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Mexico Art Week A Vibrant Hectic Tour – Virginie Puertolas-Syn – ArtLyst

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After exploring Oaxaca and the iconic Casa Wabi designed by Tadao Ando in Puerto Escondido, I was happy to be back in Mexico for Art Week. The City has so much to offer, from Roma’s old fashioned charm and architecture to the Barragan Houses, the delicious lunches at Pujol and Contramare. Not forgetting the Museums: my favourite is the Archeological Museum.

Not only is Mexico extraordinarily vibrant, but the whole week was hectic and exciting. A good contingent of the Art world caravan had come to attend the Art week.

With more than 200 galleries spread across four different sectors: Design, Photography, Art and Salon, Zona Maco which takes place at the Centro Citibanamex convention centre, is the most important Art Fair in Latin America. The Fair’s VIP opening was festive and joyful, with many familiar faces from the International Art crowd venturing through the aisles of the fair.

The two Mexican powerhouse galleries O.M.R and Kurimanzutto, both had very good presentations.

Jose Davila, O.M.R at Zona Maco

Jose Dávila at O.M.R, known for his architectural assemblages, had a stunning harmonious painting of colourful circles. The Guadalajara based, self-taught artist, has spent the pandemic researching the circle: as a symbol of perfection and human progress.

At Kurimanzutto, I really enjoyed Bárbara Sánchez-Kane’s graphic painting. Like a punch in the stomach her painting doesn’t leave the viewer intact. The fashion designer/ Contemporary artist addresses issues of hegemonic masculinity, the social construction of gender and sexuality in a very daring way.

On a totally different spectrum, I was taken by Sofía Táboas painting and her way of investigating space, allowing the painting to grow outside of the frame like a metaphor of Freedom.

Another local player is Maia Contemporary which presented a duo show of two Mexican artists I had the pleasure of meeting and visiting their studio. Pedro Friedeberg, now in his 80s, was friends with the surrealists, a star in the 60s and 70s and is now having a much well deserved come back. His work is easily identifiable with the architectural drawing, unusual compositions and hallucinogenic repetition of elements, visiting his “Museum/Studio” in ROMA was an unforgettable experience.

On the other side of the aisle was Sabino Guisu’s works. I visited Sabino’s studio in Oaxaca, often presented as Francisco Toledo’s (his mentor) artistic heir. His work can be considered a contemporary and spiritual examination of his Zapotec heritage and culture with a Pop Art twist. His latest exhibition at Maia Contemporary in Mexico city reinterprets the god Cocijo, the deity of rain and lightning among the ancient Zapotecs as a pop culture of Art-Toys.

I had a true “Coup de Coeur” at Galerie 193 from Paris, discovering the colourful body of work of the multimedia artist

Alia Ali. The Yemenite, Bosnian, American artist presents a daring and truly original body of work. Not only does she photograph concealed portraits wrapped into traditional ikat textiles, but she sets up the photograph within a full installation incorporating the frame, playing with the space. Having travelled in more than 67 countries, she uses the layers of textiles to tackle histories of colonialism, migration, imperialism and war in a pleasing and aesthetic way.

At Duran Mashaal gallery from Montreal, The Chilean, London based artist Livia Martin had a delicate and poetic presentation. Her photography collage of fractured cups, saucers, and teapots with golden thread, addresses the issue of consumerism by referring to the ancient Japanese art of kintsugi (which can turn a broken object into something more exquisite than it was before).

Gala Knorr, Pablo’s Birthday Gallery NY, Salon Acme

Traditionally there are 3 Art fairs in Mexico during the art week: Zona Maco, Salon Acme and Material. Two only took place this year as Material will be held in May. So I went to visit Salon Acme right in the centre of the city in a stunning derelict building to discover younger artists. I loved the solo presentation of the young Spanish artist Gala Knorr at Pablo’s Birthday Gallery from New York. The young painter already has gained prizes and recognition offers a fun cynical critic of celebrities.

I ventured to the former Casa Wabi headquarter, which has become an alternative Art centre called Caleta: founded by the real-estate developer, collector and patron of the arts Alexander Melas-Kyriazi and Mateo Pizarro, artist, artistic director and curator. Located in a beautiful house from the 50s Caleta’s vocation is to offer artists studios as well as exhibition and performance space for both visual artists and musicians. The first exhibition show, “Standing waves”, is a group show with 40 artists both Mexican and International. I was taken by the delicate and poetic wave of Beatrice Morales, a Mexican artist based in Berlin, who works with textile, natural fibres from cactus using traditional dying process in her craft.

One of the highlights of the week was OMR new Art Space inauguration and party on the Wednesday evening. “ALGO”, the name of the space, is set up in the LAGO, the iconic building in Chapultepec Park, built in 1964 by architect Alfonso Ramírez Ponce. The inaugural exhibition, ‘Form Follows Energy’ in collaboration with joségarcía ,mx, presents more than 45 pieces, some of them monumental, by 27 artists like Atelier Van Lieshout, Matti Braun, Pia Camil, Gabriel Rico, Trix & Robert, Alicia Kwade & James Turrell is on view through August 16, 2022.

Mexico Art week was a blast, certainly more for the visitors than for the gallerists: sales were slightly disappointing, I was told.

I left the city for Frieze LA, with the certainty that I will be back next year.

Words and photos: Virginie Puertolas-Syn

Mexico Art Week Took place 9-13 February 2022 Read More

Read more from Virginie Puertolas-Syn’s travels Here



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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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