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Little gallery on the prairie: Unique spaces showcase Saskatchewan art and culture – Saskatoon StarPhoenix

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Scattered across the Saskatchewan prairie are a colourful collection of galleries displaying the work of local and visiting artists alike.

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This article is part of a Saskatoon StarPhoenix and Regina Leader-Post series called ‘The road less travelled,’ exploring rural art and artists in Saskatchewan. Read more in the paper or online at thestarphoenix.com and leaderpost.com.

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Where there is art and artists, there are galleries to showcase the work.

Scattered across Saskatchewan is a colourful collection of galleries displaying the work of local and visiting artists alike. Many of the buildings housing them are creative by design, and others are creative by necessity — transforming old and otherwise unused structures into art spaces.

Here are a few unique art galleries in rural Saskatchewan:

And Art Gallery, Davidson

It’s not too often you see a bank vault full of paintings — or at least, not one that’s regularly open to the public.

When Gail Prpick had the opportunity, she transformed the century-old brick building in downtown Davidson into an artistic haven for local artists.

Prpick’s And Art Gallery hosts local and regional artists on its walls and in the old bank vault. She said works produced by about seven other artists from the area are currently on display.

A lot of people are surprised to find a gallery of this scope in a place as small as Davidson, which is just one more reason she’s happy to keep the place running smoothly, she said.

“I’m proud, because a lot of these artists wouldn’t be showing otherwise. People don’t realize how much talent is out there, and they can come take a look and it doesn’t cost anything.”

Happy Chance Treasures, Hawarden

Shawna Mitchell was looking for a place to start her own art venture with her partner when they stumbled on the old, unused church in the village of Hawarden.

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They bought the building, refurbished it, and launched Happy Chance Treasures art gallery.

Mitchell said as a young artist, she knew she was among a select few who owned and ran galleries. Hawarden is fairly remote, but enough traffic passes through the town that they still get their fair share of visitors, she said.

The old church building has been entirely converted as a space for Mitchell and her partner to continue creating and invite people in to a unique gallery space in Saskatchewan.

“It was a building designed for people to feel glorified, to feel peaceful,” Mitchell said. “It was meant for people to … feel at home, and I think even though we’ve changed a couple of things, that feeling is still there.”

Artists Shawna Mitchell and Michael Ferguson opened the Happy Chance Treasures art gallery in the old church building in Hawarden, Sask. Photo taken in Hawarden on Thursday, June 17, 2021. Photo by Matt Smith /Saskatoon StarPhoenix

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Station Arts Centre, Rosthern

It’s an art gallery, a theatre performance venue, a small “tea room” café, a train caboose museum — the list goes on and on for the Station Arts Centre.

As an artistic space built in an old train station building in Rosthern, Sask., the centre is most certainly unique.

The Station Arts Centre is based in a renovated CN Railway station, re-using a building with strong ties to Saskatchewan’s settler history that might have otherwise fallen into disrepair.

Executive director Nicole Thiessen said the centre is an artistic hub for much of the neighbouring community and most of Saskatchewan, despite its rural setting.

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“People are very loyal to the arts in this area,” she said. “They take a lot of pride in the communities in this area … there are wonderful supporters right here, close to us.”

Thiessen said she enjoys seeing visitors’ expressions when they walk through the door. Like Prpick, she said most people don’t expect to find something like this in small-town Saskatchewan.

Prairie Wind & Silver Sage, Val Marie

Far in the south of Saskatchewan, there’s a schoolhouse in Val Marie that’s nearly a century old.

Instead of hosting classes, the “little brick schoolhouse” is now an art gallery, coffee shop, “ecomuseum” and more.

Prairie Wind & Silver Sage is a non-profit organization that runs the various branches housed in the old schoolhouse. It was built in 1927 — one year after the incorporation of the village of Val Marie, according to the PWSS website — and ultimately saved from demolition when the non-profit refurbished it into a multipurpose artistic and heritage space.

Despite its remote location, the PWSS hosts art and exhibitions in two small separate galleries, and has hosted artists in an artist-in-residence program.

Little Manitou Art Gallery, Manitou Beach

Most people visit Manitou Beach for the beautiful mineral waters, but it’s almost impossible for the Little Manitou Art Gallery not to catch their eyes.

The gallery, built in the heart of the village, started as one small building to house the artwork of Sarah McKen and her partner.

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That first small building is still there — at the heart of a series of showcases, stages, and gardens that fill out the Little Manitou Art Gallery.

“It has organically grown and come together,” McKen said. “Artists have joined us, friends have given suggestions … it is so much more than we ever thought it could be.”

McKen said the gallery grew by word of mouth, starting with just a handful of artists to more than 180 from across the province and beyond.

The colourful array of buildings hold gallery and work spaces, as well as a stage for musical performances. The space may have started as a small gallery in rural Saskatchewan, but it has grown to be another destination in the tourist town.

maolson@postmedia.com

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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