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Media Beat, Feb. 24, 2022 | FYIMusicNews – FYI Music News

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John Oliver’s hilarious take on truckers protesting the vaccine mandate

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Don’t call them protesters, call them a mob

Despite their singing, dancing and arch bullshit, this mob didn’t give a hoot about anyone else’s basic rights. Nor did they care about the law.

As soon as they blockaded the parliamentary precinct, they were acting unlawfully. An 18-wheeler is not a person and has no charter rights. They were there illegally from the moment they parked their rigs on Wellington and Sussex streets, and started honking their horns and polluting the air with diesel fumes 24/7 for weeks on end.

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They were acting illegally when some of them continued to blast those horns after a court injunction ordered them to stop for the sake of a community under environmental siege.

And they were there illegally after the federal government invoked the Emergency Act, declared a national emergency and requested that they leave.

And all in the name of what? Ostensibly, because they didn’t want to get vaccinated against a deadly virus, the very thing that would have allowed them to continue their cross-border trucking in a safer and more responsible way. And which, by the way, the United States government also requires. So they weren’t going to the U.S. anyway. – Michael Harris, The Tyee

Shaw family donates $35M to Glenbow to permanently fund free admission, arts endowment

The family of Calgary entrepreneur, philanthropist and businessman JR Shaw is donating $35 million to the Glenbow, most of which will be used to allow the museum to permanently offer free admission to visitors.

It is the largest donation Glenbow has received since opening in 1976. While the museum will keep its name, the downtown building that houses it and its collection will be named the JR Shaw Centre for Arts and Culture after the businessman who founded Shaw Communications and Corus Entertainment. – Eric Volmers, Calgary Herald

Toronto home prices have increased 453% since the mid-90s

RE/MAX predicts more gains in the average home price for 2022, projected to increase by over $100K this year alone to $1,160,491. – Jack Landau, blogTo

Yanis Varoufakis: We are living in a post-capitalist, techno-feudalist dystopia

World-renowned Greek economist, author, and politician Yanis Varoufakis argues that global capitalism as we know it is dying—and something much worse is taking its place.

From the push to turn more of the workforce into precarious “gig workers” to the ways profit-seeking digital platforms condition how we act and think while extracting free data from us, we can see and feel everyday the creeping evidence that we are living in a new reality. As world-renowned Greek economist, author, and politician Yanis Varoufakis argues, “This is how capitalism ends: not with a revolutionary bang, but with an evolutionary whimper. Just as it displaced feudalism gradually, surreptitiously, until one day the bulk of human relations were market-based and feudalism was swept away, so capitalism today is being toppled by a new economic model: techno-feudalism.” – Jason Myles & Pascal Robert, The Real News Network

Is the media doomed?

From a Big Tech crackdown to the rebirth of local news, 16 future-minded thinkers predict where journalism will be in 15 years.

The biggest, most dramatic transformation in media over the next 15 years will be the coming of age of an audience born and raised in an ocean of news and information, consumed almost entirely via social media. By 2035, most adults will have no memory of a time before polarized cable news coverage, Instagram, Snapchat, TikTok and endless other attention-grabbing media sources yet to be invented. Media consumers will be divided into three groups. A dwindling cohort will remain moored in trusted and traditional news brands they encountered through their parents, educators or a firm appetite for solid information. Most Americans will be in the swollen ranks of the informationally adrift — those lacking the means or energy to discern meaningful signals amid a cacophony that encompasses serious journalism, opinion writing, perpetual hot takes, corporate advertising, paid promotions, bloviations, disinformation and propaganda campaigns, much of which is deliberately disguised to sound like something else. A final group will be informationally marooned — in the thrall of conspiracy theories and fakery reinforced by the archipelago-like fragmentation of social media that makes them almost impossible to reach with the truth. – Politico

Meet French singer Yseult, the newest face of L’Oréal Paris

Having burst onto the international music scene like a supernova, Yseult is a performer who makes a lasting impression.

Her 2020 music video for Corps (the French word for “body”), in which she appears naked under a piece of clear plastic, has been viewed more than nine million times on YouTube. The singer says she is inspired by her body, sexuality and sensuality and that nudity is an integral part of her artistic approach. Her curves may not correspond with industry standards, but she has become a role model for the many women who listen to and admire her and have not seen themselves represented anywhere until now. Yseult, with an undeniable and disarming beauty, is an inspiration for many and proof that the world is finally changing for the better. – Gabrielle Lisa Collard, Elle Canada

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DJT Stock Jumps. The Truth Social Owner Is Showing Stockholders How to Block Short Sellers. – Barron's

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DJT Stock Jumps. The Truth Social Owner Is Showing Stockholders How to Block Short Sellers.  Barron’s

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Taylor Swift's new album allegedly 'leaked' on social media and it's causing a frenzy – CTV News

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Social media can be a divisive place, but even more so when it comes to Taylor Swift.

A Google Drive link allegedly containing 17 tracks that are purportedly from Swift’s eagerly awaited “The Tortured Poets Department” album has been making the rounds on the internet in the past day and people are equal parts mad, sad and happy about it.

CNN has reached out to Swift’s representative for comment.

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The actual album is slated to drop at midnight Friday, but the claimed leak is both being hailed and nailed by Swift’s supporters.

One person shared a drawing of a young woman asleep in a sparkly bed with sparkly blankets on X, writing, “How I slept last night knowing I’m going to hear TTPD for the very first time tonight cause I haven’t listened to any leaks.”

Yet another person posted a video of two models walking and wrote, “Me and my bestie on our way to listen to #TSTTPD leaks.”

On Thursday, “Taylor Swift leaks” was a prevented search phrase on X.

The general consensus among those who have decided to be “leak free” appears to be that they are the true Swifties – as her hard core fan base is known – because they don’t believe the singer would have sanctioned such a “leak.”

Swift herself has gone to great lengths to prevent unintended early releases in the past.

“I have a lot of maybe, maybe-not-irrational fears of security invasion, wiretaps, people eavesdropping,” Swift said of her music during an 2014 appearance on” Jimmy Kimmel Live.” She added that her “1989” album only existed on her phone, “covered in cat stickers and the volume buttons don’t work very well because there’s candy stuck in there,” for nearly two years.

“The Tortured Poets Department” is Swift’s 11th album and comes after she became the first woman and only solo artist to win the Grammy for album of the year three times.

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Media mogul Randi Zuckerberg says creators should disclose when they've used AI to produce work – The Globe and Mail

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Randi Zuckerberg says she thinks creators should start disclosing when they’ve used artificial intelligence to produce work because it’s “becoming harder and harder to tell what’s real.”

The tech leader behind Facebook Live META-Q, who left the social media giant in 2011 and has since founded a company that connects digital art makers with collectors, said she’d like to see news organizations note when they have used AI to write articles or even credit the technology in a byline.

Academics could offer similar levels of transparency, which might spur a pattern of disclosure across several industries, she added.

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If this approach becomes the norm, “consumers can learn to be a little more savvy about what’s real and what’s not real,” Zuckerberg said in an interview on the sidelines of the Ontario Centre of Innovation’s DiscoveryX conference in Toronto on Wednesday.

“Certainly, I think, it’s an issue that keeps a lot of us up at night.”

The issue of misinformation has proliferated in recent years. About six in ten Canadians told Statistics Canada last year that they were “very or extremely concerned” about online misinformation, while 43 per cent felt it was getting harder to decipher online truth from fiction compared with three years earlier.

AI has turbocharged the problem by making it faster, cheaper and easier to deceive people with fake or doctored images, audio clips and videos. In the last year or so alone, it’s been used to spread fake explicit images of pop star Taylor Swift, depict the pope wearing a puffy coat and mislead people into believing Canadian TV host Mary Berg was arrested.

Social media companies like Facebook, which Zuckerberg’s brother Mark Zuckerberg started, have found themselves on the front lines of dealing with misinformation.

While Randi Zuckerberg is unsure how receptive the corporate world would be to the level of AI disclosure she is encouraging, she thinks it’s important to start the conversation.

Those engaged in the topic will have to decide whether disclosure means sharing what AI bots or programs they used or even what prompts produced their creations.

“There are a lot of smarter people with experience in AI, law and copyright who are thinking through these things on a deeper level,” she said.

“But I do imagine that we’ll see a world where at least some of these things need to be referenced right now.”

Even if there is disclosure, Zuckerberg said, people will be left with deciding how they feel about “the soul of content.”

“Would you listen to a podcast if you knew that there were no humans behind it?” she questioned. “Would you hang art on your walls that was entirely created by AI that a human never touched?

Zuckerberg, who invested in the hit theatrical production “Dear Evan Hansen,” said she’s thought about these questions a lot and has decided she’d be comfortable throwing AI-generated art on her wall.

“If something’s beautiful, does it matter who created it?” she reasoned.

At the same time as the globe is grappling with AI, some regions are also experiencing challenges around access to credible news.

In Canada, the recent enactment of Bill C-18, known as the Online News Act, has required Google and Facebook and Instagram-owner Meta Platforms Inc. to enter into agreements that compensate Canadian media companies when their content is posted or repurposed by the platforms.

In response, Google, which threatened to block Canadian news from its products, agreed in November to make annual payments to news companies collectively totalling $100-million. Meta took the opposite approach, removing Canadian news from its platforms.

Asked about platforms dropping news, Zuckerberg said, “so much of the world has kind of gone to algorithms in some way.”

“But news is a tricky one because then it just surfaces things that keep us in an echo chamber,” she said, referencing a term used to describe when platforms serve content to individuals that reaffirms their existing views rather than challenging them.

“News is almost the one category where you want to deliver content to people that’s kind of outside their rhythm to challenge their thinking a little more or expand their horizons,” Zuckerberg continued.

“That’s the part of this that we’re missing that I hope we can figure out.”

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