MF Doom, a masked rapper who awed hip-hop fans and fellow musicians with intricate wordplay, has died. He was 49.
The British-born rapper rarely appeared in public in recent years without his signature mask, modeled after the Marvel Comics villain Doctor Doom.
His death was confirmed Thursday by Doom’s representative, Richie Abbott. Jasmine Dumile said in a statement that her husband — whose real name is Daniel Dumile — died Oct. 31. The cause of death has not been released.
Jasmine Dumile posted a photo of the rapper and a heartfelt message on his Instagram page. She called him the “greatest husband” and father and thanked him for showing her not to be “afraid to love.”
“Thank you for teaching me how to forgive beings and give another chance, not to be so quick to judge and write off,” she wrote. “My world will never be the same without you.”
Career spanned decades
Dumile was born in London and raised in New York. He began his rap career in the late 1980s under the name Zev Love X as part of the group KMD, which included his younger brother, DJ Subroc.
The group released two albums: Mr. Hood in 1991 and Black Bastards two years later. Subroc died shortly before the release of the second album.
Dumile took a step back from the public eye, then returned in the late 1990s under his MF Doom persona. In 1999, he released his self-produced debut album Operation: Doomsday.
One of the most incredible, innovative and powerful forces has passed away. Rest in however you wish to rest. ALL CAPS when you write his name. Travel beautifully MF DOOM <a href=”https://t.co/rVjmp9oOnT”>pic.twitter.com/rVjmp9oOnT</a>
Dumile released six studio albums under different stage names, including King Geedorah and Viktor Vaughn. He collaborated with producer Madlib on the 2004 album Madvillainy, which was considered his most celebrated release.
Dumile’s last solo studio album, Born Like This, was released in 2009. His most recent album was a 2018 collaboration with the group Czarface: Czarface Meets Metal Face.
‘Your favourite MC’s MC’
Dumile’s death, three years after the death of his 14-year-old son, shocked the hip-hop world.
“Someone just stabbed all my chakras,” rapper Pharoahe Monch wrote on Instagram. “I’m angry. I’m hollering and I’m crying.”
“RIP to another Giant your favourite MC’s MC .. MF DOOM!! crushing news…,” producer and rapper Q-Tip wrote on social media.
Music industry executive Dante Ross, who signed KMD to its first record deal, said Dumile’s “life force was a metaphor for Black men in this world. You took all the (bad things) sent your way and created beautiful art with it. Tragedy was your fuel for reinvention.”
Behind the theatrics of the mask was a technically proficient lyricist.
With a monotone delivery that concealed deceptively complex lyrics and rhyme schemes, Doom evolved into a wordsmith that hip-hop’s top lyricists deeply admired.
Each verse could require multiple listens to decipher hidden or multiple meanings of words.
In an interview last year with Spin magazine, Dumile compared his songwriting to “gymnastics on paper” and achieving “triple word scores” in Scrabble.
“How many words repeat in a bar, or two bars? How many syllables can you use that still make sense in a song?” Dumile asked.
“The quality of the rhyming word: phonetically, how the tone is, in the pronunciation of the word. Regardless of language … As long as the word itself rhymes, you still get points for that word. … How many references can you cross and still stay on topic? And still rhyme? The more complex the subject matter and wordplay is, that’s where you get your points. I’m a rhymer, so I go for points.”
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
