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Local female artists' group exhibition celebrates art and nature – University of Virginia The Cavalier Daily

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An exhibition titled “Nature, Us and the Future — A Group Exhibition with Female Perspectives” of over 60 artworks by six artists — Christen Yates, Judith Ely, Karen Rosasco, Lesli Devito, Phyllis Koch-Sheras and Susan Patrick — is currently on display at the Guild Gallery until April 15 for the public to view. The pieces range from abstract pieces to realistic paintings to interactive activities, but all come together to express the artists’ common love for nature, in whatever form it may be. 

A diverse range of people — from University students to senior Charlottesville residents — walked into the Guild Gallery to experience the opening of the exhibit Feb. 5. The exhibit is divided into three chapters — the first section, “Nature,” simply depicts natural scenery. Featured artworks include a forest drawn by Christen Yates, an animal painted by Lesli Devito and flowers in a pond done by Karen Rosasco. 

The second chapter is labeled “Us,” and reflects the artists’ thoughts on the relationship between mankind and nature. Judith Ely’s pieces – such as Landscape with a View, Myriads of Color and Looking Upward – reflect this theme well through her abstract and distinct style demonstrating various feelings such as turmoil, spectacle and joy. 

This chapter even includes an interactive workshop activity prepared by Ely, where those at the opening created their own abstract art using glue, paint and colored paper to express their interpretation of society’s relationship with nature.

“Artwork is what you love seeing,” Ely said. “Things that are inspiring and stimulating — we find comfort in those things. Nature is that presence for me.”

To better understand the craft and artistry behind them, a roundtable discussion with the artists to explain their inspirations, their creative process and the meaning behind their features in the exhibition was held at the opening ceremony. 

“The feelings I have had living in this beautiful space – all the shapes and colors – those are the things I love to express in my art,” Kock-Sheras said at the discussion.

The third chapter is titled “The Future,” which addresses the question of what is next for the relationship introduced in “Us.” This chapter focuses heavily on the impact of nature on society and vice versa — specifically in relation to COVID-19, climate change and pollution. 

Conversing with the artists and the exhibition attendees, a frequent sentiment seemed to be that these natural crises sparked concern for the future and a desire to reconnect with the world. Being quarantined and isolated during the pandemic inspired the artists to spend time they would usually spend with others with nature instead, allowing them to notice the long-overlooked details and beauty nature has to provide. 

The impending issues of climate change and pollution prompted the artists to research and advocate for change through their art. “Nature, Us, and The Future” allowed the art appreciators to pause and reflect on the beauty of the world, its current situation and prospects for the future in relation to nature.

The artists make clear these themes of nature and its relation to humanity in the subjects of their artwork, which ranges from landscapes to animals and came in all sizes and mediums.

With the meaning of the art in mind, it is clear that the exhibition not only provides aesthetic artwork and the chance to meet other art appreciators, but also a deeply personal and powerful message about nature, its relationship with humanity and the importance of its care in the future in light of destructive effects of civilization on the environment. 

The event and exhibit was made possible by the six artists who provided their stunning art to be on display, as well as James Barton and Patti Pan who organized the exhibition and its opening. “Nature, Us, and the Future — A Group Exhibition with Female Perspectives” will be on public view until April 15th at the Guild Gallery for all those with a passion for art and nature to enjoy.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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