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Long delayed $640K public art project nearing completion in East Vancouver

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A pricey public art piece that recalls the history of Vancouver’s Hastings Park is slowly creeping toward completion, albeit seven years after it was promised and almost $200,000 over the original $450,000 price tag.

Entitled Home + Away, it’s a 17 metre-high sliver of scaffolding, concrete and metal containing 48 seats overlooking the northwest corner of Empire Fields. The updated cost is $640,000.

In an emailed statement, the City of Vancouver said the “stunning” and “remarkable” artwork should be finished by October of this year. However, the Seattle-based architect-artist team behind the work is more optimistic, aiming to have the final bolt in place by the summer.

“It’s just been this cascading series of stops and starts for quite a while,” explained Daniel Mihalyo who, along with Annie Han, conceived Home + Away in 2012.

Han and Mihalyo say problems started almost as soon as the project got the go-ahead, beginning with funding delays and location changes that required three or four redesigns and the dropping of the blue and yellow “V” shape that had been approved.

The architect-artist team who designed Home + Away say the only things still missing are seats and railings. (Ben Nelms/CBC)

In 2020 a contractor poured concrete footings and steps, but the COVID-19 pandemic shut down the work and the Canada-U.S. border, preventing Mihalyo and Han from travelling to Vancouver.

When pandemic restrictions eased, materials were hard to source because of supply chain problems. Then the contractor suffered an injury and was unavailable to do the work.

“We are hoping to move along,” said Han. “We have all the parts that we needed to make and they’ve been sitting in our studio for over two years. The parts the contractor has to finish are being worked on right now.”

Home + Away is supposed to reference the PNE wooden roller coaster while harkening back to the stands of long-gone Empire Stadium and the towering scaffolding of the ski jumping competition held there in 1958.

The Home + Away site pictured in July 2021. Work on project stalled during the COVID-19 pandemic. (Karin Larsen/CBC)

The City of Vancouver has a more florid description of Home + Away: “It evokes the experience of the vertiginous heights of the earlier structures in the park and offers a new perspective on the surrounding mountains, encouraging us to pause, connect with each other, and enjoy the beauty of our city.”

It said the delivery timeline for “built-form” public art projects typically varies from four to eight years.

Rendering of the original design of Home + Away approved by the Vancouver Park Board in 2015. (Vancouver Park Board)

Han and Mihalyo say after such a long process, they are happy the finish line is in sight.

“We are so excited we are at this point. The structure is up, it’s standing and all we have to work on are the seats and railings,” said Mihalyo.

“It’s going to be really exciting and a great addition to the park and I can’t wait for people to use it.”

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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