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Local artist turns broken instruments into art with unique painting technique – moosejawtoday.com

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Most people would look at an unuseable guitar as a bit of junk to get rid of, but local graphic artist Henry Buitrago sees something a little more exciting — an entirely unique canvas perfect for custom artwork.

Buitrago has had an interest in art for most of his life, with over two decades of experience as a graphic designer and illustrator, but his most recent passion has been exploring airbrushing as a medium. 

Specifically, Buitrago has been using the airbrush technique to create custom artwork on the bodies of guitars — both broken and functional.

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“Keeping a broken guitar can maybe have a lot of meaning for some people, who don’t want to throw it away even though it’s unplayable and old,” said Buitrago. “And so there’s a kind of reward with creating art on it, something inspired to honour it. It gives a new meaning to it and people are happy to keep it.”

His interest in guitar art began a few years ago, with a personal project to repair an old bass back to working condition. That journey prompted Buitrago to get into airbrushing, as a way to achieve the look he was going for with the custom instrument.

After bringing the completed guitar with him to a jam session with his band at the time, a bandmate immediately offered to buy the piece and Buitrago realized there was likely plenty of people who might be interested in custom work of their own.

From there, airbrushing became a passion for Buitrago. He’s done plenty of commission work for clients, custom-designing their vision in his own distinct style on the instrument of their choice — including guitar bodies for display and working guitars for local musicians.

To name a few: bassist Dan Mason from Saskatoon hard rock band Saintvicious has Buitrago’s art on his favourite bass, and guitarist Chris Hunter from Moose Jaw metal outfit Northern Fallout has two custom instruments in his collection that tour the country with him.

Each piece is unique, offering a special kind of connection between art and client, especially for those with an emotional tie to the guitar boasting the art.

“His craft could be compared to tattooing, in that the instrument is an extension of the artist. and the final piece is a special link between the owner and the canvas,” said Mason, in a testimonial for Buitrago’s work.

Buitrago’s most recent project is something new — an inherited piano from a client who’s offered him free reign, creatively.

Much of Buitrago’s work reflects his personal interest in classic horror movies, especially as clients with similar tastes gravitate towards his sample work, but he’s also done a number of pieces catering to specific client requests.

He welcomes the challenge that comes with creating the perfect custom design for whatever ideas clients bring to his table, while still offering his own interpretation and style.

“For them, it’s a piece that’s going to be in their hearts, something important,” said Buitrago. “People have kind of a concept in their heads and they give you a starting point, but they let you create and I love that because when they come back to pick up the piece, they are really amazed to see what happened with that little idea they had, and how it expanded.”

There’s a lot of planning and consideration that goes into designing art for a guitar top, especially if it’s an instrument that will be put to work onstage. 

Buitrago has to consider things like the shape of the body and the placement of images, making sure to avoid putting important images in high-scratch areas or in places where the art may be blocked from sight by the musician’s hands or other equipment while they perform.

Buitrago_art2Buitrago’s career in art is longstanding, and designing custom guitar faces is just a recent combination of his passion for art and design, classic horror movie figures, and music. (supplied)

Painting custom art on guitars is something very few people in Saskatchewan are doing, said Buitrago, and using airbrushing as a medium is even less common since it can be a tough method to work with.

“Airbrushing on guitars is kind of a complicated thing, and it can be an expensive canvas. With broken guitars, you can mess it up but with a brand new guitar, it can be stressful,” said Buitrago.

Fortunately, there’s a healthy community of airbrush artists thriving in the province, and Buitrago says it is a welcoming space. 

“There’s a lot of people in Saskatchewan that are interested in [airbrushing] and they do really good work,” said Buitrago. “And it’s not just people in the big cities, they’re in a lot of small communities and I think that’s really cool.”

For Buitrago and many other airbrushing experts in Saskatchewan, the community is extremely open to sharing tips, tricks and special techniques between themselves and for new artists just getting started.

“You have opportunities to learn, there’s so many resources and ways to get the right information when you’re starting out,” said Buitrago. “People don’t need to be afraid of asking or doing some research before jumping this field and there’s so many artists out there, including me, who are really open to sharing information or tools, or just helping people learn.”

Buitrago encourages new airbrush artists and clients to reach out to him with questions or requests about his custom instruments, as he gets as much enjoyment in sharing his art as he does in creating it. 

A portfolio of Buitrago’s work is available on his website and he can be reached directly by emailing henryb@salmonstudio.ca.

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Collaborative art project highlights the artistic and healing properties of trees – GuelphToday

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Combining nature, art and science came to fruition with a collaborative stick weaving project today.

At the How To Draw A Tree Wellness Circle on Johnston Green at the University of Guelph, people were welcomed to join artists Dawn Matheson and Agnes Niewiadomski to create a sculpture made out of sticks. 

Trees saved Matheson’s life. She has her own challenges with mental health but being with trees in nature relaxes her and calms her mind.

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“It’s just a practice I’ve developed. It grounds me,” she said. 

She wanted to bring a bit about what fuels her creativity and helps her mental health to the public with this art project.

The process of the sculpture will continue to unravel in the next couple of weeks as people add sticks to it. About 50 people came out to the event on Wednesday.

Eventually the sculpture will be used as a set piece for a play put on by Guelph Collegiate Vocational Institute (GCVI) students. 

“Our idea is always like, challenge yourself to try something that you’re not used to,” said Gerard Gouchro, teacher and minor head of arts at GCVI. Students came to help create pieces of art as part of the sculpture. 

The project stemmed from an idea to get people engaged with the wellness circle. An art project called How To Draw A Tree was created by Matheson four years ago. Although the project is finished she hopes people will still engage with it. 

The team behind the project is a mix of artists, sound composers, students, poets, ecopsychologists and more. They created sound walks. People can go through a guided tour in the Arboretum while listening to artists talk about their relationship to trees.

There are four guided sound walks onsite and each person has a tree planted at the wellness circle that they connected with while working on the project.

The stick sculpture will be a work in progress. There will be a sign that reads anyone is welcome to add a stick to the sculpture. “It’ll become a true process based community sculpture, maybe it’ll get destroyed, which is fine by me. I’m a process based artist, there’s no final product,” said Matheson.

Most of the materials used for stick weaving are sticks from trees in the Arboretum that were pruned in the winter. Instead of the material being put into a chipper “this was a great opportunity to share it here for this project,” said Justine Richardson, director of the Arboretum. 

Matheson hoped with minimal instruction people felt free to add sticks to the sculpture wherever they saw fit.

“It’s just kind of come alive to see everyone’s contributions. I’m really impressed,” said Niewiadomski.

Trees are the ultimate improvisers; they move wherever the sun is, said Matheson. Trees are good listeners and you can’t experience a lot of rejection from them.

“There’s two parallel crises that are the biggest crisis in the world right now. And that’s mental illness and climate crisis,” she said. This is what the project is about.

There will be researchers from the U of G who will be studying the art project and will give feedback to see how beneficial creating a connection between people and the earth is.

The question that runs through Matheson’s mind is; how do we glean life and creativity from trees but also give back to nature?

The art piece will be up for the next couple of weeks on Johnston Green and people can contribute by adding in their own sticks.

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PHOTOS: 'Urban art advocates' brighten up London with public murals – The London Free Press

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Squatters at Gordon Ramsay's Pub Have 'Left the Building' After Turning It Into an Art Café – PEOPLE

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Squatters occupying one of Gordon Ramsay’s London pubs have vacated the property, one week after police were made aware of their activity.

The Camden Art Cafe, an “autonomous cafe” who had identified themselves as the occupants of the celebrity chef’s York & Albany pub, shared the news in an Instagram post.

“We are sad to announce Camden art collective have left the building after being served papers yesterday,” the post read. “We wish those left in the building the best of luck in their endeavours. We hope to be a part of the community again soon, watch this space!!”

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The account did not specify who is left in the building, and London’s Metropolitan Police could not immediately be reached by PEOPLE for comment.

On April 13, BBC reported that the Central London pub had been occupied by at least six people, who allegedly boarded the windows. PEOPLE confirmed on April 15 that Ramsay’s pub had been occupied by squatters. 

York & Albany pub.

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The building where York & Albany was located and rented by Ramsay was listed on the market for £13 million, or about $16 million U.S. dollars, in December.

The Camden Art Cafe spoke about the price when they shared an official statement on April 15 about occupying the building.

“We aim to open our doors regularly to anyone and everyone, particularly the people of Camden who have been victims of gentrification and parasitic projects like HS2,” the statement said, adding that they will provide free food and “space to display their art without the ridiculous red-tape that galleries require people to jump over.”

The post continued, talking about how the wealth disparities in Camden made it “fitting that £13 million properties that most locals would never be able to afford to visit should be opened up to all.” 

On April 15, the Metropolitan Police told PEOPLE that they were made aware of the squatters at a “disused property” near London’s Regent’s Park on April 10.

“This is a civil matter and so police did not attend as an emergency call out,” the statement continued. 

In the statement, the police said they would get involved if necessary: “We [are] in the process of identifying if any subsequent offences [sic] have occurred, and will take action where appropriate.”

Ramsay’s team declined to comment on the situation since it is being handled legally.

According to the U.K.’s official squatter rules on the government website, “Simply being on another person’s non-residential property without their permission is not usually a crime.”

But the website lists vandalization, not leaving when ordered by the court and using utilities as crimes that would permit police involvement.

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