Keenan: A looming crisis in the lost art of tinkering - Calgary Herald | Canada News Media
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Keenan: A looming crisis in the lost art of tinkering – Calgary Herald

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People used to be able to get under the hood and fix their cars. But as automobiles become more computerized and complex, tinkering has become a lost art.


Jocelyn Turner / SunMedia

Guys love to tinker with things, especially cars.

I recall blissful, if knuckle-skinning, sessions underneath my beloved 1968 VW campervan named George. I could change his oil, check his compression and adjust his valves with my eyes closed. With enough tools and the right manual, I could probably have rebuilt his engine in the middle of the desert, though to be honest I would have been tinkering by trial and error.

As Annie Murphy Paul writes on her Psychology Today blog, “Tinkering is the polar opposite of the test-driven, results-oriented approach of No Child Left Behind: it involves a loose process of trying things out, seeing what happens, reflecting and evaluating, and trying again.”

She goes on to quote a speech by Sylvia Martinez at a meeting of the National Council of Women in Information Technology: “Tinkering is the way that real science happens, in all its messy glory.”

For 25 years, I had the privilege of teaching in Shad Valley Calgary, a wonderful program for highly gifted Canadian teenagers. Each week, we offered them a choice of hands-on seminars on science, math and entrepreneurship. Way back in the 1980s, I was teaching students how to build artificial neural networks and simulate road traffic patterns.

The most popular Shad Valley seminar was given by a graduate student. He took the students outside and taught them practical skills like changing a tire and crafting chain mail armour. While they excelled in their schools, these young folks were often shielded from the hands-on aspects of life. Well-meaning parents bought them piano lessons or enrolled them in university courses, but our Shad students, guys and girls, had a real longing for practical, guided tinkering.

Why is there a looming crisis in tinkering? Have you looked under the hood of a Tesla Model S? There’s a “frunk” (front trunk) where the engine should be! I’m sure there are things an owner can do to help maintain this vehicle, but they’ll be accomplished by tapping on a touch screen. Approaching your Tesla with pliers and a screwdriver is a recipe for disaster.

There’s another problem with trying to tinker with modern vehicles — they’re too smart for us, and I don’t just mean by requiring computers to read their codes. I just tackled the simple task of replacing a rear wiper motor on my 2009 Pontiac Torrent. I put the new one in, hit the switch, and — nothing. I had to consult an obscure car repair forum to learn that “of course the rear wiper is inoperative when the lift gate is open.” I closed the hatch and solved the problem, feeling pretty dopey in the process.

Even worse, a rental car in San Francisco simply would not let me close the trunk at a gas station. It just kept popping open. Embarrassed, I dug out the owner’s manual which, on page 571, explained that “for your protection, you cannot lock the trunk if the key fob is inside.” Of course, there it was, inside my jacket in the trunk.

One of the reasons I’m thinking about this now is that I’m giving the keynote speech to a conference of Science and Technology educators in Calgary on Feb. 26 (information is at https://www.stanrsst.ca/conference — you should consider attending.)

What will I tell them?

Firstly, a reminder that many of the things we enjoy everyday are the result of fiddling around. Steve Jobs was a notorious tinkerer, as were Benjamin Franklin and Nicola Tesla. And then a challenge — to find a way to bring this mindset back for a generation that doesn’t have the thrill of putting together a Heathkit ham radio and travelling the world, analogue-style.

I have a few ideas about how to accomplish this.

Learning to write computer code is a good start, since you almost always have to tinker to get it to work. For those looking for a more physical experience, drop by your local “maker space” and see if someone can point you in the right direction. Or order a Hackerbox. I’m currently building their kit #0026 which contains OpAmps, an Arduino Nano V3, physiological sensors and related gear.

If I follow the instructions correctly, then fool around a bit, this pile of parts should turn into a device capable of “measuring physiological signals of the human heart, brain, and skeletal muscles” — a bargain basement Fitbit with even more functionality. There’s even a subscription service from hackerboxes.com that sends you a new challenge each month.

My point is that we may have a look a bit harder to find opportunities to tinker, for ourselves and those we care about. While our next car may be virtually consumer-proof, everybody has things around the house that go kaput and are usually discarded. YouTube and other websites are chock full of helpful (and unhelpful) fix it yourself videos.

It’s not really that important if that broken coffee pot ever brews another cup, or the windshield wiper motor actually moves. The fun, and the learning, comes from the tinkering journey.

Dr. Tom Keenan is an award-winning journalist, public speaker, professor in the School of Architecture, Planning and Landscape at the University of Calgary, and author of the bestselling book, Technocreep: The Surrender of Privacy and the Capitalization of Intimacy.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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