Latest Images Reveal Near Completed MVRDV’s Art Depot for Museum Boijmans Van Beuningen
The public art depot for the Museum Boijmans van Beuningen, designed by MVRDV is nearing completion in Rotterdam. Scheduled for opening in September 2021, recent images showcase the installation of the first of 75 trees on the roof garden.
The first publicly accessible art depot in the world is located in Rotterdam’s Museumpark, a public garden between the Museum Boijmans van Beuningen and the OMA’s Kunsthal art museum. Designed by MVRDV, the depot takes on a bowl-shaped structure. With all its curved mirror cladding already installed, reflecting both the park and the city, and its 75 large birches taking their position and creating the green rooftop forest, the project is nearing completion sooner than expected.
Designed in collaboration with MTD landschapsarchitecten from Den Bosch, the forest will integrate the Betula pubescens tree, “a soft birch that grows to a maximum height of ten meters and is highly resistant to the weather conditions on the roof”.
When Yves Brunier designed the Museumpark with OMA, I helped with the selection of the old trees […] Now that the birches are being placed on the roof of the Depot, the circle is complete; we are taking the park we removed to the top of the Depot and enlarging it. Soon, people will be able to take the express lift up, free of charge, and enjoy a spectacular view of the city at a height of 34 metres. — Winy Maas, MVRDV founding partner.
Back in 2014, MVRDV won the competition to design the Depot Boijmans Van Beuningen, the first art depot open to the public, where people can watch the restoration process. Although the project can hold up to 151 000-pieces of arts, with exhibition halls and a restaurant, the depot, a circular 39.5-meter structure, has a footprint as small as the program allowed, in order to leave as much of the park intact as possible.
No crowds delight art lovers in Italy at re-opened museums – CityNews Toronto
FLORENCE, Italy — The Uffizi Galleries, the most-visited museum in Italy, is open after three months of COVID-19 lockdown, delighting art lovers who don’t have to jostle with throngs of tourists thanks to new social distancing rules.
Uffizi director Eike Schmidt told The Associated Press on Wednesday that the government-ordered closure of museums during coronavirus containment measures meant 1 million fewer visitors and 12 million euros ($13.2 million) in less revenue for that period. Now, at most 450 people at one time are allowed in the Uffizi’s many galleries, chock full of some of the art world’s greatest masterpieces.
That means visitors no longer have to elbow their way to admire such masterpieces as Botticelli’s “Birth of Venus.”
First in line to enter was Laura Ganino. She was studying in Florence when the lockdown was declared in early March and now was finally about to leave the Tuscan city, since Italy on Wednesday dropped restrictions on travel between regions in the country.
Schmidt said tourists from overseas weren’t expected to come to Italy in large numbers likely before 2021. Ganino took advantage of the smaller number of visitors. Crowds, she said, pose “an obstacle between me and what I’m observing.”
Right behind her in line was Patrizia Spagnese, from Prato in Tuscany. With crowds, “I get distracted, I tend to tire easily,” she said, so with her husband she was eager to savour the beauties inside the Uffizi, which she had never seen in its entirety despite many times being in Florence.
Schmidt said social distancing heralds a new era in art experience. Without being surrounded by rushing crowds, art lovers can better “feel these emotions that these works of art always transmit,” he said.
Visitors to the highly popular Vatican Museums, which reopened two days earlier after lockdown, similarly could appreciate opportunities rarely available in the past. These include enjoying Michelangelo’s frescoed ceiling in the Sistine Chapels without many other tourists jockeying for a spot where they can crane their neck to observe the masterpiece overhead.
As an added bonus, the Vatican Museums visitors can now see work by Raphael which had long been attributed to that of his artistic workshop but that after several years of delicate cleaning and restoration, experts decided were really painted by him shortly before his death in 1520.
Two female figures, each with one breast bared and serving as allegorical representations of justice and friendship decorate one of the walls of the Hall of Constantine.
The Vatican had planned to unveil the ‘’re-discovery” of Raphael’s work at an international convention of art experts in April. But the coronavirus outbreak forced that plan to be scrapped.
Instead, rank-and-file art lovers who visited the rooms of the Vatican decorated by Raphael, one of the highlights of the Museums tour before they reach the Sistine Chapel, can now admire the feminine figures. Raphael painted the figures with oil-based paint, very unusual for mural painting at the time.
Frances D’Emilio reported from Rome.
Follow AP coverage of the pandemic at https://apnews.com/VirusOutbreak and https://apnews.com/UnderstandingtheOutbreak
Trisha Thomas And Frances D’Emilio, The Associated Press
Grad Profile: Architecture as art – Dal News – Dal News
When Kristina Bookall left her home in Jamaica to attend Dalhousie, she was unaware that several years before her a relative had made a similar voyage.
“I later found out that my aunt, who moved to Canada, studied nursing at Dal,” she says.
Kristina, who recently graduated from the Masters of Architecture program, says her Dal experience has helped prepare her for jumping into the field right away.
“Dal architecture keeps it realistic,” she says. “It also allows you to be a significant contributor to the field just after graduating.”
A coastal experience
Kristina spent a summer in Cape Breton as a part of the Coastal Studio team, a research project at Dal that embeds students in different coastal communities around rural Nova Scotia with a focus on the development of innovative design and construction techniques that marry new technologies with traditional methods and materials.
“That was by far one of the best experiences,” she says.
Not only did she find the landscapes “absolutely stunning,” she says she also got the chance to get to know her classmates better as they all lived together over the summer.
For Kristina, architecture is an amalgamation of her artistic interests. “I do a lot of artistic design, and illustration and architecture bring all those interests into one thing,” she says.
Before coming to Dal, she worked as a graphic designer for the British Broadcasting Commission.
“I studied production-design for film and television in the United Kingdom and went on to work for the BBC,” she says. Kristina has contributed to several TV commercials and miniseries, like Dancing on the Edge, Family Tree, and Hunted.
Adjusting and adapting
Despite having studied and worked in the UK, Kristina still had to adjust to her new life in Canada. “I had to get used to Canadian culture and the Canadian architecture student culture, which is another animal itself. Also, I was implanted into an existing class, which was tricky to navigate because being the new kid is never fun.”
She says she also started out her program as “a minority in every sense of the word,” but that there’s been a lot of more diversity developing in that area over the past few years.
Kristina says she also worked to overcome challenges that came with holding down a job while studying.
“Working while in school was another struggle. Architecture school is intense and requires a lot of work, and the quality has to be to a certain standard to maintain good grades,” she says.
Now that she’s done her degree, Kristina says she plans to spend some more time gaining experience in Canada before eventually returning home.
“My immediate plan for the future is to get through quarantine and further my architecture experience here in Canada and when the weather gets too cold, fly back to Jamaica.”
Kelowna Art Gallery offers free admission for June – Kelowna Capital News – Kelowna Capital News
You can now cruise the halls of Kelowna’s Art Gallery for free for the month of June.
On June 2, all four exhibition spaces reopened for visitors to enjoy. In celebration, the gallery decided to offer free administration to everyone this month.
“I am delighted that our professional team worked together to reopen the Kelowna Art Gallery to the public as quickly and as safely as possible,” said Nataley Nagy, executive director at the Gallery.
“During these trying times, we know that art and creativity are a welcome respite for all of our residents.”
Visitors will notice additional signage as well as reduced capacity due to COVID-19 concerns.
The Gallery has also made a few changes to its hours of operation. The Gallery is now open Tuesday and Thursdays, from 10 a.m. to 8 p.m.; and Wednesday and Fridays, from 10 a.m. to 5 p.m.
The first hour, 10 a.m. to 11 a.m., has been set aside for seniors and for those who may have health concerns.
For more information about the exhibitions on view and to find out “what to know before your visit”, please see www.kelownaartgallery.com.
The Kelowna Art Gallery is located at 1315 Water Street in the heart of the Cultural District in downtown Kelowna, BC.
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