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Local artist shares her reclaimed metal art in new exhibit – SteinbachOnline.com

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An art exhibit opened Friday night at the Steinbach Arts Council featuring the work of Pierrette Sherwood, a French-Canadian Métis artist. 

She spent a lot of time getting ready for this exhibit of reclaimed metal art. 

“I spent long hours in the studio, and it was nice for me too, though, to rekindle the flames of my creativity and to get back into that kind of groove.” 

The exhibit includes pieces that are made from metal saws. 

Along with the time that goes into each creation, Sherwood puts a lot of her heart and soul into each piece. 

Sometimes, she will see a piece of metal and know right away what it should turn out to be. There are many pieces of metal and Sherwood has no shortage of ideas. 

“My studio is filled with remnants and bits and pieces,” she says with a laugh. “I’m like an old farmer. I don’t throw anything away. There’s no lack of ideas, I’ve got a thousand ideas.” 

Sherwood says she has many pieces of scraps that somehow take shape, without a plan. 

“It evolves as I do it,” she says. 

Sometimes, Sherwood has an idea of what a piece will become, but then it turns out to be something completely different. 

“And that’s kind of nice too, because there’s that element of surprise and all my pieces have their own little character that comes out too. So, even though I might have a vision to start with, it definitely evolves through the process.” 

Sherwood says it is a lot of fun to be creative with metal. It was her interest in reclaimed materials and metals that led her to take a welding course at Red River College in 2007. She then took a metal-smithing course at Metchosin International School of the Arts in 2010. 

Sherwood is the founder of the Dawson Trail Arts and Heritage Tour, and a recent recipient of the Queen’s Platinum Jubilee Medal. 

“Between Earth and Sky” exhibit will run until December 8th at Steinbach Arts Council. 

-With files from Adi Loewen.

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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