Michael Connidis leads the way up a narrow chamber to a place many get to hear, but not see.
“This is the belfry in the church tower,” he says, with his arms stretched out pointing to eight massive bells that are hung mouth up, ready to be pulled by ropes that hang below.
The bells are over 100 years old and were mounted at the Our Lady of the Holy Rosary Cathedral at Dunsmuir and Richards streets for the centuries-old art of change ringing.
“I just love it,” said Connidis, who is with the Vancouver Society of Change Ringers.
The bells date back to 1905. The ones made in France have detailed embellishing compared to the ones cast in England. Some have a City of Vancouver engraving on them. (Tina Lovgreen/CBC)
The practice dates back to 17th century England, where there are still thousands of churches with change-ringing bells. Here in Canada, there are seven, including three in B.C.
Several times a week a small but devoted group of bell ringers gather in the ringing chamber to practise. They will also be ringing the bells this Christmas Eve and on New Year’s Eve.
Alan Ellis has been change ringing for over 60 years. (Tina Lovgreen/CBC)
Most of them aren’t churchgoers, but are attracted to the complicated process of sounding the bells.
As The North American Guild of Change Ringers puts it on their website, “Change ringing is a team sport, a highly co-ordinated musical performance, an antique art, and a demanding exercise that involves a group of people ringing rhythmically a set of tuned bells through a series of changing sequences that are determined by mathematical principles and executed according to learned patterns.”
Connidis came to the art form by chance. He was walking past the church one day when he heard the bells and looked up to find people pulling on the ropes in the tower.
“I’ve been hooked ever since…. I can’t describe how it just grabbed me,” he said.
You can catch the bells ring at the Our Lady of the Holy Rosary Cathedral on Dunsmuir and Richards streets in downtown Vancouver on the following days and times:
Christmas Eve – Tuesday, Dec. 24 from 10:25 p.m. until 11 p.m.
New Year’s Eve – Tuesday, Dec. 31 from 11:25 to midnight.
Johanna Vandenberg, 24, was intrigued to learn more after reading a mystery novel set in a bell tower. After that it took three months of practice until she was able to ring a bell on her own.
“I like the challenge. I like learning new stuff all the time and trying to be better at these kind of things and I just love the sound of bells,” she said.
While the bells are heavy — the heaviest weighs the same as a Volkswagen Beetle — ringing them is not a physically taxing job if you do it properly.
The ringers stand in a circle with red wool mats in front of them. The mats are there to protect the ropes, otherwise the ropes would suffer damage and need to be replaced sooner than their current eight-year cycle. (Tina Lovgreen/CBC)
Though the bells are heavy, anyone can swing them with the right technique. (Tina Lovgreen/CBC)
“I’ve rung with someone in [their] 90s, I’ve rung with people who are in wheelchairs, I’ve rung with people who are blind. So you can do it. It’s not a matter of strength but matter of finesse,” said Connidis.
Change-ringing is more math than music.
Bell ringers memorize from what is called a book of methods, which shows in what sequence the bells are rung. There are thousands of possibilities. (Tina Lovgreen/CBC)
Ringers have to memorize the sequence of how the bells are rung from what’s called the book of methods. And there are thousands of possibilities or permutations.
“They weave back and forth. You learn the method by learning the pattern itself and then you have to learn where you start on that pattern on each individual bell,” said Connidis, pointing to the equivalent of a music sheet.
Johanna Vandenberg, 24, was intrigued to learn more about change ringing after reading a mystery novel. (Tina Lovgreen/CBC)
It requires teamwork and unwavering concentration, which is why there are three golden rules when you’re in the ringing chamber.
“The first is when we are ringing please don’t talk,” said Connidis.
Change ringing requires plenty of concentration. (Tina Lovgreen/CBC)
The second is when you’re sitting down keep both feet on the ground.
“These ropes are potentially hazardous, they can catch you on your feet or ankles and flip you upside down pretty quickly, and it has happened,” he said.
The third rule is to not touch any of the ropes, unless you’re invited to do so.
But the folks at the Vancouver Change Ringers Society are very welcoming and are always looking for volunteers to keep the tradition alive.
The bells will be ringing on Christmas Eve and New Year’s Eve at Our Lady of the Holy Rosary Cathedral at the corner of Dunsmuir and Richards streets. (Tina Lovgreen/CBC)
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
