Naming ceremony for Winnipeg Art Gallery's Inuit centre shines light on culture, history, reconciliation - CBC.ca | Canada News Media
Connect with us

Art

Naming ceremony for Winnipeg Art Gallery's Inuit centre shines light on culture, history, reconciliation – CBC.ca

Published

 on


An Indigenous naming ceremony for a Winnipeg building designed to shed light on the history, languages and art of the Inuit people began, fittingly, with the lighting of a traditional Inuit soapstone seal-oil lamp, called a qulliq.

The ceremony, held virtually Wednesday morning by the Winnipeg Art Gallery, revealed two Indigenous names the gallery will now carry going forward.

The Inuit Art Centre, which has been under construction for several years, will now be called Qaumajuq (pronounced HOW-ma-yourq), which means “it is bright, it is lit” in Inuktitut. 

“It’s very honourable to have an institutional building that is named in Inuktitut, and it gives some kind of ownership,” said Theresie Tungilik, a language keeper with the WAG’s Indigenous Advisory Council, which chose the name.

“It’s quite honouring. I think it’s been a long time coming,” she said from her office in Rankin Inlet Wednesday.

Elder Martha Peet lit a traditional Inuit seal-oil lamp made of soapstone, called a qulliq, to begin the ceremony. (Winnipeg Art Gallery)

The name celebrates the light that flows into the new building at Memorial Boulevard and St. Mary Avenue, but also the light that comes with exposing something that has been hidden away for many years.

“I choose the name because it means ‘it is bright, it is lit’ and that’s exactly how the building looks,” she said.

“And it will give other people light to what our culture is like, what our past was like, all the ways we survived. Our hardships and resilience will be spoken through those artworks.”

The new 40,000-square-foot space will connect to the WAG on all four levels. In addition to highlighting the gallery’s Inuit art collection, it will provide Inuit-led programming and offer exhibition, learning and event spaces.

The “visible vault,” a 500-shelf glass display that will hold approximately 5,000 Inuit carvings, will welcome guests as they enter the centre.

“At the WAG, through exhibitions, through programs and events, we strive to shed light on this history and bring Inuit voices to the forefront through art and storytelling,” said Stephen Borys, the gallery’s director and CEO.

The ‘Visible Vault’, a 500-shelf glass display that will hold approximately 5000 Inuit carvings, will welcome guests as they enter the centre. (Holly Caruk/CBC)

When the new space opens in February 2021, admission to Qaumajuq will be free for all Indigenous visitors, Borys said.

“This is a site for reconciliation, learning, sharing and understanding what guides us here, bringing together communities through the universal language of art.”

Biindigin Biwaasaeyaah 

The Winnipeg Art Gallery itself now also bears an Indigenous name, which was also bestowed in Wednesday’s ceremony. Biindigin Biwaasaeyaah (pronounced BEEN- deh-gen bi-WAH-say-yah) means “come on in, the dawn of light is here,” in Anishinaabemowin (Ojibway).

“Indigenous language will have a real, a powerful and permanent presence throughout the WAG campus now and in the future,” said Borys.

It’s the art gallery’s way of responding to the Truth and Reconciliation Commission of Canada’s Calls to Action as well as the United Nations Declaration on the Rights of Indigenous Peoples.

The new 40,000-square-foot space will connect to the WAG on all four levels and provide Inuit-led programming and offer exhibition, learning and event spaces. (Holly Caruk/CBC)

The recommendations in the 2015 TRC report stated that Indigenous languages are a fundamental and valued element of Canadian culture and society, and there is an urgency to preserve them. 

It also suggested that preservation of those languages would be best managed by Indigenous people.

The gallery will continue to be known as the Winnipeg Art Gallery, he said, but the move is meant to signify a change in how the gallery operates.

“We see these names as steps along our path to integrating and honouring Indigenous knowledge. The names also reflect the fundamental and critical journey the gallery has been on,” Borys said.

Theresie Tungilik, a language keeper with the WAG’s Indigenous Advisory Council, says it was an honour to be part of choosing the new name for the centre. (Winnipeg Art Gallery livestream)

The names were chosen by a circle of language keepers in the WAG’s Indigenous advisory council, represent all four regions of Inuit Nunangat — or the Inuit regions of Canada — including the Inuvialuit Settlement Region, Nunavut, Nunavik, and Nunatsiavut.

Because the gallery sits on Treaty 1 territory, the WAG felt it was also important to bring Anishinaabemowin and Nêhiyawêwin speakers, as well as Dakota and Michif (Métis) speakers to the table. 

It’s the first time a major art institution in Canada will carry an Indigenous name, Borys said.

“As many Indigenous people know, naming and names is a very important aspect of our culture,” said Julia Lafreniere, the WAG’s manager of Indigenous initiatives.

“A name is something you will carry with you your whole life and often precedes you and explains who you are to the world. It carries honour and teachings.”

Let’s block ads! (Why?)



Source link

Continue Reading

Art

Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

Published

 on

In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

Continue Reading

Art

Ukrainian sells art in Essex while stuck in a warzone – BBC.com

Published

 on


[unable to retrieve full-text content]

Ukrainian sells art in Essex while stuck in a warzone  BBC.com



Source link

Continue Reading

Art

Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

Published

 on

The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

Source link

Continue Reading

Trending

Exit mobile version