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Lou-ann Neel wins the Fulmer Award in First Nations Art – Saanich News – Saanich News

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Lou-ann Neel has been making art since high school, creating textiles, carving wood, engraving jewelry, painting and eventually getting into digital illustrations. She has a fine art degree from Emily Carr, and sells her designs online.

But it took receiving the Fulmer Award in Indigenous Art this November for Neel to see herself as an artist.

“I just didn’t think anything I did was anything special because I’ve been surrounded by artists my whole life, and my whole thing was, I want to be as good as them. I’ve never seen myself so much as an artist,” she said.

Her family is rich with artistic talent — Charlie James, Mungo Martin, Ellen Neel and Kevin Cranmer, to name a few.

“When I was learning to design, that’s when I realized it’s not just a great privilege to learn but it’s kind of a family obligation to continue our own family tradition.”

Art is something she’s compelled to do, but she never considered it a career – just a full-time passion outside of her day jobs in public administration, and currently as a curator for the Royal B.C. Museum. But receiving this award, along with five other Indigenous artists in B.C. — Cole Speck (also from Alert Bay), Jaalen Edenshaw, Kelly Robinson, Nathan Wilson and Evelyn Vanderhoop — caused Neel to take a second look at her own body of work.

Neel was born in Alert Bay, and returns as often as she can to participate in ceremonies and potlatches, spend time with family, and get in time on the land and sea.

Her art education began in high school where she was taught Kwakiutl art in an immersive Indigenous art, social studies and language program. Though living in Victoria by then, she was learning Kwak’wala language and being mentored by artists like George Hunt Jr., her brother Kevin Cranmer.

She pursued a career in public administration, but kept making art on the side, becoming a full-fledged as a multi-disciplinary artist in textiles, silversmithing, painting and carving.

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In 2011, she discovered a laser engraving technique for jewelry. Other traditional artists scoffed at the laser work, but for Neel, whose enthusiasm for carving earned her carpal tunnel syndrome that stopped her from engraving, the laser was a natural adoption of technology.

“I’m still the one making the design, I’m just not hand-cutting each piece because I physically can’t. But that shouldn’t stop me from being able to create the kind of jewelry I’d love to put out there.”

She went to Emily Carr around that time, graduating four years later with a degree in fine arts focused on digital graphic design. It was while researching for a project that Neel learned about her grandmother, Ellen Neel, an artistic legend in Vancouver.

A rare female totem pole carver — she was one of a group who gave the UBC Thunderbirds their name by gifting a thunderbird totem in 1948 — Ellen was also among the first to put designs on everyday things like clothes and in architecture in the 1940s and ’50s.

A quick scroll through Neel’s online stores shows her design printed on all manner of things, from tote bags to chairs to classic art prints to silk neckties.

FROM THE ARCHIVES: First Nations carver making all the right cuts

READ MORE on Lou-ann Neel’s day job: Indigenous repatriation projects get new funding from BC government

Neel will often take her laptop to a beach with wifi access and work on digital designs, inspired by the landscape.

The winter weather has pushed her back inside to experiment with old-fashioned paint on canvas. True to her artist’s spirit, she’s come up with a new project of creating abstract paintings about how it feels to be in the big house. She wants to communicate the sense of life and fullness that comes from ceremonies and potlatches.

“I don’t care if I get locked up for the next four months here. I have all my supplies and goals that I’ve set for myself for oil painting.”

The B.C. Achievement Foundation recognizes accomplishments of British Columbians in community work, business, and art. It was founded in 2003. The Vancouver-based Fulmer Foundation is the title sponsor of the award.

Do you have something to add to this story or something else we should report on? Email: zoe.ducklow@blackpress.ca


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Supernatural Treasures. (Lou-ann Neel)

Supernatural Treasures. (Lou-ann Neel)

A sample of some of Lou-ann Neel’s jewelry.

Westcoast Storm. (Lou-ann Neel)

Missing You, My Sister. (Lou-ann Neel)

Balance. (Lou-ann Neel)

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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