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Community members donate to Shelburne splash pad

Substantial donations are on the way towards a significant project in Shelburne. The Rotary Club of Shelburne has raised $10,000 to the Shelburne Splash Pad. This is part of a $30,000 commitment. “It is a great way to get kids and families in the community outside and get fresh air and exercise,” said Sandra Gallaugher, chair of the Rotary Club of Shelburne. “There are playgrounds in most parks, and a splash pad is just something to add on. A splash pad is fully accessible to all ages and in the hot summer can be a lot of fun to cool off in.” A fundraiser for the splash pad has raised well over $100,000 with a goal of $300,000. It is anticipated to be located at Greenwood Park, with an opening scheduled for Summer 2022. The club joins Shelburne Family Chiropractic and the Town of Shelburne to contribute $30,000 or more towards it. Other significant donors include KTH Shelburne, Main Street Family Dental and Flato Developments Inc. She emphasized the importance of the whole community raising funds for the project rather than just one club. “We want the whole community to come together and donate or have an event,” said Gallaugher. “Everyone then will feel they have ownership in it.” The club will be hosting a golf tournament to raise more funds. Realtors Amber Borger of Save Max Supreme Real Estate Inc. and Lynda Buffett of Royal Le Page RCR Realty will donate $500 each for every house sold. “As a councillor, I want the splash pad, and as a member of the rotary club, we are determined to make sure we have the money raised to have it there by next year,” said Buffett. Buffett has clients that are ready to list. She plans to close deals which she said could happen in late spring or the summer. She has no set amount to raise, trying to contribute as much as she can. “Once I have commissioned, $500 of that will go to the Rotary Club to their charitable trust, and it gets held in an account for the splash pad,” said Buffett. “I’m also a Rotarian, so it’s something I’m familiar with.” She said many people don’t know whether to list now or wait longer, concerned they can’t find a home elsewhere with an active seller’s market now. “Inventory is now increasing because of a spring market, but right now, from January and on, there just have been 10 to 15 houses for sale in Shelburne, and then within a week they’re gone,” said Buffett. Donation jars for the splash pad have also been placed at businesses, a coupon book has been developed, and an online home décor website has been established. “This year, we have the golf tournament coming up on June 10, a movie in the park and a tribute to Dolly Parton Concert on August 8 at Fiddle Park (drive-in),” said Gallaugher. “We have businesses and individuals having events that will raise money for the splash pad, such as a marathon, quilt raffle, kids’ festival, bottle drive, plant sales and some that are just being planned.” Joshua Santos, Local Journalism Initiative reporter, Orangeville Banner

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Movie theaters face uncertain future



By Lisa Richwine

LOS ANGELES (Reuters) – Maryo Mogannam snuck into the Empire theater in San Francisco with his older cousins to watch “Animal House” when he was 14. He watched most of the James Bond movies at the historic art house and took his wife there on some of their first dates.

The cinema, which had been showing movies since the silent film era, served notice in February that it was permanently closing because of the impact of COVID-19. The marquee is now blank, and cardboard and paper cover the box office window.

“It’s kind of like losing a friend,” said Mogannam, now 57, who owns a retail shipping outlet near the theater, which had been renamed the CineArts at the Empire.

As vaccinated Americans emerge from their homes, they also may find their neighborhood theater is not there to greet them.

An eight-cinema chain in New England said it will not reopen. The same fate hit a Houston art house beloved by director Richard Linklater and, in a shock to Hollywood, more than 300 screens run by Los Angeles-based Pacific Theatres. That includes the Cinerama Dome, a landmark that hosted several red-carpet movie premieres.

Following a year of closures, theaters face deferred rent bills plus media companies’ focus on drawing customers to streaming services. Up to one-fourth of the roughly 40,000 screens in the United States could disappear in the next few years, Wedbush Securities analyst Michael Pachter said.

The National Association of Theatre Owners rejects that estimate, spokesman Patrick Corcoran said, noting that similar dire warnings accompanying the advent of television and the switch to digital screens never came to pass.

Hollywood filmmakers want cinemas to thrive.

“It’s the only place where the art dominates,” said “Avatar” director James Cameron. “When you watch something on streaming, the other people in the room with you are welcome to interject, to pause to go to the bathroom, to text.”

At theaters, “we literally make a pact with ourselves to go and spend two to three hours in a focused enjoyment of the art.”

“For 300 people to laugh and cry at the same time, strangers, not just your family in your house, that’s a very powerful thing,” said Chloe Zhao, Oscar-nominated director of best picture nominee “Nomadland.”

At the Academy Awards on Sunday, the movie industry will “make a case for why cinema matters,” producer Stacey Sher said. While acknowledging the hardship of the pandemic, “we also have to fight for cinema and our love of it and the way it has gotten us through things,” she said.

About 58% of theaters have reopened in the United States and Canada, most restricted to 50% capacity or less. The biggest operators – AMC, Cinemark and Cineworld – make up roughly half the overall market.

Industry leaders project optimism, forecasting a big rebound after restrictions ease and studios unleash new blockbusters.

Coming attractions include a new Bond adventure, the ninth “Fast & Furious” film, a “Top Gun” sequel and several Marvel superhero movies.

“Avatar 2,” Cameron’s follow-up to the highest-grossing film of all time, is set to debut in December 2022. Some box office analysts predict 2022 ticket sales will hit a record.

Supporters point to late March release “Godzilla vs. Kong,” which brought in roughly $48.5 million at U.S. and Canadian box offices over its first five days, even though audiences could stream it on HBO Max.

“That was a big win for the entire industry,” said Rich Daughtridge, president and chief executive of Warehouse Cinemas in Frederick, Maryland.

But near- and long-term challenges loom, particularly for smaller cinemas.

Theaters are negotiating with landlords over back rent. A federal aid program was delayed due to technical problems.

Plus, media companies are bringing movies to homes sooner. Executives say streaming is their priority, pouring billions into programming made to watch in living rooms as they compete with Netflix Inc.

Most at risk are theaters with one or two screens, Wedbush Securities’ Pachter said. He said his best guess is between 5,000 and 10,000 screens could go permanently dark in coming years.

“I think we’ll see a gradual decline in the number of screens,” Pachter said, “just like we’ve seen a gradual decline in the number of mom-and-pop grocery stores and bookstores.”


(Reporting by Lisa Richwine; Additional reporting by Rollo Ross in Los Angeles, Alicia Powell in New York and Nathan Frandino in San Francisco; Editing by Jonathan Oatis)

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Applications open for Pattison Media 2021 Prairie Equity Scholarship – Lethbridge News Now



(Lethbridge News Now)

By Pattison Media

Apr 19, 2021 12:01 PM

LETHBRIDGE, AB – Applications are now being accepted for Pattison Media’s 2021 Prairie Equity Scholarship competition.

The scholarship is aimed at broadcast and digital media students in the Prairie provinces who are part of under-represented groups.

Two awards of $2,000 will be made to residents of Alberta, Saskatchewan, or Manitoba who in 2021 are attending or planning to attend a recognized broadcast or digital media program at a post-secondary institute in one of the three provinces.

Information and application package

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‘Godzilla vs. Kong’ Tops Box Office Again, Crosses $80 Million in the U.S.



OTTAWA (Reuters) – Canada will set aside C$12 billion ($9.6 billion) to extend its main pandemic support measures in a budget to be presented on Monday, the Toronto Star reported, as much of the country battles a virulent third wave of COVID-19 infections.

The emergency wage subsidy and the emergency rent subsidy, due to expire in June, will be extended to the end of September, the Star reported on Sunday.

Separately, the government will create the “Canada Recovery Hiring Program” in June meant to help those companies depending on the wage subsidy to pivot to hiring again, the newspaper said.

The Finance Ministry declined to confirm or comment on the report. However, Environment Minister Jonathan Wilkinson told the Canadian Broadcasting Corp on Sunday that government pandemic supports would continue for as long as needed.

“If Canadians need that support and the pandemic continues, the government will certainly have their backs,” Wilkinson said.

Wilkinson also confirmed that the budget would be “ambitious” and that the government would “invest for jobs and growth to rebuild this economy,” though he also said there would be “fiscal guardrails” to put spending on a “sustainable track”.

Finance Minister Chrystia Freeland will present the country’s first budget in two years on Monday after promising in November up to C$100 billion in stimulus over three years to “jump-start” an economic recovery during what is likely to be an election year.

Canada has been ramping up its vaccination campaign but still has a smaller percentage of its population inoculated than dozens of other countries, including the United States and Britain.

Amid a spiking third wave of infections, Ontario, Canada‘s most populous province, announced new public health restrictions on Friday, including closing the province’s borders to domestic travelers.

($1 = 1.2501 Canadian dollars)


(Reporting by Steve Scherer, Editing by Nick Zieminski)

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