Newspaper publisher Postmedia Network Corp. is laying off 11 per cent of its editorial staff, less than a week after workers were told the company was grappling with “economic contraction,” sources tell The Canadian Press.
Postmedia, which owns publications including the National Post, Vancouver Sun and Calgary Herald and employs about 650 journalists, announced the layoffs at a town hall Tuesday afternoon.
In an audio recording of the meeting obtained by CP, Gerry Nott, acting senior vice-president of editorial content, said the cuts would impact all of the company’s publications with the exception of Brunswick News and Postmedia Editorial Services, which have already been downsized.
“There isn’t a property in our network that won’t be affected by a restructuring, reorganization or layoff,” he said.
“And to be clear, this is about aligning our cost structure with our revenue stream against ongoing decline in our industry and strong economic headwinds leading up to this difficult decision on staff reduction.”
Postmedia did not respond to a request for comment on the cuts.
The sources asked not to be identified as they were not authorized to publicly speak on the matter or share recordings of the meeting.
The job cuts come days after the company warned staff in a memo that an unspecified number of roles would be eliminated across Postmedia over the coming months through hiring restrictions and layoffs.
At the same time, it announced it was moving a dozen of its Alberta community newspapers to digital-only formats, eyeing more outsourcing deals for printing, laying off workers and selling the home of the Calgary Herald.
The company had also adjusted print deadlines in major markets, made changes to its comics and puzzles and eliminated publishing papers on some days, Nott said Tuesday.
“Had we not made those changes, the number of journalists affected by layoff would be considerably higher,” he said.
Nott added that the company had yet to identify specific jobs that will be cut and said it is possible that management positions will be affected at a higher or disproportionate rate than non-management roles.
He expected to begin having conversations with editors carrying out the reductions in the next 24 hours and urged anyone feeling like they can’t be part of the company’s future to talk to union, human resources or editorial representatives about voluntary layoff packages.
Nott also revealed the company was going to move to remote work on a permanent basis, except for markets like Toronto, Vancouver and Montreal, which he said would return to the office.
He acknowledged the moves would create a “difficult time,” but said it was “vital” to find a path through this “extremely turbulent stretch.”
Staff were “totally demoralized and disillusioned” by Nott’s announcement, said Martin O’Hanlon, president of CWA Canada, a union representing some Postmedia workers.
“I always think we’ve hit rock bottom, and then they always find a new bottom,” he said. “I just don’t know how you can run a successful media company with this level of staffing.”
He added that the cuts only make the fight against disinformation and misinformation harder, are bad for democracy and mean that “Postmedia is now treading water to survive.”
Newspaper conglomerates including Postmedia have long been struggling with dwindling print subscriber numbers, the rise of big tech companies that have eaten into media profits and more advertising moving online from print.
“The unassailable truth is that the print audience is going away, it’s a demographic that’s not being replaced by another readership audience who consumes news in the same way,” said Nott.
“It’s clear that our advertisers have moved from print to digital. It’s clear that in the digital space we’re up against some behemoth that make it very competitive and very difficult for us.”
In recent years, Postmedia has coped by closing a number of small-town newspapers, reducing print production of some of its titles and resorting to layoffs and voluntary buyouts to manage costs.
Asked whether the Montreal Gazette or even Postmedia will exist in the coming years, Nott said, “I think there’s every reason for hope and that we will exist three to five years from now.”
This report by The Canadian Press was first published Jan. 24, 2023.
EDMONTON – The legendary k.d. lang got the band back together at the Canadian Country Music Association awards show.
Lang teamed up with the Reclines for the first time in 35 years to belt out “Big Boned Gal” from their last album together in 1989.
Clad in a blue and green western-style dress, lang strut across the stage in Edmonton to embody the “big boned gal from southern Alberta.”
The awards show saw Alberta’s MacKenzie Porter and Ontario’s Josh Ross take home hardware for being best female and male artists of the year.
Ross also won entertainer of the year and single of the year for “Trouble.”
Ontario artist Jade Eagleson won album of the year for “Do It Anyway.”
The James Barker Band from Woodville, Ont., won fans’ choice and group of the year.
During their acceptance speech, frontman Barker hinted at new music and a possible tour in 2025.
Ross says he and his band play roughly 150 shows every year and are never home, but says taking home entertainer of the year made the hard work worth it.
Porter won for female artist of the year and top video for “Chasing Tornadoes.”
The female artist win ends the five-year streak of Tenille Townes being awarded the coveted hardware.
Porter had been nominated seven times previously for the award in the past decade but hadn’t won until now.
The artist from Medicine Hat, Alta., says it takes a lot of hard work and hustle to succeed as a female in the country music industry and gave a shout out to her fellow singers and her newborn daughter.
Joining the two artists in the winners’ circle was Ontario singer-songwriter Owen Riegling, who won for breakthrough artist of the year.
The show began with American artist and co-host Thomas Rhett being dubbed an honorary Canadian by Edmonton Oilers players Corey Perry and Leon Draisaitl.
Rhett donned an Oilers jersey that was gifted to him by the pair.
This report by The Canadian Press was first published Sept. 14, 2024.
EDMONTON – Ontario country artist Jade Eagleson has won album of the year at the 2024 Canadian Country Music Association Awards in Edmonton.
The singer from Bailieboro, Ont., was up for six awards alongside Alberta’s MacKenzie Porter.
Eagleson took home album of the year for “Do It Anyway” and says he’s thankful to his wife and management team for helping him reach the level he’s at.
The James Barker Band from Woodville, Ont., also won fans’ choice and group of the year at the award show, held in Edmonton.
During their acceptance speech, frontman Barker hinted at new music and a possible tour in 2025.
Another Ontario crooner, Josh Ross, has taken home a trio of awards, receiving entertainer of the year, male artist of the year and single of the year.
He says he and his band play roughly 150 shows every year and are never home, but says taking home entertainer of the year makes the hard work worth it.
Porter took home female artist of the year, ending the five-year streak of Tenille Townes being awarded the coveted hardware.
Porter had been nominated seven times previously for the award in the past decade but hadn’t won until tonight.
The artist from Medicine Hat, Alta., says it takes a lot of hard work and hustle to succeed as a female in the country music industry and gave a shout out to her fellow singers and her newborn daughter.
Joining the two artists in the winners’ circle was Ontario singer-songwriter Owen Riegling, who won for breakthrough artist of the year.
The show began with American artist and co-host Thomas Rhett being dubbed an honorary Canadian by Edmonton Oilers players Corey Perry and Leon Draisaitl.
Rhett donned an Oilers jersey that was gifted to him by the pair.
The return of k.d. lang and the Reclines was expected to be a highlight of the show.
The appearance will mark the first time the Alberta songstress has teamed up with the band in 35 years and is tied to lang’s induction into the Canadian Country Music Hall of Fame.
The awards show is back in Alberta’s capital for the first time since 2014. It was held in Hamilton last year and in Calgary in 2022.
This report by The Canadian Press was first published Sept. 14, 2024.
VANDERHOOF, B.C. – British Columbia Conservatives are promising changes they say will bring more stability to the province’s struggling forest industry.
Leader John Rustad announced his plan for the sector a week before the official launch of the provincial election campaign, saying a Conservative government would do away with stumpage fees paid when timber is harvested and instead put a tax on the final products that are produced.
Rustad said Saturday that under a provincial Conservative government, a small fee may be charged upfront, but the bulk would come at the end of the process, depending on what type of product is created.
He also promised to review how wildfires are managed, as well as streamline the permit process and review what he calls the province’s “uncompetitive cost structure.”
“British Columbia is by far the highest cost producers of any jurisdiction in North America. We need to be able to drive down those costs, so that our forest sector can actually be able to do the reinvestment, to be able to create the jobs and make sure that they’re still there to be able to support our communities,” he said.
The governing New Democrats meanwhile, say eliminating stumpage fees would inflame the softwood lumber dispute with the United States and hurt forestry workers.
In a statement issued by the NDP, Andrew Mercier, the party’s candidate in Langley-Willowbrook, said Rustad failed to support the industry when he was in government under the former BC Liberals.
“Not only will Rustad’s old thinking and recycled ideas fail to deliver, his proposal to eliminate stumpage would inflame the softwood lumber dispute — punishing forestry workers and communities,” Mercier said, accusing Rustad of ignoring the complexity of the challenges facing the industry.
The softwood lumber dispute between the U.S. and Canada stretches back decades. In August, the U.S. Department of Commerce nearly doubled duties on softwood lumber.
International Trade Minister Mary Ng has said Canada has taken steps to launch two legal challenges under the Canada-United States-Mexico Agreement.
Rustad said a provincial Conservative government would push hard to get a deal with the United States over the ongoing dispute “whether it’s with the rest of Canada or by itself.”
He said his party’s proposed changes are in the name of bringing “stability” and “hope” to the industry that has seen multiple closures of mills in rural communities over the last several years.
Most recently, Canfor Corp. decided to shutter two northern British Columbia sawmills earlier this month, leaving hundreds of workers unemployed by the end of the year.
According to the United Steelworkers union, Canfor has closed 10 mills in the province since November 2011, including nine in northern B.C.
Jeff Bromley, chair of the United Steelworkers wood council, said Saturday the idea of changes in favour of taxing the final product has been floated in the past.
He said the finer details of the Conservative plan will be important, but that the system needs to be improved and “new ideas are certainly something I’d be willing to entertain.”
“Something needs to happen, or the industry is just going to bleed and wither away and be a shadow of its former self,” Bromley said.
“Politics aside, if (Rustad) can come up with a policy that enables my members to work, then I would be supportive of that. But then I’m supportive of any government that would come up with policies and fibre for our mills to run. Period.”
When Canfor announced its latest closures, Forests Minister Bruce Ralston said the sector was a “foundational part” of the province and the current NDP government would work to support both local jobs and wood manufacturing operations.
This report by The Canadian Press was first published Sept. 14, 2024
