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‘We Are: The Brooklyn Saints’ Is Netflix’s Failed Attempt to Recreate the ‘Cheer’ Magic

NetflixIn the wake of Cheer’s success, it was inevitable that Netflix would go searching for the next big inspiring sports docuseries. On the surface, We Are: The Brooklyn Saints fits that bill, charting the ups-and-downs of charismatic players and coaches involved with a Brooklyn youth football program. Unfortunately, however, surface is primarily what you get from director Rudy Valdez and executive producers Ron Howard and Brian Grazer’s four-part non-fiction effort, which is full of personality but woefully light on depth.We Are: The Brooklyn Saints (premiering Jan. 29) takes an intimate look at the Brooklyn Saints, a community-funded pigskin squad for three different age groups—7-9-year-olds (9U), 10-11-year-olds (11U) and 12-13-year-olds (13U)—founded and operated by a group of individuals with their hearts in the right place. They’re led by 9U Coach Edwin Gawuala, a boisterous, energetic, and caring mentor who never stops expressing his genuine love for his charges. Gawuala is the soul of the Brooklyn Saints, and whether at practice, at his kids’ homes, on camping trips, or during games, his enthusiasm is matched only by his compassion for their emotional and psychological well-being. In every respect, he’s what a youth sports coach should be. The Tragic Curse of Being the ‘Most Beautiful Boy in the World’Gawuala and fellow coach Vick (whose son D-Lo is the 9U quarterback) view football as a vehicle for imparting important life lessons about hard work, discipline, resilience and teamwork, just as founder Demel (whose son Kenan is the 13U team’s QB) sees it as the surest path available to college. The NFL, most everyone agrees, is a dream that takes a backseat to higher education. As such, the pressure put on these still-developing players has far less to do with aspirations about being drafted by a professional franchise than with using sports to better themselves and their overarching prospects. These parental figures’ noble talk is backed up by their actions, as We Are: The Brooklyn Saints features myriad scenes of Gawuala, Vick, Demel, and other adults extolling their values both to the camera and to their kids, whose ability to find joy on the field—even in the face of sometimes trying adversity—seems to stem from the principles their elders have passed onto them.Nonetheless, running only three hours long, We Are: The Brooklyn Saints proves that less is sometimes just less. The Saints’ ambition is to make it to the illustrious national championship tournament in Florida. Yet from the outset, director Valdez fails to supply basic information about their quest, such as the number of regular-season games the team will play; what record they need to qualify; how well they’ve fared in past years; and the basic structure of the tournament itself. By denying us these contextual fundamentals, he sabotages the series’ attempts to generate mounting drama from the Saints’ efforts to achieve their goals. Compounding this situation, he merely provides fragmented snapshots of the Saints’ games, thereby neutering most of the excitement and suspense regarding their performance.Employing vigorous handheld camerawork that places one right in the middle of the mayhem, Valdez does an excellent job conveying the chaotic nature of youth football, where blocking is minimal, throwing is rare, and helter-skelter every-man-for-himself hero ball is the norm. Also extending to beautiful sunrise and dusk sequences of the kids at practice, We Are: The Brooklyn Saints’ aesthetics strikingly evoke the travails of both its young and old subjects. What they can’t do, however, is compensate for storytelling that refuses to get into the nitty-gritty of these individuals’ lives. At almost every available turn, the series offers snippets of substantive details about its main players, only to then pull back from digging deeper into their circumstances.Consequently, we hear about and see young Aiden commute with his dad Dave to and from their upstate New York house, but never learn why they reside there, what Dave does for a living, or the whereabouts of Aiden and his brother Dave Jr.’s mother. Similar sketchiness undercuts the profiles of D-Lo and his father Vick—the latter of whom winds up being arrested for a charge that’s only retrospectively explained—and Kenan, who finds himself torn between focusing on football and mechanical engineering. Even Gawuala remains an enigma throughout; though we get a palpable idea about his fieriness and commitment via his coaching, we’re told virtually nothing about his private life (save for a late third-episode bombshell about the death of his own infant son, which is randomly revealed and then immediately dropped), the reasons for his unemployment, and specifics about the eventual job he strives to secure.By leaving so much unspoken, We Are: The Brooklyn Saints stymies any serious engagement with its tale, which is reduced to a collection of heartening soundbites, stylish practice and game sequences, and a lot of filler. From top to bottom, the Saints’ personnel are so charming, and so dedicated to treating sports as an opportunity for personal growth and advancement, that it’s a shame we never feel like we know them in a meaningful way. Their faces become familiar but their actual plights remain a mystery, which proves all the more frustrating as the proceedings segue to the Saints’ trip to Florida for their shot at the title, and Gawuala suggests—after repeatedly stating that his unpaid work as Saints coach is his priority—that he may be retiring from his position at the end of this campaign.We Are: The Brooklyn Saints’ failure to build to a stirring climax is the result of its preceding disinterest in presenting warts-and-all portraits of its protagonists. So eager is it to maintain an uplifting message—about sports’ capacity for teaching young men the tenets they need to succeed, and about the benefit of putting school first—that it shies away from anything that might unduly complicate it. It’s hard to determine whether the things Valdez’s series doesn’t tell us would change our opinion about the Saints’ program, but it’s easy to understand that—by denying us access to the big picture—it turns itself into a missed opportunity.Read more at The Daily Beast.Get our top stories in your inbox every day. Sign up now!Daily Beast Membership: Beast Inside goes deeper on the stories that matter to you. Learn more.

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Here’s how Helene and other storms dumped a whopping 40 trillion gallons of rain on the South

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More than 40 trillion gallons of rain drenched the Southeast United States in the last week from Hurricane Helene and a run-of-the-mill rainstorm that sloshed in ahead of it — an unheard of amount of water that has stunned experts.

That’s enough to fill the Dallas Cowboys’ stadium 51,000 times, or Lake Tahoe just once. If it was concentrated just on the state of North Carolina that much water would be 3.5 feet deep (more than 1 meter). It’s enough to fill more than 60 million Olympic-size swimming pools.

“That’s an astronomical amount of precipitation,” said Ed Clark, head of the National Oceanic and Atmospheric Administration’s National Water Center in Tuscaloosa, Alabama. “I have not seen something in my 25 years of working at the weather service that is this geographically large of an extent and the sheer volume of water that fell from the sky.”

The flood damage from the rain is apocalyptic, meteorologists said. More than 100 people are dead, according to officials.

Private meteorologist Ryan Maue, a former NOAA chief scientist, calculated the amount of rain, using precipitation measurements made in 2.5-mile-by-2.5 mile grids as measured by satellites and ground observations. He came up with 40 trillion gallons through Sunday for the eastern United States, with 20 trillion gallons of that hitting just Georgia, Tennessee, the Carolinas and Florida from Hurricane Helene.

Clark did the calculations independently and said the 40 trillion gallon figure (151 trillion liters) is about right and, if anything, conservative. Maue said maybe 1 to 2 trillion more gallons of rain had fallen, much if it in Virginia, since his calculations.

Clark, who spends much of his work on issues of shrinking western water supplies, said to put the amount of rain in perspective, it’s more than twice the combined amount of water stored by two key Colorado River basin reservoirs: Lake Powell and Lake Mead.

Several meteorologists said this was a combination of two, maybe three storm systems. Before Helene struck, rain had fallen heavily for days because a low pressure system had “cut off” from the jet stream — which moves weather systems along west to east — and stalled over the Southeast. That funneled plenty of warm water from the Gulf of Mexico. And a storm that fell just short of named status parked along North Carolina’s Atlantic coast, dumping as much as 20 inches of rain, said North Carolina state climatologist Kathie Dello.

Then add Helene, one of the largest storms in the last couple decades and one that held plenty of rain because it was young and moved fast before it hit the Appalachians, said University of Albany hurricane expert Kristen Corbosiero.

“It was not just a perfect storm, but it was a combination of multiple storms that that led to the enormous amount of rain,” Maue said. “That collected at high elevation, we’re talking 3,000 to 6000 feet. And when you drop trillions of gallons on a mountain, that has to go down.”

The fact that these storms hit the mountains made everything worse, and not just because of runoff. The interaction between the mountains and the storm systems wrings more moisture out of the air, Clark, Maue and Corbosiero said.

North Carolina weather officials said their top measurement total was 31.33 inches in the tiny town of Busick. Mount Mitchell also got more than 2 feet of rainfall.

Before 2017’s Hurricane Harvey, “I said to our colleagues, you know, I never thought in my career that we would measure rainfall in feet,” Clark said. “And after Harvey, Florence, the more isolated events in eastern Kentucky, portions of South Dakota. We’re seeing events year in and year out where we are measuring rainfall in feet.”

Storms are getting wetter as the climate change s, said Corbosiero and Dello. A basic law of physics says the air holds nearly 4% more moisture for every degree Fahrenheit warmer (7% for every degree Celsius) and the world has warmed more than 2 degrees (1.2 degrees Celsius) since pre-industrial times.

Corbosiero said meteorologists are vigorously debating how much of Helene is due to worsening climate change and how much is random.

For Dello, the “fingerprints of climate change” were clear.

“We’ve seen tropical storm impacts in western North Carolina. But these storms are wetter and these storms are warmer. And there would have been a time when a tropical storm would have been heading toward North Carolina and would have caused some rain and some damage, but not apocalyptic destruction. ”

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Follow AP’s climate coverage at https://apnews.com/hub/climate

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Follow Seth Borenstein on Twitter at @borenbears

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Associated Press climate and environmental coverage receives support from several private foundations. See more about AP’s climate initiative here. The AP is solely responsible for all content.

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‘Big Sam’: Paleontologists unearth giant skull of Pachyrhinosaurus in Alberta

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It’s a dinosaur that roamed Alberta’s badlands more than 70 million years ago, sporting a big, bumpy, bony head the size of a baby elephant.

On Wednesday, paleontologists near Grande Prairie pulled its 272-kilogram skull from the ground.

They call it “Big Sam.”

The adult Pachyrhinosaurus is the second plant-eating dinosaur to be unearthed from a dense bonebed belonging to a herd that died together on the edge of a valley that now sits 450 kilometres northwest of Edmonton.

It didn’t die alone.

“We have hundreds of juvenile bones in the bonebed, so we know that there are many babies and some adults among all of the big adults,” Emily Bamforth, a paleontologist with the nearby Philip J. Currie Dinosaur Museum, said in an interview on the way to the dig site.

She described the horned Pachyrhinosaurus as “the smaller, older cousin of the triceratops.”

“This species of dinosaur is endemic to the Grand Prairie area, so it’s found here and nowhere else in the world. They are … kind of about the size of an Indian elephant and a rhino,” she added.

The head alone, she said, is about the size of a baby elephant.

The discovery was a long time coming.

The bonebed was first discovered by a high school teacher out for a walk about 50 years ago. It took the teacher a decade to get anyone from southern Alberta to come to take a look.

“At the time, sort of in the ’70s and ’80s, paleontology in northern Alberta was virtually unknown,” said Bamforth.

When paleontogists eventually got to the site, Bamforth said, they learned “it’s actually one of the densest dinosaur bonebeds in North America.”

“It contains about 100 to 300 bones per square metre,” she said.

Paleontologists have been at the site sporadically ever since, combing through bones belonging to turtles, dinosaurs and lizards. Sixteen years ago, they discovered a large skull of an approximately 30-year-old Pachyrhinosaurus, which is now at the museum.

About a year ago, they found the second adult: Big Sam.

Bamforth said both dinosaurs are believed to have been the elders in the herd.

“Their distinguishing feature is that, instead of having a horn on their nose like a triceratops, they had this big, bony bump called a boss. And they have big, bony bumps over their eyes as well,” she said.

“It makes them look a little strange. It’s the one dinosaur that if you find it, it’s the only possible thing it can be.”

The genders of the two adults are unknown.

Bamforth said the extraction was difficult because Big Sam was intertwined in a cluster of about 300 other bones.

The skull was found upside down, “as if the animal was lying on its back,” but was well preserved, she said.

She said the excavation process involved putting plaster on the skull and wooden planks around if for stability. From there, it was lifted out — very carefully — with a crane, and was to be shipped on a trolley to the museum for study.

“I have extracted skulls in the past. This is probably the biggest one I’ve ever done though,” said Bamforth.

“It’s pretty exciting.”

This report by The Canadian Press was first published Sept. 25, 2024.

The Canadian Press. All rights reserved.

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The ancient jar smashed by a 4-year-old is back on display at an Israeli museum after repair

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TEL AVIV, Israel (AP) — A rare Bronze-Era jar accidentally smashed by a 4-year-old visiting a museum was back on display Wednesday after restoration experts were able to carefully piece the artifact back together.

Last month, a family from northern Israel was visiting the museum when their youngest son tipped over the jar, which smashed into pieces.

Alex Geller, the boy’s father, said his son — the youngest of three — is exceptionally curious, and that the moment he heard the crash, “please let that not be my child” was the first thought that raced through his head.

The jar has been on display at the Hecht Museum in Haifa for 35 years. It was one of the only containers of its size and from that period still complete when it was discovered.

The Bronze Age jar is one of many artifacts exhibited out in the open, part of the Hecht Museum’s vision of letting visitors explore history without glass barriers, said Inbal Rivlin, the director of the museum, which is associated with Haifa University in northern Israel.

It was likely used to hold wine or oil, and dates back to between 2200 and 1500 B.C.

Rivlin and the museum decided to turn the moment, which captured international attention, into a teaching moment, inviting the Geller family back for a special visit and hands-on activity to illustrate the restoration process.

Rivlin added that the incident provided a welcome distraction from the ongoing war in Gaza. “Well, he’s just a kid. So I think that somehow it touches the heart of the people in Israel and around the world,“ said Rivlin.

Roee Shafir, a restoration expert at the museum, said the repairs would be fairly simple, as the pieces were from a single, complete jar. Archaeologists often face the more daunting task of sifting through piles of shards from multiple objects and trying to piece them together.

Experts used 3D technology, hi-resolution videos, and special glue to painstakingly reconstruct the large jar.

Less than two weeks after it broke, the jar went back on display at the museum. The gluing process left small hairline cracks, and a few pieces are missing, but the jar’s impressive size remains.

The only noticeable difference in the exhibit was a new sign reading “please don’t touch.”

The Canadian Press. All rights reserved.

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