Art
New Indigenous art curator set to start at Remai Modern in the fall – CBC.ca
Saskatoon’s Remai Modern has announced a new member to their curatorial team.
Tarah Hogue will join the museum as its inaugural Indigenous art curator in October, coming to Saskatoon from the Vancouver Art Gallery (VAG). Most recently she was inaugural senior curatorial fellow of Indigenous art at the VAG.
Hogue, a citizen of the Métis Nation of Alberta originally from Red Deer, said she is excited about coming back to the Prairies.
“I’m really looking forward to returning to that setting and being able to focus on artists from Treaty 6 territory and from the prairies more broadly,” she said.
Hogue said she grew up surrounded by art and culture thanks to her mother, who had a career working in textiles. Although she has worked in Vancouver for her entire career, she said she has travelled to museums in Europe and the U.S. since she was a child and has a feeling for the behind-the-scenes environment of art.
Local artist hopes gallery improves outreach
Hogue hasn’t started developing any projects yet for the Remai Modern, but a Saskatoon artist said he hopes Hogue’s position will be an opportunity for local Indigenous talent.
Kevin L. Pee-Ace, who is a member of the Yellowquill and Peter Chapman First Nations, paints full time in Saskatoon. He said there is a lack of connection between the art gallery and artists in the community.
“I have nothing against what they are bringing in in terms of world class art and artists,” Pee-Ace said. “But I do believe that they do lack local flavour.”
Relationship building part of new job
Hogue said her work in Saskatoon will include research, working alongside artists, planning exhibitions at the Remai Modern, publishing catalogues, building collections of Indigenous art and building relationships with the community.
“Indigenous art is near and dear to my heart,” Hogue said.
“Any exhibition that brings a new lens or a deeper focus to that work in those art histories, that’s really what excites me.”
Pee-Ace said Remai Modern made a good first step bringing on a curator for Indigenous art and that the museum could be a stepping stone for local talent and their careers.
“Those possibilities exist in a small community like Saskatoon,” Pee-Ace said.
“We all need to be included in getting work in there to do exhibitions … but it remains to be seen if this is the direction that the gallery wants to pursue.”
Reopening of art museum
Remai Modern, which has been closed for months due to COVID-19, will reopen its doors to the public on August 13. Members of the museum will get exclusive access a week earlier.
With files from Saskatoon Morning
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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