Submitted by Huntsville Public Library (HPL)
Attention artists and crafters: Join us for a collaborative puzzle art project!
As we continue to practise social distancing for the safety of our community, it’s important to remember that we are in this together, even if we are separate. Join other HPL patrons in creating a large 48-piece wall puzzle (24” x 36”) to be displayed in the library.
The HPL has missed seeing you all in this space, but we want you to know we are still here for you.
To register for this project, contact Community Engagement Coordinator, Cara McQueen by email or phone at 705-789-5232 ext. 3408. She will respond by email or phone to inform you of space availability, request more details to complete the registration process, or add you to the waitlist.
Limited pieces are available; one piece per patron. This project is aimed at adults 18-plus.
We want to celebrate your resiliency, well-being, and community during this time apart, and we welcome your personal creative touch to bring this puzzle art collaboration to life.
Puzzle pieces will be ready for pickup the week of July 12 and must be returned to the library the week of August 2, no later than August 6.
Each piece is a blank canvas that you can paint in any way you wish, but there are a few guidelines:
- Do not alter the shape of the piece at all.
- Use any paint that works: oil, acrylic, watercolour, etc. but tyy to avoid painting the edges of the pieces.
- Please, no profanity, politics, or hate speech allowed.
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Art Meets Poetry – FAD magazine
Poetry was good in lockdown, being better suited to the screen than most literature or art. That makes it timely that two ambitious London shows currently combine art with poetry, even if they were necessarily in planning well before we learned the language of covid. They have prominent local partners: Shoreditch Library with PEER, The Poetry School with Southwark Park Galleries. Both PEER’s Swirl of Words / Swirl of Worlds and Southwark Park Galleries’ A Fine Day for Seeing combine an exhibition, a programme of events and workshops, and a publication. And both strike me as excellent in all three respects – though as I curated the latter with the poet Tamar Yoseloff, half of that assessment may be biased!
At Southwark Park Galleries (to 29 Aug), the focus is on partnerships between poets and artists: ten poets respond to ten artists, allowing the visitor to read or listen to each through the catalogue, online or via QR code in the gallery. The relationships vary greatly, from mother and daughter to long term collaborators to newly-mets. Perhaps the most unusual dialogue is between Basil Beattie and Maitreyabandhu. The former taught the latter at Goldsmiths Art College in the 1980s, but they hadn’t met since – the pupil is now a Buddhist, ordained into the Triratna Buddhist Order in 1990 – and has swapped painting for poetry, publishing three collections with Bloodaxe Books. He chose the huge and hugely impressive ‘Cause & Effect’ from 1980, and wrote about the time when he was an art student before he stepped across…
the threshold into the present tense: Thatcher
gives way to Grindr, Brexit and XR
as Basil, who has hardly changed, makes tea.
We prop his pictures up against the wall
and talk about the dead – Hoyland gone
and Albert Irvin “a new joke everyday”
dying at the average age, in the average way,
as if that made a difference. The paintings stand
in working studio light and measured calm
as tribute to the eye and heart and hand,
mute surfaces of know-how, marking time.
PEER’s show (to 14 Aug) considers the relationship between language and cultural identity, notably represented by publication of a free book containing 94 poems in each of 94 languages identified as being spoken in Hackney, all with English translations. The poet Stephen Watts selected these, and while you might suspect the quality of the work would be subsidiary to its concept, it turns out to be a consistently strong collection. Watts will reads his own poems at the closing event. Meanwhile the extensive exhibition brings together classic fusions of art and language (by, for example, Kurt Schwitters, Susan Hiller and John Smith) with less-known but equally fascinating works. I was taken with half a dozen of Pete Smith’s ‘National Geographic Yellow Collages’ from a series ongoing since 2009. They consist of words and phrases removed from National Geographic magazine and pasted onto a magazine-sized background of horizontal yellow or gold strips themselves cut from the publication’s iconic front-cover border. That makes them visually striking, but they also operate wonderfully as semi-found poems of surreal conjunction.
Art writer and curator Paul Carey-Kent sees a lot of shows: we asked him to jot down whatever came into his head
New Public Art Installation to pay homage to Midland's history – Barrie 360 – Barrie 360
from the Town of Midland
The corner of King Street and Bayshore Drive in Midland will soon be the home to a new public art installation.
“Sown,” an artwork conceived by local artists Holly Archer and Camille Myles, will be placed in its new home in downtown Midland this summer. The piece is being fabricated by Lafontaine Iron Werks with Toque Innovations of Midland as the technical designer. The inspiration behind “Sown” is the rich industrial history of Midland, with elements of the design representing the five fingers that built this community (logging, shipping, the railway, agriculture, and manufacturing) as well as the five bays from the foundational Indigenous legend of Kitchikewana.
“Developing vibrant public spaces and promoting a beautiful Midland is one of Council’s current strategic priorities,” said Mayor Stewart Strathearn. “This installation will complete the work on King Street, and we thank the Rural Economic Development program for their grant to assist with this project’s streetscaping, including the commissioning of this new work of art. I also want to thank the local artist and fabricators for crafting this piece to pay homage to the unnamed, unsung community members who have been instrumental in building Midland to where it is today.”
The artist team responded to a call for proposals that the Town issued in early 2021. “Sown” was selected based on the Town of Midland’s Public Art Policy, criteria outlined in the request for proposals, and the installation site.
“The Town of Midland recognizes that art and culture have been and will always be integral parts of our community,” said David Denault, Midland’s Chief Administrative Officer. “We are very proud of our town and our beautiful new main street and are excited to showcase all that we have to offer to both residents and visitors.”
The artwork is funded by the Ontario Ministry of Agriculture, Food and Rural Affairs, through the Rural Economic Development Program, and the public can learn more about this artwork as it’s being created. Visit EngagingMidland.ca/Sown-Public-Art-Installation for artistic descriptions of the artwork, concept boards, and details on the elements of design.
Art, culture and reconciliation | The Star – Toronto Star
SHERBROOKE – A veritable who’s who of Indigenous and political leaders from across Nova Scotia gathered to mark the opening of the fifth annual Indigenous art exhibit at Historic Sherbrooke Village on July 25.
But while new acts of creation may have brought them here to celebrate under sunny skies, something just as durable kept them standing, shoulder-to-shoulder, before a capacity crowd of residents and artists: history and sense of healing was in the air.
“The last three months have been a very difficult time for Indigenous people in Canada,” Canadian Senator Daniel Christmas, a senior advisor to Membertou Mi’kmaw Nation, told the audience.
“Our global image as a defender or protector of basic human rights in the world has been seriously tarnished. But our own perception of ourselves has changed as well, and many Canadians have expressed their shame and their embarrassment,” he said. “The arts are so valuable when it comes to tragedy, to the need for healing and for reconciliation.”
Those gathered were surrounded by original works by Indigenous artists who have been contributing since the first event launched at the living museum’s Indigenous Art Centre under the auspices of the Sherbrooke Restoration Commission in 2017.
Acknowledging Christmas as a “tough act to follow,” Central Nova Member of Parliament Sean Fraser took to the rostrum and spoke about his experience growing up minutes away from Pictou Landing First Nation.
“It’s incredible to me that we have had this history before our eyes and yet we have not been able to see it,” he said, adding: “We see it now. People are looking for ways to help contribute to reconciliation. I have great hope, because I sense that the public has reached a place that, even if politicians wanted to forestall reconciliation, I do not think they can anymore.”
Throughout the gathering – which included MLA Lloyd Hines (Guysborough-Eastern Shore-Tracadie), Nova Scotia Progressive Conservative Leader Tim Houston (Pictou East), Councillor and former Chief of Paqtnkek Mi’kmaw Nation Kerry Prosper – heads nodded in agreement.
“It’s great to see this facility [Indigenous Arts Centre] here because the road to reconciliation has got to include the culture,” Hines said in an interview following the event. “And the culture was probably the piece that was most ignored.”
Indeed, said exhibit organizer Marlis Lade, “Here, the artist can spend time and be proud and we are blessed to work together with them and celebrate. The recent sad news has touched all of us to the core of our being. But, in this beautiful centre will do everything we can to learn more. We directly benefit from that relationship.”
Added Sherbrooke Restoration Commissioner Marg Hartwell: “We wish to thank the artists from across the country that have contributed to this collection. Your work is moving and speaks of cultures. We received comments from visitors expressing appreciation for your work. You clearly make an impression, especially in these times. We wish more you could be with us here today to hear the appreciation yourselves. Our visitors are most reflective after seeing your work.”
Last to address the audience was Prosper. Gesturing to the variety of artworks on display, he said: “When I look at our Indigenous connection, we’ve been here for thousands of years. And through that time, we become a part of everything. Each and every one of you serve Indigenous countries. And you all have the same connection. We just happen to be a part of this land here.”
The Indigenous Art Centre in Sherbrooke is open from 9:30 a.m. to 5 p.m., closed Tuesdays and Wednesdays.
Some items on display are for sale.
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