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Malaysiakini: The upstart that changed Malaysia's media landscape – BBC News

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Tucked away in an unremarkable business park in a suburban district of the Malaysian capital Kuala Lumpur is the headquarters of a remarkable experiment in journalism. It has come under attack.

On Friday the independent news website Malaysiakini was found guilty of contempt. It now has to pay a hefty fine of RM500,000 (£88,500, $123,600) . Its editor-in-chief and co-founder Steven Gan narrowly escaped a prison sentence after he was found not guilty for a similar charge.

The attorney-general filed the charges last year based on readers’ critical comments about the judiciary posted on Malaysiakini’s website, and later removed, a move with worrying implications for all news media.

Malaysiakini’s success so far, its very survival, are all the more remarkable in a country where all news media was once subject to government control, and in a region where truly independent, quality journalism is difficult, dangerous and often driven to the margins.

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Back in 1999 Steven Gan and Pramesh Chandran saw an opportunity to create Asia’s first online daily news site.

They were both former student activists who worked at Malaysia’s The Sun newspaper, and had grown frustrated by official censorship through the requirement to have a licence to publish, and through extensive ownership of mainstream media outlets by pro-government interest groups.

“I was a believer in media freedom, yet we saw its limits in Malaysia every day we worked as journalists”, he told the BBC in an interview before the verdict.

The catalyst was the dramatic dismissal and then arrest of Deputy Prime Minister Anwar Ibrahim in September 1998, a popular figure seen until then as the designated successor to then-Prime Minister Mahathir Mohamad, who had been in office for 17 years and dominated Malaysian politics.

It was the start of an epic tussle for power between the two men which would last many years. Steven recalls that several journalists discussed using the then new medium of the internet to report what other media would not.

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“We realised we could do it for quite a low cost, that, unlike print, we did not need a licence, and Mahathir had already promised foreign investors that he would not censor the internet,” he said.

“The internet was very new at that time – you know, we used 56k modems, it was really slow.

“People were really interested in political issues then because of the sacking of Anwar Ibrahim, and we rode on that wave of political awakening. The mainstream media was not reporting what was happening on the ground, especially if there was something like a mass protest in Kuala Lumpur, so they were going to the internet.”

Based in the suburban district of Petaling Jaya, Malaysiakini started with just three journalists, initially hoping to fund themselves through partnership with an internet café, then with advertising from internet start-ups during what was then the dotcom boom. It was fortunate to receive a $100,000 grant from the Bangkok-based South East Asia Press Alliance.

It survived the failure of the café, the dotcom bust, and outright hostility from the government, with the Prime Minister accusing Malaysiakini journalists in 2001 of behaving like traitors, and barring them from official press conferences.

Over the years it has endured several police raids, threatened criminal charges and prosecutions. Throughout, said Steven Gan, they insisted their reporters maintain high standards of journalism.

“We are new media but we practise old media rules,” he said.

But perhaps the most important decision was an early focus on finding a viable business model for the site, long before other mainstream media had started to question theirs in the digital era.

“We knew we needed to offer a website with reliable information, and we needed to make a political impact,” he says.

“But just as important is to have a good business model. You need to have a good editor-in chief, and also a good CEO who can look after the business side of things. The co-founders, myself and Pramesh Chandra, were able to work together to ensure we produce good content, and that we earned enough income to keep the business going.”

In 2002 Malaysiakini was among the first news sites anywhere to move to a subscription model, at a time when most viewers expected to get online news for free.

It has been profitable most years, with subscription revenue often matching revenue from advertising. It has been an inspiration to other Malaysian journalists, like Jahabar Siddique, a former Reuters employee, who founded another independent news site, The Malaysian Insider.

“It made it viable for journalists to consider options beyond the muzzled media that was available then. Also made it possible for those like me who were working for international media agencies to consider returning to the local media scene and expand the free space available to inform Malaysians and others about Malaysia.”

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Maria Ressa, a former CNN and ABS-CBN journalist who founded the website Rappler in the Philippines in 2012, and now finds herself subjected to several criminal prosecutions under the hostile media climate of the Duterte administration, credits Malaysiakini for showing that a small, independent news organisation could succeed in South East Asia.

“They were the first to embrace a digital platform, and the first to come up with a workable business model for online news. What was so great about Malaysiakini was that from the start they set themselves high standards of journalism, and when faced with pressure from the government, they did not buckle. They never gave up.”

On the day of his release from second spell in prison in 2018, Anwar Ibrahim thanked Malaysiakini for ensuring dissenting voices were heard. “You have done a wonderful job. At a time when we had massive restrictions, where the media was nothing but incessant propaganda, Malaysiakini was there.”

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Malaysiakini has been favoured by a less repressive environment than in many neighbouring countries, and a more favourable economic one.

There is a large and educated middle class in Malaysia, not just keen to read alternative views but to pay subscriptions, or to donate, as they did when the news site needed a new office seven years ago and offered a wall of 1,000 bricks to donors willing to give RM1,000 (£188) a brick.

It has created successful subsidiary businesses, like its advertising arm, which has steadily driven up commercial income. But its real achievement, says Professor Zaharom Nain at Nottingham University’s Malaysia Campus, is broadening the political debate in Malaysian society.

“It has, I believe, provided Malaysians with a different way of interpreting Malaysia’s politics. It has also paved the way for other news portals to emerge and develop. It has even made mainstream media move to another platform, utilising the internet, for getting their message across,” he says.

“Beyond providing dissenting news, Malaysiakini has shown many Malaysians that there is more than one point of view, and that it is legitimate to question authority.”

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Today Steven Gan is not alone in finding himself subject to criminal investigation.

Last year six journalists from Al Jazeera were questioned by police over a report on the alleged mistreatment of migrants in Malaysia during Covid-19, on suspicion of violating three laws. Two other journalists were also investigated for their reporting.

Following the collapse of the reformist government headed by Mahathir Mohamad after his comeback in the 2018 election, Prime Minister Muhyiddin Yassin now heads a precarious coalition pulled together last March.

Mr Muhyiddin’s government is proving less tolerant of critical reporting than its predecessor in what is now a more heated and less predictable political climate.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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