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New virtual exhibition at St. Marys Station Gallery celebrates art during pandemic – The Beacon Herald

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Local artist Tracy Fulton experimented with merino wool and silk fibres while creating Remembrance, which is on display on the St. Marys Station Gallery website as part of the gallery virtual Co-Vision exhibition. Submitted image

Porteous, a former set and costume designer, also contributed two pieces to the exhibition, both of which were part of an experiment with a more abstract style that he calls Primary Entanglement. He said he wanted to reflect the chaos and confusion as the COVID-19 pandemic began to set in last March and new restrictions were being announced almost every day.

“I’m known for my scenic background (painting), so to do an abstract like Entanglement was a new adventure,” Porteous said.

Painter and St. Marys Station Gallery curator Cameron Porteous experimented with a more abstract style when he created this painting, Primary Entanglement1, last March as the pandemic set in. Submitted image

In some cases, Porteous’ call-out for pandemic creations from local artists actually inspired new work, like that of water-colour artist Lisa Planke, entitled Blue.

And in other cases, the pandemic saw artists return to their roots to sharpen some of those basic skills that form the foundation of their work, and then expand out from those roots to create something totally unique.

“During COVID, I decided that I wanted to turn from painting and go back to my basics and work on my illustration work,” said artist and gallery assistant Sylvie Verwaayen, speaking to her featured piece entitled Portrait Study.

Artist and gallery assistant Sylvie Verwaayen sketched this wax-pencil and acrylic-paint portrait, simply entitled Portrait Study, for the St. Marys Station Gallery virtual exhibit, Co-Vision. Submitted image

“For this portrait, I created the face, skin and top in the wax and oil pencils. Then I sprayed it with a fixative and then finished the background and hair with acrylic paint. My theory was that if the fixative did it’s work and sealed the artwork, then the acrylic would not be resisted being on top of oil and wax. It worked well. Now I have options for filling in large area, like backgrounds in a composition using paint, which takes less time and is relatively cheaper than wax and oil pencils.”

To view the exhibition in its entirety, visit stmarysstationgallery.ca/covision-2021.

gsimmons@postmedia.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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