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Mosaic art provides artist with a way to centre herself – 100 Mile House Free Press

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While painting, sculpting and other fine arts may be better known, Tracy McAvity likes to practice the art of the mosaic.

McAvity who moved to 100 Mile House in 2002 after falling in love with the scenery and the “warm and kind” people in the South Cariboo, stumbled upon mosaics a year later after reading a magazine article called “How to Mosaic a Flower Pot.” Seized by a desire to try her hand at art, McAvity gave it a whirl.

Seventeen years later, art has become a big obsession for McAvity, who is one of the artists featured in the Parkside Art Gallery’s 20th-anniversary show Envision.

READ MORE: Parkside Gallery celebrating 20 years with community art submissions

“As an artist, I use just a variety of material in my creations like wood, seashells, sand pebbles, stain glass, (fine chine) and things I find on nature walks,” McAvity said. “Creating is really a big passion of mine and it’s really for me about the process of the whole piece.”

She finds the process of making mosaic art almost addictive, saying it’s akin to assembling a puzzle. McAvity will shatter a piece of china, tile or glass and then find a new way to fit it all together in either a picture or an abstract way on a board or whatever you’re using as a medium.

Her most recent piece featured at Parkside, The Tree of Life, has leaves made from different pieces of china teapots, plates and cups along with everything else she could find. She cut 220 pieces to size for the piece and glued them to the board, which makes it the biggest and most fun piece she’s ever done.

Not many people do mosaic art, McAvity said, so she feels fortunate to help keep the craft alive. Her biggest inspirations for pieces often come from the ocean or hiking around lakes or other large bodies of water. One of the things she loves most about living in 100 Mile House, she said, is the number of lakes and nature in the area.

“For me, creativity kind of comes and goes like most artists, so I really like to do a lot of hiking and walking around the 100 Mile area. Nature definitely inspires me and I fid can be really creative after a good hike and I get my head into the piece I’m working on but you never know what you’re going to create,” McAvity said.

Her current mosaic will be made up of things she’s found on her hikes in fact including bottle caps, nuts and bolts, golf balls, bungee cords and coins.

Art, in her opinion, is important for different reasons for everyone in the community. McAvity personally finds art calming and a way to centre herself, putting herself in a positive headspace. She said she’s incredibly grateful to Parkside Gallery for giving her a place and venue to show her art over the years. As a result, she feels she’s become a better artist and having other people look at her work and give her feedback has made her more confident.

Having never received formal art training and barely being able to draw a circle in grade school, McAvity said she’s definitely a study on how anyone can do art if they put their mind to it. She suggests those considering getting into mosaic art should just go for it, noting they can put all kinds of meaningful things in what they create. The Tree of Life includes pieces of china from 1936 passed down to her from her grandmother, for example.

“Every time you look at it on the wall a memory comes back of something positive,” said McAvity, who works a medical transcriptionist typing up the emergency room and trauma medical reports for Vancouver.

Down the road, McAvity would like to do a few bigger pieces and put on her own show at the Parkside Gallery but said she’ll have to see what the new year brings.

“There are so many amazing artists at Parkside, especially in this show (Envision). There’s such a wide variety of different kinds of art people are doing with their own style, it’s definitely something worth seeing,” McAvity said. “We’re living in the craziest of time and you just need to find little things, every single day, to be grateful for.”


newsroom@100milefreepress.net

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A mosaic mirror frame by Tracy McAvity. (Photo submitted)

Tracy McAvity is a mosaic artist who works as a medical transcriptionist when not volunteering at Parkside Art Gallery. (Photo submitted)

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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