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Manufacturing Consent: Noam Chomsky on Politics & Media – The Collector

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Why is it that the range of debate permitted in mass media is often so limited, even in places which are supposed to be democratic and in which speech is supposed to be free? Why, in fact, are ordinary people so poorly informed in spite of the absence of any formal restrictions on the flow of information? These are the questions pursued by Noam Chomsky and Edward S. Herman in Manufacturing Consent.

The conclusion they come to is a radical one: that we should consider the Western media as a propagandistic one. This article explains the arguments they pursue as follows: first, a brief note on their collaboration, before focusing on the ‘economic’ incentives for mass media to restrict its reporting. It then moves on the consider the role of unofficial government influence and the effect of public pressure. It concludes with reflections on how Manufacturing Consent turned out to prove so prescient, and how it relates to other elements of Chomsky’s political thought.

The Authors of Manufacturing Consent: Chomsky and Herman

A photograph of Chomsky as a younger man, 1977, via Wikimedia Commons

Noam Chomsky collaborated with media scholar Edward S. Herman to write Manufacturing Consent – presenting the theories contained therein as Chomsky’s is not intended to diminish Herman’s contribution. Indeed, Chomsky has been quite explicit that Herman was arguably the major partner in their collaboration, and that the seeds of many of the core ideas can be found in Herman’s previous work Corporate Control, Corporate Power.

The focus on Chomsky is justified because a large part of what makes Manufacturing Consent so interesting is how it relates to Chomsky’s broader political project, and it is this which will inform some of the conclusions of this article. Undoubtedly, a somewhat different article could be written focusing on Manufacturing Consent in the context of Herman’s authorship at large. This happens not to be that article.

The Basic Premise of Manufacturing Consent

Photograph of Noam Chomsky, 2017, via Wikimedia Commons

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The subtitle of Manufacturing Consent is “the political economy of the mass media.” The attribution of a political economy to mass media is interesting and worth interpreting carefully. One thing we should note is that the term “political economy” has various resonances in the social sciences. The most straightforward definition is simply the study of the relationship between politics and economics. Another definition in circulation is that political economy is the study of the relationship between a government and the citizens whom it governs.

Both definitions seem plausible and apt, given the basic premise of Manufacturing Consent. That premise is simply that the kind of participation which is possible in a democracy (indeed, in any political system which permits some form of participation) is greatly determined by the kind and variety of information about political events that one has access to.

Chomsky and Herman will argue that one of, if not the, most important determining factors behind the kind of information modern-day Americans have access to are the economic pressures placed on major news organizations to report certain things in a certain way.

The Basic Elements: Corporatism

Still Life with Newspaper, Juan Gris, 1916, via Google Arts & Culture.

The theory that Chomsky and Herman set out in Manufacturing Consent has come to be called the “propaganda model of communication,” and it has five basic elements.

The first element is “size, ownership, and profit orientation”: this is the argument that, given that the size of large media corporations is based on their profitability, rather than (say) how accurately or fairly their reports are, then the influence of media corporations will be based on their ability to attract investment above anything else.

Second, “the advertising license to do business”: because the largest source of income for news organizations now comes from advertising – rather than, for example, newspaper sales, or some other product of consumer demand – it is the political stance of advertisers that determines the political stance of news agencies and other media organizations. The implication here is that, insofar as a corporation has interests, they are primarily economic. Were the main source of media revenue from individual consumers, that might result in some kind of equilibrium between the political positions held by ordinary people and the issues the news media focus on.

Chomsky speaking at a protest, 2011, via Wikimedia Commons

For Chomsky and Herman, the success of a news organization depends greatly on the relationship they are able to foster with governments and large corporations, given the latter constitute a major information source upstream:

“The large bureaucracies of the powerful subsidize the mass media, and gain special access [to the news], by their contribution to reducing the media’s costs of acquiring […] and producing, news. The large entities that provide this subsidy become ‘routine’ news sources and have privileged access to the gates. Non-routine sources must struggle for access, and may be ignored by the arbitrary decision of the gatekeepers”.

The problem, clearly, is the creation of favored or disfavored news sources by these bureaucracies: the very powerful are able to, in effect, decide who should be able to hold them accountable. It would be no surprise if the consequence was less forensic scrutiny.

Another consequence of this, which Chomsky and Herman don’t dwell on but seems obvious, is an intensification of partisanship. Imagine a country that has a left-wing party and a right-wing party. The left-wing party favors its preferred media sources, and the right-wing party favors its preferred media sources, with the best, up-to-date, reliable information. Of course, only one party can be in power and therefore be in a position to supply its preferred news sources with a great deal of useful information. This means that it is a matter of protecting a given news organization’s interests that the political party they align with wins. Clearly, partisanship of some kind is probably inevitable, but it isn’t difficult to imagine a more moderate form of partisanship were the fate of right-wing newspapers bound up in the fate of right-wing parties, and left-wing newspapers left-wing parties.

Catching Flak 

Newspaper Readers, Josef Danhauser, 1840, via Wikimedia Commons

Chomsky and Herman also discuss the external pressure media organizations face, as another structural limitation on what media organizations can report or discuss. The arguments addressed so far have been almost exclusively about the distortive effect those in positions of power have. These arguments are pretty intuitive: whatever else one thinks, it is extremely hard to justify a small group of people having a disproportionate degree of control over media organizations.

Things are more complicated when it comes to flak. Chomsky and Herman are quick to suggest that flak can be stirred up by powerful organizations, but clearly, even organic flak – that is, lots of individual readers, watchers, or listeners reacting of their own accord – presents a limitation on the free expression of the press. However, it was previously suggested that part of what was wrong with the disproportionate reliance on advertising was just that it prevented everyone from being able to set the agenda for news organizations – by removing their subscriptions or simply not buying their newspaper at the newsstand. Isn’t this a kind of flak, or functionally similar to it?

It isn’t immediately obvious whether the ideal here should be – whether everyone should be able to put pressure on news organizations, or that nobody should. The latter is difficult to imagine – democratic politics of any kind seems to encourage an extremely vocal expression of opinion. It remains an open question whether flak as such can be eradicated, or merely taken out of the hands of the powerful

Terror and the Rogue State

Newspaper and Fruit Dish, Juan Gris, 1916, via Wikimedia Commons

In the more recent editions of Manufacturing Consent, Chomsky and Herman have added a section addressing the “war on terror” as a mechanism of control. That is, commitment to the war on terror becomes an imperative higher than any particular commitment to fight terrorism, and the insinuation that one isn’t sufficiently on board is so potentially damaging to a news organization’s reputation that it imposes a major restriction on reporting.

This idea is closely related to another element of Chomsky’s broader politics, which he explores in Rogue States. This book is subtitled “The Rule of Force in World Affairs,” and argues that the political culture in the West has stifled the kinds of questions we are able to ask about the motives and intentions of our geopolitical “enemies,” such that we repeatedly misunderstood their behavior with deleterious effects both for people in these places and for people in the West. The idea is that restrictions imposed by the war on terror agenda don’t just prevent good reporting, but they shackle Western people (and thereby Western governments) to ill-informed conceptions of the world and the West’s ability to remake it.

Noam Chomsky Broke the Idealism of the Late 20th Century

Berlin Wall at the Potsdamer Platz, Edward Valachovic, 1975, via Wikimedia Commons

One thing worth stressing about this theory and its impact at the time is that the Western world was on the cusp of a period of political self-confidence when this book was published in the late 1980s. Four decades of the Cold War meant that a strong sense of superiority of the Western democratic system of government had been established by contrast with the widespread (and broadly accurate) perception of authoritarianism and corruption in the Eastern Bloc.

From the late 1980s until 9/11, it became plausible – indeed, somewhat fashionable – to hold theories that seem almost insane today, and that glorified the imminent future dominance of Western liberal democracy. What makes Manufacturing Consent so potent is that it argues that information restriction and propaganda, which many Americans and Western Europeans had learned to associate with Communist countries, were, in fact, prevalent in the West too.

In fact, one of the most infamous quotes from the book says exactly that: “Especially where the issues involve substantial U.S. economic and political interests and relationships with friendly or hostile states, the mass media usually function much in the manner of state propaganda agencies.” Moreover, even as Communist regimes began to stutter and fall away, Chomsky and Herman appeared to suggest that this tendency within Western society was liable to get even worse.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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