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New art exhibit focuses on the ‘problem of the moon’

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The weight of the moon and what that represents is the focus of the newest art exhibit at the Art Gallery of Southwestern Manitoba.

“The Problem of the Moon” features artists from across the country and their varied works that recognize the immense burden the moon carries as a metaphor with mass, a press release sent out last week by the Art Gallery of Southwestern Manitoba (AGSM) said.

Lucie Lederhendler, exhibition curator, said the idea for the theme came to her after she listened to a podcast that used the phrase, “the problem of the moon,” she said.

“It kept sticking in my head. I have a little notebook where I write things down.”

Once the idea came to her, Lederhendler got in touch with different artists she had worked with to see what they were working on.

“Pretty much every artist I talked to, I opened with did they have anything they were working on about the moon, and most of them were working on something,” she said.

The exhibit is made up of those spontaneous works of moon-themed art and works from artists who created pieces for the show, Lederhendler added. The fact that so many of the artists were already working on pieces about the moon, and those who weren’t were eager to do so, helped the curator realize she was on to something.

“I think that really speaks to just a fascination that we all have. Somewhere in our mind, we’re all kind of wanting to work on our relationship with that celestial object,” she said.

Hanna Yokozawa Farquharson from Saltcoats, Sask., represented in her work how much larger the moon looks in the Saskatchewan sky compared to in the seascape of her home country of Japan. Her art tells the story of the entwined relationship between the moon and the ocean.

Photographer Doug Derksen from Brandon worked with moonlight to represent the night sky. His photos

demonstrate how different a camera lens and the human eye can be. Carrie Allison of Dartmouth, Nova Scotia, has created two video works about the paradoxical gravitational pull between the moon and the earth and how that is reflected in the relationship of mother and child. AJ Little and Oriah Scott of Montréal, Que. worked together to create a portal to the moon, while Bettina Forget, also of Montréal, focuses on the taxonomy of the moon and the scientific systems that educate people about it, touching on gender binary and inequity.

In two separate art pieces, Mike Pattern of Montréal illustrates the problem of settler ownership and reveals a vision made possible by a decolonized view of the cosmos.

Lederhendler is pleased with the diversity of media that is part of the exhibition, she said.

“There’s animation, there’s both digital and stop motion. There’s cut paper, there’s drawing, there’s paintings, there’s sculpture, and there’s photography.”

Some of the art is literal, some is abstract, and some features elements of both, Lederhendler added.

“You can just walk around and either get it or not get it, let it kind of wash over you, and [other pieces] are really there with a lot of intention,” she said.

The Problem of the Moon exhibit started on April 4 and runs until June 8 at the AGSM in Brandon.

Miranda Leybourne, Local Journalism Initiative Reporter, Brandon Sun

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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