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Native medicinal plants explored through art at Museum – Campbell River Mirror – Campbell River Mirror

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Colleen Jay (left) and Joy Dawson sketch some local plants in the afternoon on Saturday. Photo by Marc Kitteringham / Campbell River MirrorColleen Jay (left) and Joy Dawson sketch some local plants in the afternoon on Saturday. Photo by Marc Kitteringham / Campbell River Mirror
Colleen Jay (left) and Joy Dawson sketch some local plants in the afternoon session of the event on Saturday. Photo by Marc Kitteringham / Campbell River Mirror

Increasingly, the way we live is becoming more chemical-based — with much of how we eat, drink and use to treat our ailments created in a laboratory — however, as a group of Campbell Riverites learned over the weekend, beneficial, natural and traditional alternatives exist all around us.

Despite the intense heat, the mood was quiet and contemplative at the tables set up outside the Museum at Campbell River on Saturday. The event was about exploring native plants through medicine and the arts, and a small group of people were busy setting up art supplies and choosing plants from a table set out in the sun.

RELATED: Museum at Campbell River showcasing Native Plants and medicine

Museum programs manager Ken Blackburn said that “any opportunity we have to have discussions and… learn about traditional and Indigenous knowledge are definitely part of that reconciliation process of spending the time to listen and learn… Raising awareness of the natural environment around us and the native plants surrounding us it is really important to hear from an elder and knowledge keeper of traditional uses of things.”

In a morning session with We Wai Kai teacher Umagalis (June Johnson), the group learned about the importance and use of many plants to Indigenous Peoples of the west coast. The second half of the day was spent learning how to draw these plants, all while learning to appreciate slowing down and connecting with the natural world again.

“As June was talking about earlier today, we have a reliance on pharmaceuticals and chemistry in an environment that has become increasingly more chemical and toxin-based,” Blackburn said. “Anything that can help to swing back to more natural interventions in health is really positive.”

Plants like Oregon Grape, Devil’s Club and Cedar, all have medicinal uses that go back for thousands of years for the Indigenous peoples of the west coast. Blackburn explained that learning from the Indigenous peoples on whose lands we all live is an important step towards reconciliation.

“How do we go further, then, to encourage people to observe the natural world around them and encourage people to spend time to, in a sense, become more intimately aware of what these plants are? In many cases, they’re kind of considered to be weeds by the rest of the community, when in fact they have very strong intrinsic values,” he said. “The arts do that. The arts are one way you can encourage people to participate in processes that heighten awareness and understanding of the nature of what’s going on around them.”

That was the goal of the afternoon session, a botanical drawing lesson led by artist Clive Powsey.

“It’s the observational skills of looking closely at the characteristics of the nature of the plant. Then through drawing it, I think you get a heightened awareness of it. Ultimately, it’s an arts-based program to learn from elders and learn traditional knowledge and then encourage deeper investigation,” Blackburn said.

That is the idea behind the larger Art and Earth Festival, of which Saturday’s event was part. The idea is to give people a sense of culture and place, using the environment and the arts.

“It’s all about geography and learning the areas. It’s culture. Culture is the relationship between people and place,” said Blackburn. “I think it’s something we really need to learn.”

RELATED: Discovery Passage Aquarium wants your seashells



marc.kitteringham@campbellrivermirror.com

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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