Making others — and herself — smile through Squamish art - Squamish Chief | Canada News Media
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Making others — and herself — smile through Squamish art – Squamish Chief

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Not many things could symbolize Squamish more accurately than the artwork of Jany Mitges.

One piece features a climber on a rock face, her belaying partner down below, with tall trees standing watch — the whole image burned into wood.

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Another piece features two mountain bikers going down a hill, led by a dog and watched over by the colourful sunset sky.

 

On yet another, Santa rides a fat-tired bike beside a lake, with mountains in the distance.

Squamish through and through. Mitges is also hella funny at times, with a wit that makes you chuckle hours after you talk to her when you recall what she said.

The Chief caught up with Mitges, 53, for a chat about her artwork, rock climbing and how cancer has impacted both.

What follows is an edited version of that conversation.

 

Q: I have reached you in Hamilton, Ontario. You split your time between there and here, correct?

A: I come in the summers. Most of my mountain biking friends moved out there and I go and housesit. I end up doing a lot of my sketching and artwork and pencil work on the Mamquam River. I have found a little secret spot where I go and hang out.

I got to do the Hot on Your Heels last summer. We were like kitchen ladies — the Spice Girls — so we wore tutus and had measuring spoons on us and each had suggestive spices written on our T-shirts.

Source: Jany Mitges

Q: When did art start for you — as a little girl?

A: I started when I was about four years old. I had a pretty rough childhood, not a good one — lots of violence and drugs and all that. My brother was quite the artist and put some pencils and paper in front of me and just said, “draw what you see.” It was basically a little bit of sanity in everything that was going on.

I just kind of stuck with it. The wood burning came later.

I find people can relate to the nondescript aspect of the people in my wood-burning pieces. They can put themselves into the image — they can see themselves.

When you do detail, people appreciate the art, but they don’t see themselves as much.

A piece I am working on right now is a climb and I know when people in the area see it, they are going to know which one it is — it is one of the few climbs that has a mono on it.

Q: You are a big rock climber too, when did that start for you?

A: In about 1989. There’s some terrifying rock climbing near Hamilton, where I grew up. I learned to climb on chalk. Ontario has some really beautiful limestone cliffs, like Lion’s Head and Beaver Valley and we have some short chalky cliffs. My husband and I started out trad climbing.

We came to Squamish and a lot of other places.

Jany Mitges post-chemo in 2008 in Death Valley. – Courtesy Jany Mitges

Q: You talk openly about being a breast cancer survivor. As an athletic person, that must have been a shock. Can you talk a bit about the process and how it informs your artwork?

A: It was definitely a big change from being super athletic. I have got European genes. I feel like I was a bit of a machine. I could do everything and keep going for days and days and could take it all and then cancer and chemo changes that for a while.

Art was one of the things that kept me going through all of it. It was also an incredible distraction from the suffering that you experience. It redirects your brain so you can be creative and calm and not just focus on yourself.  It also helps pass the time. When you are going through chemotherapy, time seems to slow down, it is minute-to-minute and the suffering is pretty uncomfortable.

Q: Are you still climbing?

A: Yes, when I can. When I turned 50, I wanted to prove I could still do things. I sent another 13a when I turned 50. I was super happy about that. I am working on 13b that has been a going project.

Source: Jany Mitges

Q: How are you now?

A: I am good.  Cancer always lurks in the back of your mind. I had a bilateral mastectomy — I have gummy bears that will be perky forever — but I got a neuromuscular condition from the drugs, so I have a constant reminder. I had two types of cancer and one type was more aggressive so I have that awareness that there is the potential for it to come back. When I saw my oncologist, he said I am really not out of the woods until 23 years have passed. I am at the 12-year mark.

You have the mental thing and some PTSD that happens from getting cancer and the chemo; from being in the room with others who have cancer and of knowing some of those people didn’t survive. 

Again, my art helps me to be productive and be positive because every minute I surrender to a negative thought, I can’t get back.

And my art lets me make other people smile and leaves a bit of a legacy that I know, regardless of my life, I will make other people smile for a long time.

 

For example, every year people pull out my Christmas ornaments with a sentimental history to them — a lot of them are commissioned. I am lucky to be an artist who has thousands of pieces in people’s homes at a very special time of year and that bring them joy. I get to share my heart and my art.

Find out more about Mitges online at  https://www.janymitgesfinearts.com/

Follow her on Instagram @janymitges.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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