Nova Scotia has announced the winner of the design competition for the new Art Gallery of Nova Scotia and Waterfront Arts District: KPMB Architects.
The team that created a Mi’kmaw-inspired design consists of firm KPMB with architect Omar Gandhi, Jordan Bennett Studio, elder Lorraine Whitman, Public Work and Transsolar firms.
Whitman, president of the Native Women’s Association Canada and Mi’kmaw elder, told Global News she was left speechless.
“Something good has occurred today… I’m very proud to be a part of this team,” she said.
The design was inspired by the “Mi’kmaw ways of knowing,” read the design summary.
Gandhi said the heart of the design was the notion of “from the ground up,” and it was important to him that the Mi’kmaw community was involved from the beginning.
That’s where Whitman came in, who said the form of the building Indigenizes the space and includes the Mi’kmaq first.
The form was inspired by the body of an eel, a Mi’kmaw symbol of sustainability.
KPMB Architects.
KPMB Architects
Gandhi said the eel, living both in water and on land, worked well with the idea of having a building that felt organic.
“It almost feels like it’s emerging from landscape… (It’s) a form that would feel very loose and playful at the same time, almost like a living, breathing creature.”
The entrance of the gallery was inspired by peaked hats worn by Mi’kmaw matriarchs. The Mi’kmaq are of a matrilineal line, meaning women are at the forefront, Whitman said.
“How more can you put it out, as us being a part of it, than a peaked cap?” she said. “It’s bringing the women back to the forefront… We’re part of the opening door to all.”
KPMB Architects.
KPMB Architects
Whitman said KPMB and others were a diverse team that worked on this from the heart.
“It was so powerful to make suggestions and give your story, but then they implement your words and story into such an incredible building… absolutely beautiful,” Whitman said.
“The peaked cap, the eel and the basket that’s woven on the outside of it, the natural wood that’s going to be inside… it really leaves me speechless.”
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KPMB Architects.
KPMB Architects
Gandhi says this was an incredible experience for him as well.
“It really has changed my life,” he said.
“I feel like it really has sort of opened my eyes to a history of the people that I wasn’t familiar with, and now I feel fully invested in doing something meaningful.”
Whitman said she couldn’t be more proud to be a part of the team and process.
“That’s where it really touches home, knowing that there’s truly allies out there,” she said.
“We’ve always said it’s a community that raises a child, and it’s the community that builds a home for everyone. That’s what this is: a building of teaching,” she said.
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Whitman said she congratulates the other competitors as well.
A design competition was launched in January and was narrowed down to three design teams. A jury selected the winning team over a two-day deliberation and feedback from the public.
N.S. Communities, Culture and Heritage Minister Suzanne Lohnes-Croft announced the winner at the Halifax Convention Centre Wednesday morning.
Whitman said Wednesday afternoon she still couldn’t believe it.
“To hear that it was our team… I thought, ‘Oh my golly,’ I could feel tears coming.”
Gandhi said he is now looking forward to the next steps in the process.
“There’s actually a lot of community engagement that’s gonna take place at the beginning both with Nova Scotians and the Mi’kmaw community as well,” he said.
The new art gallery is expected to open in 2025 with an estimated cost of $130 million, including funding from the province, the federal government and fundraising.
It will also include a $10-million donation from the Donald R. Sobey Foundation that was announced on Wednesday.
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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
