griffin, 63, lost her gig presenting CNN’s new year coverage in 2018 for sharing a picture of a decapitated Donald Trump online; and actor James Gunn, 57, was swiftly fired from the Guardians of the Galaxy movie series when tweets emerged in which he joked about Aids, sexual assault and adult relationships with children. Trump didn’t even let being Potus stop him from tweeting his every passing thought, regardless of the global political implications (such as the potential to start World War Three).

Roseanne Barr had her show cancelled after racist tweets (Getty)

And then there are the contingent of divisive characters like JK Rowling and Graham Linehan, both of whom have traded well-respected careers and critically acclaimed bodies of work for being more closely associated with increasingly savage social media crusades against transgender people. Controversy surrounding the Harry Potter author’s ideological stance on gender had been bubbling for years, but her most recent tirade on Twitter/X felt particularly vicious. The more nuanced arguments Rowling used when she first started writing about these issues have slowly been cast aside in favour of stronger positions online – culminating this month in her sharing a thread naming various trans women, finishing with the line: “Obviously, the people mentioned in the above tweets aren’t women at all, but men, every last one of them.”

Linehan, meanwhile, has swapped a reputation for being the creator of some of the most genius comedy series of the past 30 years – Father Ted, The IT Crowd, Black Books – for that of a vehement anti-transgender “activist” on social media (it is the sole topic occupying his incredibly active Twitter/X account, which has been suspended on numerous occasions for causing offence). His recently released autobiography, Tough Crowd, even acknowledges this trajectory in the tagline: “How I Made and Lost a Career in Comedy”. Both he and Rowling seem to have fallen victim to the curse of the social media echo chamber, which often serves to further galvanise views and inherently encourages more and more extremist rhetoric over time by rewarding it with increased engagement.

It perhaps makes sense that a certain demographic – those young enough to feel compelled to engage with social media, but not young enough to have a healthy respect for the potential reach a post might have if it goes viral – is more susceptible to sharing “cancel”-worthy opinions online.

“Boomers may not always remember that anyone can screenshot anything – even on a relatively closed platform like Facebook – and repost elsewhere,” says Professor Ng. “I am still surprised how much I see my own Facebook friends share there (I’m Gen X), given that fact.”

Boomers may not always remember that anyone can screenshot anything – even on a relatively closed platform like Facebook

Eve Ng, associate professor of media arts and studies at Ohio University

Gen Z are much more likely to agree that the rise of cancel culture has meant they increasingly self-censor when and with whom they share their opinions, according to one study from 2022 – 40 per cent compared to just 21 per cent of baby boomers. The same research found that Gen Z are also the generation most likely to hide their perspective on topical issues because they’re afraid of how people will respond (35 per cent compared to 16 per cent of baby boomers).

It’s not to say that we should all go around censoring our true opinions – more that native internet users better understand there’s a time and a place to do so, and that social media might not always be the most safe or sensible platform. Even if that thoughtless post or comment doesn’t turn around to bite you immediately, there’s every chance it could be dredged up to haunt you in 10 years, ruining your career prospects or relationship. Cautionary tales like that of former Teen Vogue editor Alexi McCammond – who was forced to resign from her dream job after homophobic and racist tweets she’d written a decade previously while still a teenager resurfaced – are etched on young people’s memories.

“I think I made a Facebook account when I was about 10 years old,” Emily*, 23, tells me. “When my friends and I got home from school, we would update our Facebook statuses and write on each other’s walls, chatting about what happened at school that day. I’d also make albums on my Facebook profile documenting days out with my mates and would post cryptic song lyrics when I was feeling sad. Basically, we posted every aspect of our lives online!”

This early behaviour of over-sharing prompted a social media “clean-up” from Emily and her Gen Z peers when they got older, she says. “There came a point in sixth form when I realised, damn, this is embarrassing – and also, do I want a future employer to see the inner workings of my 10-year-old brain? Only the brave of my generation keep their old statuses or Instagram posts. I feel like a lot of us had a reckoning before going to university or joining the workforce when we realised our childhood digital footprint needed to be invisible.

Baby boomers are more susceptible for certain types of online fraud (Getty)

“I think in general my generation are a lot more careful about what we post because we embarrassed ourselves very early on.”

This stance is backed up by data that suggests Gen Z is more privacy conscious than previous generations, with 64 per cent switching on privacy settings on their Facebook accounts compared to just a third of users aged 65 and over, according to a survey by Pew Research Center.

And it’s not only misjudged Insta posts that baby boomers are more prone to – they’re far more likely to circulate fake news on social media. One 2019 study conducted by NYU and Princeton found that American Facebook users over the age of 65 shared nearly seven times as many articles from fake news domains as those aged between 18 and 29.

I think in general my generation are a lot more careful about what we post because we embarrassed ourselves very early on

Emily*, 23

Scam-wise, they’re also at risk of losing more money to romance fraud – schemes which draw people in with fake tales of love via social media or dating apps, then ask for payments of gift cards, wire transfers and cryptocurrency – than younger cohorts. The median reported loss across all romance scams in the US in 2021 was $2,400 (£1,930) – but this amount was more than three times higher ($9,000) among adults aged 70 and over.

In the UK, meanwhile, “when it comes to romance fraud, those aged 51-65 accounted for the majority of cases where money is lost”, says Dr Jessica Barker MBE, author of Hacked: The Secrets Behind Cyber Attacks. “Romance fraudsters often play a long con, spending a lot of time manipulating victims who may be vulnerable, for example targeting people who have recently lost a spouse.”

However, she stresses that no one is immune from this kind of scam – “the data shows that, ultimately, romance fraud does not discriminate. There was an 80-year age gap between the youngest and oldest victims of romance fraud reported to TSB Bank. None of us are immune.” Regardless of age, the signs to look out for remain the same, including “love bombing and a keenness to send you gifts – a way to accelerate the relationship and make you feel that you owe them something, as well as a ploy to manipulate you into sharing personal information that can be used for identity fraud”.

The moral of the story is this: young or old, we’re all at risk when we go online. And with the rise of AI, deepfakes and more, those risks are only set to grow in number and complexity. So let’s swap “OK boomer” tropes for compassion and understanding to others on social media – and maybe keep the more contentious jokes offline.

*Name has been changed

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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