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'It is magical': repurposed art growing in B.C. along with eco-consciousness – Chilliwack Progress

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Victoria artist Beverly Hancock used to paint a painting and be done. But now, she cuts it up. And then, she weaves it into something new.

Karen Guilbault gathers pine needles – sometimes she’ll even politely ask city removal not to rake over a spot. She then patiently bundles and weaves them into intricate baskets.

Award-winning fibre artist Martina Edmondson now makes whimsical creations out of nature foragings.

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These women are all established artists riding the waves of a rising tide: the growing trend of repurposed art. Essentially, it’s using found or existing objects to create something entirely new.

“It’s a huge trend in the world, but the biggest trend is to use garbage and reuse things that we don’t think are beautiful,” Hancock said. “And to try to make something that no one’s ever seen before out of something you would usually throw out.”

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In February, another ‘repurposed’ artist from Victoria, driftwood sculptor Tanya Bub, was at an international exposition of repurposed art in Qatar called the Tadweer Art Exhibition. The exhibit merged the worlds of art and environmental consciousness, stated to be a testament to Qatar’s commitment to sustainability.

For artists who approach art through this lens, the draw lies in reconnecting with the natural world while relinquishing control and embracing spontaneity.

“I start with something that I find really interesting,” Edmondson said of her diverse pieces, which include collage, sculpture and eco printing (using natural materials to dye paper with earthy tones and create imprints). “I might think, oh, maybe this looks a little bit like a face or this could be an eagle. And then my imagination takes a flight.”

She also does embroidery, but, “It’s not pretty embroidery. I guess I don’t do pretty very well. Or, I don’t find it pretty.”

Pretty isn’t the point when approaching art in this manner. “You’re making it for yourself. And I think that comes with age,” Edmondson said.

Hancock, an expressionist and figurative artist who finds it “exhilarating” to rip up and re-imagine her paintings into new works, agreed this is a new era of art-making for her. “It is really interesting to see how artists’ work changes as their situation in life changes.”

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A growing eco-consciousness in the arts community

While repurposed art has always been around, all three artists said they’ve seen it growing in popularity, all part of a growing eco-consciousness.

“I think with the way climate change is going, there will be more and more emphasis on, what are we using? What are we doing to the environment?” Edmondson said.

“I’m not saying everybody’s there, but, you know, I have a big following online. It’s a very big topic,” Hancock said.

“Many, many artists would say, ‘There’s no paper towel in my studio. I’m using rags.’ So if you can’t do everything, you’re trying to do something, right? And I think every artist is sharing that information with each other.”

Guilbault primarily uses pine needles to create her baskets. But she also paints stones to feature in the centre of these baskets, and once she’s done painting, she wipes her palette so the paint doesn’t go down the drain.

“You see how we are all thinking about it,” Hancock said. “When I went to art school, what a squiggle of time ago, in the 1970s, nobody talked about that. There wasn’t a single person in the art world that had ever even discussed, what do we do with this paint? Is it bad for the world?”

Experience repurposed art

While the artists just wrapped up a group exhibit at Gage Gallery in March, Beverly Hancock will be exhibiting at Gage again April 2-14 with RAW: Unveiled Layers, which delves into the raw experiences that shape the human condition.

If you are interested in this type of artwork you can also check out art by Gerhard Bär, Martha Haversham, Michelle Reader, Wim Delvoye and Yuken Teruya.

But Hancock, Guilbault and Edmondson would probably also encourage you to try it out for yourself.

“It is magical. After you get going, you go, ‘I could have never thought of that’,” Hancock said.

READ MORE: Spring into art galleries in Victoria

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Turner Prize: Shortlisted artist showcases Scottish Sikh community

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Turner Prize shortlist includes art showcasing Scottish Sikh community

Jasleen Kaur's installation
Jasleen Kaur’s installation includes a classic Ford Escort covered in a giant doily

A Scottish artist who uses cars, worship bells and Irn-Bru in her work is among the nominees for this year’s Turner Prize.

Glasgow-born Jasleen Kaur’s work reflects her life growing up in the city’s Sikh community.

She is up for the prestigious art award, now in its 40th year, alongside Pio Abad, Claudette Johnson and Delaine Le Bas.

Turner Prize jury chairman Alex Farquharson described it as a “fantastic shortlist of artists”

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Works by the nominated artists will go on show at London’s Tate Britain gallery from 25 September.

They will receive £10,000 each, while the winner, to be announced on 3 December, will get £25,000.

In a statement, Farquharson said: “All four make work that is full of life.

“They show how contemporary art can fascinate, surprise and move us, and how it can speak powerfully of complex identities and memories, often through the subtlest of details.

“In the Turner Prize’s 40th year, this shortlist proves that British artistic talent is as rich and vibrant as ever.”

The shortlisted artists are:

Pio Abad

Pio Abad
Pio Abad's installation

Manila-born Abad’s solo exhibition To Those Sitting in Darkness at the Ashmolean Museum in Oxford included drawings, etchings and sculptures that combined to “ask questions of museums”, according to the jury.

The 40-year-old, who works in London, reflects on colonial history and growing up in the Philippines, where his parents struggled against authoritarianism.

The title of his exhibit is a nod to Mark Twain’s 1901 essay To the Person Sitting In Darkness, which hit out at imperialism.

Jasleen Kaur

Jasleen Kaur
Jasleen Kaur's installation

Kaur is on the list for Alter Altar at Tramway, Glasgow, which included family photos, an Axminster carpet, a classic Ford Escort covered in a giant doily, Irn-Bru and kinetic handbells.

The 37-year-old, who lives in London, had previously showcased her work at the Victoria and Albert Museum by looking at popular Indian cinema.

Delaine Le Bas

Delaine Le Bas
Delaine Le Bas's installation

Worthing-born Le Bas is nominated for an exhibition titled Incipit Vita Nova. Here Begins The New Life/A New Life Is Beginning. Staged at the Secession art institute in Vienna, Austria, it saw painted fabrics hung, with theatrical costumes and sculptures also part of the exhibit.

The 58-year-old artist was inspired by the death of her grandmother and the history of the Roma people.

The jury said they “were impressed by the energy and immediacy present in this exhibition, and its powerful expression of making art in a time of chaos”.

Claudette Johnson

Claudette Johnson
Claudette Johnson's installation

Manchester-born Johnson has been given the nod for her solo exhibition Presence at the Courtauld Gallery in London, and Drawn Out at Ortuzar Projects, New York.

She uses portraits of black women and men in a combination of pastels, gouache and watercolour, and was praised by the judges for her “sensitive and dramatic use of line, colour, space and scale to express empathy and intimacy with her subjects”.

Johnson, 65, was appointed an MBE in 2022 after being named on the New Year Honours list for her services to the arts.

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Claudette Johnson’s art for Cotton Capital nominated for Turner prize

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Claudette Johnson has been nominated for this year’s Turner prize for her work, which includes a portrait of the African-American slavery abolitionist Sarah Parker Remond commissioned as part of the Guardian’s award-winning Cotton Capital series.

Pio Abad, Johnson, Jasleen Kaur and Delaine Le Bas will compete for the £25,000 prize, while the nominated artists will each collect £10,000 as the prize returns to Tate Britain for the first time in six years.

Colonialism, migration, nationalism and identity politics are the key themes running through the 40th edition of the Turner prize, which the jury described as showing contemporary British art “is appealing and dynamic as ever”.

Alex Farquharson, the director of Tate Britain and chair of the Turner prize jury, said this year’s nominees were exploring ideas of identity and would be exhibited from 25 September, before the jury’s final choice.

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He said: “This year’s shortlisted artists can be broadly characterised as exploring questions of identity, autobiography, community and the self in relation to memory, or history or myth.”

Four paintings of people on grey gallery wall

The Turner prize, regarded as one of the art world’s most prestigious awards, is presented to an artist born or working in Britain for an outstanding exhibition or presentation of their work over the previous year.

Abad was nominated for his solo exhibition To Those Sitting in Darkness at the Ashmolean Museum in Oxford, with the jury commenting on the “precision and elegance” of his work, which takes its title from a Mark Twain poem of a similar name that critiques American imperialism the Philippines, his homeland.

The show also contains references to the Benin Bronzes, after Abad discovered that the punitive expedition of 1897 – during which British troops sacked Benin City and looted thousands of objects, of which about 900 are in the British Museum’ – set off from his home, Woolwich, in south London.

Red Ford Escort in gallery with doily on top

Johnson was nominated for her solo Presence exhibition at the Courtauld Gallery, which the Guardian said “brilliantly questions depictions of non-white figures by such revered painters as Gauguin and Picasso”. She was also recognised for her New York show, Drawn Out, at Ortuzar Projects, which included her Redmond portrait.

She is the latest black female artist who emerged in the Black Art Movement of the 1980s to be recognised by the Turner prize, following in the footsteps of Lubaina Himid (2017 winner) and Veronica Ryan (2022), while Ingrid Pollard and Barbara Walker have both been nominated.

The jury said Johnson had been nominated because of the “renewal of her practice”, after she stopped making work in the 1990s, and the fact she was still “taking risks and trying new forms of practice”.

Kaur’s work in the exhibition Alter Altar, which was shown at Tramway in Glasgow, features sculptures and soundscapes, including a red Ford Escort covered in a huge doily, which references her father’s first car and ideas of migration and belonging in Britain.

Long painted drapes and seated figure

Kaur grew up in Glasgow’s Sikh community in Pollokshields, and the jury said the exhibition was a breakout show that was “generous, celebratory, moving and alive to timely issues, speaking imaginatively to how we might live together in a world increasingly marked by nationalism, division and social control”.

Le Bas’s work, shown at the Vienna Secession exhibition, was described as a “response to social and political turmoil” and includes immersive performance art with theatrical costumes and sculptures.

Farquharson said there was a chance the show may travel to Bradford during its City of Culture year, following the precedent set by Coventry, which hosted the awards in 2021, although that was still “to be confirmed”.

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The unmissable events taking place during London’s Digital Art Week

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From W1 Curates’ immersive digital projections to HOFA Gallery’s curated AI artwork showcase, don’t miss out on these stunning events during London’s Digital Art Week.

Digital Art Week is here!

Throughout the week, Londoners will have the opportunity to immerse themselves in digital art across the capital, from prestigious galleries to outdoor spaces, iconic music venues, and over 100 digital billboards.

A multitude of outdoor billboard locations, including Piccadilly Circus, will be transformed for the event, bringing digital art into the public eye and making it accessible to all. In total, works from over 120 leading artists will be showcased.

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“We are thrilled to be back in London for Digital Art Week. This year will be the biggest iteration of the movement that we have ever produced. This year we are using the fabric of the city to showcase more than 120 artists across a wide variety of venues and artistic mediums,” says Digital Art Week CEO and founder Shaina Silva.

With so much happening, here’s a simple guide to some of the events you won’t want to miss:

‘New Beginnings’ at HOFA Gallery

When? – Thursday, 25 April, 6pm-9pm.

Where? – HOFA Gallery, 11 Bruton Street, London, W1J 6PY.

London’s HOFA Gallery, situated on Bruton Street, has curated an exceptional exhibition titled ‘New Beginnings,’ showcasing artists who are at the forefront of integrating artificial intelligence into their creative processes.

Among the featured artists in their showcase, titled ‘New Beginnings’, is Niceaunties, a Singapore-based architect and AI artist who draws inspiration from her cultural heritage to explore themes of aging, personal freedom, and everyday life through generative AI and digital art.

Also included is Sougwen 愫君 Chung, a Chinese-Canadian artist whose piece “MEMORY (Drawing Operations Unit: Generation 2)” made history as the first AI model acquired by London’s V&A museum, as well as digital artist, Agoria, known for his avant-garde BioGenArt.

W1 Curates immersive galleries

When? – During the whole of Digital Art Week.

Where? – 167 Oxford Street, London, W1D 2JP.

W1 Curates, a public art platform situated in the heart of London’s iconic Oxford Street, is hosting a series of free cutting-edge events during Digital Art Week.

These events will feature some of the world’s leading digital artists, including Beeple and Andrés Reisinger.

Here’s the schedule:

Six N Five – Tuesday, 23 April, 8pm-9pm.

GMUNK – Thursday, 25 April 8pm-9pm.

Lost Souls of Saturn – Friday, 26 April, 8pm-9pm.

Ash Thorpe – Friday, 26 April, 8pm-9pm.

Beeple – Saturday, 27 April, 8pm-9pm.

Andrés Reisinger – Sunday, 28th April, 8pm-9pm.

Krista Kim presented on Outernet’s four storey LED screen

When? – Friday, 26 April, 9am till late.

Where? – Charing Cross Rd, London, WC2H 8LH.

TAEX is presenting Canadian-Korean contemporary artist Krista Kim’s “Continuum” collection, an awe-inspiring visual meditation that will be showcased on Outernet’s four-storey LED screen.

Kim’s Rothko-inspired artwork, created from LED light photography and cutting-edge software, offers vibrant colourscapes that aim to elevate consciousness and inspire positivity in the digital realm.

Also, you can look forward to the soothing sounds of electronic group Ligovskoï, whose healing frequency music complements Kim’s mesmerising visuals.

But Kim isn’t the only artist on display at Outernet. You can also catch AMIANGELIKA / Ouchhh (23 April), Zach Lieberman (24 April), Jesse Woolston (25 April), and Sasha Stile (27 April).

‘Daata’ at Shoreditch Arts Club

When? – Thursday, 25 April, 7pm-11pm

Where? – Shoreditch Arts Club, 6 Redchurch Street, London.

If you enjoy cocktails, reggae music and trippy, surreal digital animations then this could be the event for you.

Shoreditch Arts Club, in collaboration with their long-time moving image partner Daata, is hosting a party to celebrate Digital Art Week. Visitors can expect to experience mesmerising digital artworks on screens, accompanied by the legendary sounds of reggae DJ Manasseh.

The evening will showcase The Rockers Uptown – The Shoreditch Version, a curated playlist of commissioned video animations handpicked by Daata’s founder David Gryn. Featuring works by esteemed artists such as George Barber, Phillip Birch, and many more, this event promises to be an immersive journey into a surreal world of digital art.

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