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LGBTQ art shows are lighting up galleries from Boston to Berlin – NBC News



As a cautious world continues to reopen and a sense of normalcy begins to return to its art museums, a lively summer lineup of no-holds-barred exhibitions by and about queer artists is helping ensure that the imbalances exposed by the pandemic remain center stage, and that the urgency surrounding them isn’t lost. Highlighting themes such as activism, racism, ageism, ableism, innovation and intimacy, these shows help envision a future informed by past progress, but still mindful of present challenges and unafraid to keep evolving. 

Fotografiska / New York

Organized last year to honor the 100th birthday of Touko Laaksonen (better known to the world as Tom of Finland) by Fotografiska Stockholm and the Tom of Finland Foundation, this studly show reveals his work process through the photographic portraits that served as source material for many of his famed homoerotic drawings. Through Aug. 20         

Tom of Finland, Tom & Tom Katt, 1984.Tom of Finland Foundation

Schwules Museum / Berlin                          

Intimacy is one of queer art’s enduring central themes, and here it’s granted an entire exhibition dedicated to showcasing some of the many ways — in both theme and format — that queer intimacy is portrayed in contemporary art. The show includes more than 30 pieces from iconic global queer artists such as AA Bronson, Annie Liebovitz, Slava Mogutin and Zanele Muholi. Through Aug. 30 

“Intimacy: New Queer Art from Berlin and Beyond”.Ralf Rühmeier / Schwules Museum

Institute of Contemporary Art / Los Angeles

Groundbreaking queer performance artist Ron Athey finally gets his due in this survey of his work and career, in which his highly visceral performances and transformative use of his own body as a site of trauma, resistance, sexuality and religious ecstasy earned him a spot center stage in the 1990s culture wars — and has strongly influenced a generation of both artists and viewers ever since. Through Sept. 5

Installation view, Queer Communion: Ron Athey. Institute of Contemporary Art, Los Angeles, Through Sept. 5, 2021.Jeff McLane / ICA LA

Royal Academy of Arts / London

In his vivid, dreamlike paintings that have been likened to the works of Titian, Gauguin and Manet, Kenyan-born Michael Armitage challenges cultural assumptions and explores themes such as sexuality and civil unrest, bringing unsettling beauty to otherwise ugly situations. A Royal Academy graduate, Armitage returns to his alma mater here with 15 large-scale paintings from the past six years. Through Sept. 19

Michael Armitage, Pathos and the twilight of the idle, 2019. Oil on Lubugo bark cloth, 330 x 170 cm.Theo Christelis / White Cube

Phoenix Art Museum                                                                    

The career and broad impact of innovative Austrian-born fashion pioneer Rudi Gernreich — who created legendary body-positive pieces such as the monokini and the thong, and who was also the 1950s partner of seminal gay rights activist Harry Hay — are explored in this collection of more than 80 ensembles, alongside original sketches, personal papers, photographs and newly filmed oral histories, as assembled by L.A.’s Skirball Cultural Center. Through Sept. 26

Peggy Moffitt modeling a George Sand pantsuit designed by Rudi Gernreich, fall 1967 collection.William Claxton / Courtesy of Demont Photo Management & Fahey/Klein Gallery Los Angeles

The Morgan Library & Museum / New York

The formative first 15 years in the creative journey of renowned multimedia artist Shahzia Sikander are celebrated in this beautiful show, which follows her path from pioneering deconstructor of traditional manuscript painting in her native Pakistan, to art student in Providence, Rhode Island, and Houston, to young artist in New York, a period during which she delved into the themes — including gender, sexuality, race, class and culture — that still shape her work today. Through Sept. 26

Eye-I-ing Those Armorial Bearings, 1989–97, and Sly Offering, 2001.Shahzia Sikander / Courtesy Sean Kelly, New York.

New-York Historical Society

The magical queer community that flourished on Fire Island’s Cherry Grove in the 1950s is showcased in this free (but timed-entry ticketed) outdoor exhibition in the New-York Historical Society’s rear courtyard, comprising some 70 enlarged photographs and additional ephemera from the Cherry Grove Archives Collection. The museum, New York’s oldest, announced last week that it would expand to include the American LGBTQ+ Museum by its 200th birthday in 2024. Through Oct. 11 

Outside of Bea Greer’s Home, Bea’s Brunch, 1951.Cherry Grove Archives Collection / Gift of Harold Seeley

MoMA PS1 / New York

Brooklyn-born video artist Gregg Bordowitz began merging his work and his AIDS activism in the mid-1980s, documenting the many protests he took part in as a member of the AIDS Coalition to Unleash Power, or ACT UP, and creating video portraits of himself and others living with HIV and AIDS. This first comprehensive overview of his influential career also includes his more recent work, which explores the nexus of his religious, sexual, political and cultural identities. Through Oct. 11 

Gregg Bordowitz, still from Fast Trip Long Drop. 1993. Video (color, sound).Gregg Bordowitz / Video Data Bank at the School of the Art Institute of Chicago

Bronx Museum / New York

In the first section of this powerful two-part exhibition, Tennessee-born and Harlem-based artist Wardell Milan uses new works on paper to explore the subtle normalization of white supremacy and racial violence in America. The show’s second portion uses a site-specific structure — along with performances choreographed by Zachary Tye Richardson and sculptures designed by Billy Ray Morgan — to explore the concept of “safe space” for marginalized communities. Through Oct. 24

Wardell Milan. The Timmerman’s Kitchen, New Canaan, CT, 2020. Courtesy of the artist and David Nolan Gallery

Blaffer Art Museum / Houston

This microsurvey of the work of chameleonesque visual and performance artist Martine Gutierrez showcases her cheeky deconstructivism of glitzy conventions such as fashion and advertising to explore themes around gender, race and identity, as often inspired by ancient Aztec and Mayan cultures and their deities embodying duality and gender fluidity. Through Oct. 24

Exhibition installation view, Martine Gutierrez: Radiant Cut at Blaffer Art Museum, University of Houston.Sean Fleming / Courtesy of Blaffer Art Museum

Museum of Fine Arts / Boston

In this queerified and age-embracing homage to classic 1950s and ‘60s Scopitone film reels — a precursor to music videos that played inside special jukeboxes in cocktail lounges nationwide, and glorified young cisgender white male-dominated culture — Samantha Nye recreates the old film shorts shot-for-shot with queer elder actors, discarding ageist and ableist definitions of sexuality and eroticism, and expanding our vision of love, sex, agency and belonging. Through Oct. 31

Video Still from Visual Pleasure/Jukebox Cinema – DADDY (Verse 4), 2018.Samantha Nye / Courtesy Museum of Fine Arts, Boston

George Eastman Museum / Rochester, New York

Photographer Jess T. Dugan and social worker Vanessa Fabbre spent five years traveling across America to document the life stories of transgender and gender-nonconforming older adults for this broad and captivating collection of portraits and accompanying interviews (also fully accessible in a virtual 360 tour on the exhibition’s web page) that span the human spectrum of gender identity, age, race, ethnicity, sexuality, socioeconomic class and location. Through Jan. 2, 2022

Hank, 76, and Samm, 67, North Little Rock, Ark., 2015.Jess T. Dugan / Barrett Barrera Projects

Museum of Contemporary Art / Los Angeles

The hauntingly gorgeous works of New York-based artist Jennifer Packer, appearing here in a first West Coast museum showcase, include intimate portraits of her family and friends that play with the viewer’s sense of dimension and perception. Packer’s works, which also include politically charged still lifes, recast classic conventions in contemporary light to imbue them with new meaning. Through Feb. 21, 2022 

Jennifer Packer, Idle Hands, 2021, Oil on canvas.Courtesy of Sikkema Jenkins & Co., New York, Corvi-Mora, London

RISD Museum / Providence, Rhode Island

Not unlike the Schwules Museum’s “Intimacy” exhibition, this group show explores the power and significance of intimate relationships in queer art, and features more than 30 pieces (including several new acquisitions for the museum’s permanent collection) from artists such a Salman Toor, Nicole Eisenman, Wolfgang Tillmans, Catherine Opie and Paul Cadmus.  July 17 — March 13, 2022 

Norma & Eyenga, Minneapolis, 1998.Catherine Opie / Courtesy Regen Projects

Patricia and Phillip Frost Art Museum / Miami

Michigan-bred and now Miami-based Robert Andy Coombs’ photographs document his own experiences at the rarely highlighted intersection of sexuality and disability, challenging ableist preconceptions and inviting the viewer along for a narrative that’s at turns tender, playful, sensual and revealing. Aug. 14 — Nov. 6

Woodland nymphs, 2019.Robert Andy Coombs

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Summer Stations art installations are coming soon to Kew Gardens and Woodbine Park this August – Beach Metro Community News – Beach Metro News



The ‘ARc de Blob,’ now up in front of Kew Gardens on Queen Street East, is one of three Summer Stations art installations set to be on display in August in the Beach. Inset photo shows an image of seashell-shaped The Epitonium, which will be displayed at the north end of Woodbine Park by Queen Street East. Photo by Susan Legge.

Winter Stations along Woodbine Beach has become Summer Stations in the Beach.

The transition began this week when the ‘ARc de Blob’ art installation made its appearance on Queen Street East at the entrance to the Beach’s Kew Gardens park.

The installation is a joint effort by an Austrian and British design team made up of Aleksandra Belitskaja, Ben James and Shaun McCallum. ARc de Blob’s designers describe it as “a colourful landmark, a point of orientation, interaction and refuge.”

The art installation was one of five originally selected to be part of this past February’s Winter Stations art installations along Woodbine Beach.

However, due to the increasing COVID-19 case numbers earlier this year, the event had to be altered to the point that no art works were installed along Woodbine Beach this year.

Instead, Winter Stations organizers made the best of the rapidly changing situation by displaying the winning art installations in other locations in Toronto, including the Distillery District, in the spring.

They also changed the name from Winter Stations to Spring Stations; and now finally to Summer Stations for the ARc de Blob, The Epitonium, and a third installation (to be determined) in the Beach.

The Beach BIA and Winter Stations are presenting the art installations in the Beach until Aug. 31.

The ARc de Blob is already in place, and thanks to a contribution from The Richards Group, two more stations are coming to Queen Street East — The Epitonium in Woodbine Park, and the third yet-to-be determined installation which is set to be completed by next week when Summer Stations officially launches.

The Epitonium is designed by the Iranian team of M. Yengiabad – Shahed M. Yengiabad, Elaheh M. Yengiabad, Alemeh M. Yengiabad and Mojtaba Anoosha.

It is described as a “giant seashell” in harmony with its location. “It’s a beautiful and functional landscape. The creation of this idea causes natural shelter to become a refuge. The design of this structure is inspired by epitonium, which is a type of seashell,” said its designers.

The Epitonium’s installation is pretty well complete as of this week and it is located at the north end of Woodbine Park near the Queen Street East entrance.

For more information on the art installations that were selected for this year’s Winter Stations, please see our earlier story at

For more information on Summer Stations and The Beach BIA at Kew Gardens and Woodbine Park, please go to which will have full details up on the website next week.

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Art exhibit looks at a year from now – The Daily Courier



What can happen in a year? Lake Country-based artist and curator Wanda Lock delves into the passage of time and the cycles in our lives with a new exhibition that opens Friday at the Kelowna Art Gallery.

Titled A Year From Now, it presents 63 works she selected from the gallery’s permanent art collection.

“Where do you even start?” said “There are over 900 artworks in the collection to choose from. I needed something to help centre my approach and create a narrative that visitors could bite into. So, I started with a pot of tea. Then, I spent many, many hours browsing the collection via the Gallery’s online database.”

Ultimately, Lock decided to divide this introspective exhibition into five thematic groupings.

The first section gallery-goers encounter is Love is Blind,. Around the corner is Home is Where the Heart is. Best Laid Plans considers the nature of disruption and unforeseen circumstances. When You Crop a Photo, You Tell a Lie visits transitional moments and change. Lastly, To Everything, There is a Season returns to summer time in the Okanagan.

“I wanted to include a few of my favourite pieces (which didn’t all make the cut), but more importantly, I wanted to create an exhibition that would explore themes that reflect on the year we just came through, while looking ahead to the future with hope and reassurance,” said Lock.

A Year From Now features an eclectic presentation of work by Okanagan-based artists including Briar Craig, Fern Helfand, Jane Everett, and Jim Kalnin, along with Landon Mackenzie, Gathie Falk, Norval Morisseau, Carl Beam, and Wanda Koop, among others. Visitors will see art in a variety of mediums, including drawing, painting, sculpture, photography and more.

The exhibition also showcases five written works that were commissioned from local poets Carin Covin, Asheigh Giffen, Shimshon Obadia, Laisha Rosnau, and Michael Turner.

“We are always delighted to share artworks from our collection with regional audiences and the visitors who might be in the city. After all this art is yours,” said Nataley Nagy, eecutive director at the Kelowna Art Gallery.

“We hold these important pieces of art in trust for the City of Kelowna, on behalf of all of its citizens.”

A Year From Now: Works from the Permanent Collection can be seen until Nov. 21. The Kelowna Art Gallery is located at 1315 Water St.

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Inaugural art festival to showcase the work of artists in southwest Saskatchewan –



Since some tourists like to travel in September when crowds are smaller, an organization in southwest Saskatchewan wants to attract those people for an inaugural arts festival occurring in several area communities.

The Cypress Hills Grasslands Destination Area (CHGDA) organization has organized the first Southwest Art Fest, which encompasses multiple art genres such as painting, drawing, pottery, quilting, photography, film, music and other visual arts. 

The event runs from Sept. 1 to 30 and gives artists throughout that area the chance to showcase their artwork. Artists are encouraged to find a venue in which to feature their material and vice versa.

The CHGDA has 36 partners in dozens of communities throughout the province’s southwest corner and southeast Alberta.        

Blaine Filthaut, owner and artist with the Broken Spoke Fine Art Gallery and Gift Store in Maple Creek, explained that September is the best month for his business since “a different type of tourist travels at that time.” Furthermore, since there are few scheduled activities across the area, the CHGDA wanted to fill that month in an organized way. 

“The concept comes from almost like a city art walk, where you go on a third Thursday of the month are walks at this location, and you go,” he said. “And on those concepts, usually what happens is an artist finds a venue or a venue finds an artist that wants to participate.” 

However, an art walk is impossible for small towns, especially when they are scattered across more than 42,000 square kilometres of southwest Saskatchewan, Filthaut continued. This is unfortunate since there are “a huge amount of great artists” in the area. 

“Like the whole area, I’m saying there are many artists not well known, and art as a culture in Saskatchewan isn’t the highest thing on the list, either, so this is also a nice way to be promoting the arts,” he added.

This festival also helps address the issue of towns holding activities and their neighbours not knowing about them. This event ensures all municipalities are aware of what’s happening.

The CHGDA has a map on its website listing all 36 partners and the communities where they’re located. This is important, said Filthaut, since some tourists like to engage in “map quests” where they use Google maps to find lodgings and restaurants in communities and then visit those places. 

The organization’s area stretches from Leader in the northwest to Val Marie in the southeast. Although Swift Current is not included as a partner but is on Highway 1, the CHGDA approached art galleries in that community and convinced a few to participate in the festival. 

The festival provides a safe venue to tour, meet and discover art in southwest Saskatchewan in a COVID-19-safe environment, said Filthaut. That area of the province is also vast and diverse and features many kilometres of highway that pass through the sandhills, the grasslands, Cypress Hills and communities with great sights to discover.

The Cypress Hills Grasslands Destination Area spoke with Tourism Saskatchewan about this event, he continued, and while the government-run organization loved the idea, it was too late to support it due to uncertainty surrounding the pandemic. Yet, Tourism Saskatchewan said it might jump on board in 2022.

Even though the CHGDA could not obtain a provincial endorsement, the organization is still excited to host the month-long festival.

“We’re looking forward to it. Everybody I’ve talked with, including from the artistic side, they think it could be here for a long time. It’ll just grow … ,” added Filthaut. “Once you get on the map and do a show, it just builds. But somebody’s got to start it, and this is the start.”  

For more information, visit or the CHGDA Facebook page

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