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New kids on the Vancouver art block find strength in numbers – BCBusiness

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Credit: Steven Cottingham/Wil Aballe Art Projects

Dodge Charger by Steven Cottingham, represented by Wil Aballe Art Projects

The first Combine Art Fair, a joint effort by five local galleries, showcases a wide range of work by emerging and established West Coast artists

Still holiday shopping? Don’t miss this chance to check out several local art galleries, and the work of dozens of artists, under one roof.

Five emerging gallerists are joining forces to present the inaugural Combine Art Fair, taking place in North Vancouver from December 2 to 5. Griffin Art Projects will collaborate with Franc Gallery, Mónica Reyes Gallery, Unit 17 and Wil Aballe Art Projects (WAAP) to showcase new and seasoned artists from around the province.

The four-day event, at Griffin’s onsite residency spaces, is the first art fair held on the North Shore. By presenting a wide range of work by artists at various stages in their careers, including relatively affordable pieces, it aims to appeal to aspiring and veteran collectors alike.

“The Vancouver art ecosystem is built on a delicate balance of interconnected elements: artists, collectors, galleries and institutions,” said Lisa Baldissera, director of Griffin Art Projects, in a release. “Each is equally important in the process of nurturing a rich, diverse art scene. Combine Art Fair brings together emerging galleries while supporting collectors and bolstering the visibility of incredible artists all in one space. At a time when travelling to global art fairs is out of reach for many, the fair offers an experimental, collaborative model that will help reinvigorate the local scene.”

Credit: Kriss Munsya/Mónica Reyes Gallery

From Highway Reflection by Kriss Munsya, represented by Mónica Reyes Gallery

For the five gallerists, all of which have been around for less than 10 years, the event is a product of the pandemic. The other four participants approached Griffin about launching it after international art fairs got shut down in early 2020.

The fair is also a chance to recognize a shift in the Vancouver art scene, as work by a new generation finds its way into galleries and homes.

“The landscape has changed quite a bit,” says Tobin Gibson, founder and director of Unit 17 gallery in Kitsilano. “Vancouver’s known to have a core group of artists who are working between sculpture and photography, and some of the aesthetics as well as concepts are of that generation, so people start to react to it,” Gibson adds. “The practice is now much more mercurial, more about painting and the clumsiness of sculptures. So we are taking on these new voices.”

For Gibson, the first edition of Combine is just the beginning. “We really just hope the event will be one that will grow over the next few years, and we’ll be able to invite colleagues alongside the West Coast, outside of Canada and also younger projects that are popping up in the city now, which is exciting to see,” he says.

Attendees can also view Pivot, a thematic exhibition curated by Baldissera, in the Griffin residency’s bedroom-turned-gallery. An online panel discussion with the Combine Art Fair’s founders will take place on Sunday, December 5, at 1 p.m.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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