Japan's Nero? The shogun who dabbled in art while Kyoto burned - The Japan Times | Canada News Media
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Japan's Nero? The shogun who dabbled in art while Kyoto burned – The Japan Times

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Art and war seem poles apart. War is violent, murderous, ugly, an orgy of blood and death, humanity gone mad. Art is lofty, spiritual, beautiful, a rapturous celebration of life and the human spirit.

Japan’s earliest arts were arts of peace. Japan was a nation of peace, at peace. Its civilization was born in peace, circa 500 A.D., and nurtured in peace for 700 years thereafter. Its loveliest artifacts are Buddhist statues of the eighth, ninth and 10th centuries — wood, clay and bronze figures, bodhisattvas for the most part, their faces and poses reflecting a serenity that seems scarcely of this world and yet there is nothing remote about it. Its sublimity pierces the heart — even the modern heart, keyed to turmoil. What if war had never broken out? Maybe we’d all be bodhisattvas now.

Idle fancy. Was war inevitable? It came, inevitably or not, and from the late 12th century to the early 17th, Japan was almost perpetually at war. It was civil war mostly. Apart from two Mongol invasions — both repelled, the first in 1274 and the second seven years later — the outside world paid Japan little heed, leaving its warriors free to slaughter each other, which they did with unwearying gusto for the better part of half a millennium. How art of any kind could have survived and even flourished in the seemingly endless carnage is one of the enduring mysteries. Other civilizations — ancient Greek, medieval European — had their Dark Ages, near-total eclipses of everything that makes life gracious. Japan’s darkest age was an age of light.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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