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More opportunities to view public art needed, council told – Lethbridge Herald

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By Lethbridge Herald on February 6, 2020.

The newly installed chair sculpture “Together” by local artists Coryn Kempster and Julia Jamrozik, located outside of the Multicultural Centre, is one of a number of public art pieces throughout the downtown. Herald photo by Ian Martens @IMartensHerald

Tim Kalinowski
Lethbridge Herald
tkalinowski@lethbridgeherald.com
While the City of Lethbridge through the Public Art Committee has funded several large pieces of public art and possesses quite a valuable institutional art collection, there are currently not a lot of opportunities for the public to engage with these taxpayer-owned art pieces, admitted community art and culture manager Jillian Bracken.
“There are a lot of objects that could be shown, but there are not a lot of locations to exhibit them,” Bracken told city council during Monday’s Community Issues Committee meeting. “The valuable pieces in the collection — and there are a handful of valuable pieces — should probably be in a vault at the Galt Museum. They are significant works of art that have value, and I don’t think we have the kind of facility that’s appropriate to display those pieces at this point in time. Managing collections is a really challenging thing, because you have to have a program that allows for the proper placement and care of those art works.”
Bracken mentioned a specific work by nationally famous artist Paul-Émile Borduas which is part of the City’s $582,000 Buchanan collection as a specific example. Bracken said the piece had an appraised value of $54,000. She said security issues precluded putting such pieces on full-time display, but she hoped a new digital website the Public Art Committee is contemplating will allow specific works from the collection to be viewed online eventually.
Mayor Chris Spearman felt such a website would go a long way toward helping community-engagement efforts around art, and hoped the committee was also contemplating doing something along the same line to further publicize and engage the community around public artworks already out on display in various quarters of the city.
“In some cases it would be nice where you could almost have an app or something on your phone that says go to this location and see this piece,” suggested Spearman. “If people were aware of what the public art was, and could see it and be reminded all the time, I think they would value it more. So if there is any way to communicate that in the future, and I am excited you might have a webpage about the public art, certainly making the general population more aware it, I think will enhance the support for public art.”
Bracken said her committee would love to be more proactive in that regard, but had limited funds to administer such programs at this time.
“I think its a real frustrating challenge for the committee because we would like to have that community engagement and education piece,” she said. “It’s critical to a strong program. It’s just we have limited administrative resources to manage that kind of program. As time goes on, we’re getting more and more pieces in place to do that work.”
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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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