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Canadian media group Overstory sheds jobs as staff push back

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Nearly two years ago, a journalism startup made bold promises to reshape community news in Canada, announcing plans to hire more than 200 journalists and open 50 new publications across the country.

But this month, as they culled nearly half the staff from their most successful publication, executives from the Overstory media group admitted that – despite the cascade of recent failures across the industry – they had thought turning a profit in local journalism would be “a lot simpler”. The job cuts have raised larger questions over the company’s future, and about that of alternative models of experimental journalism.

With legacy publications around the world in turmoil – just last month, Canada’s Postmedia Network Corp announced it would cut 11% of its editorial staff – a growing number of startups have emerged, all hopeful that they can find the right formula to reinvent journalism.

Copies of Postmedia-owned newspapers the Vancouver Sun and the Province are displayed at a store in Burnaby, Canada, Tuesday, Jan. 19, 2016. Postmedia has cut approximately 90 jobs and merged newsrooms in four cities as it steps up plans to slash costs amid mounting revenue Postmedia has cut approximately 90 jobs and merged newsrooms in four cities as it steps up plans to slash costs amid mounting revenue losses, according to the Canadian Press. (Darryl Dyck/The Canadian Press via AP) MANDATORY CREDIT
Fifty new outlets, 250 journalists: Canadian startup unveils plan to revive local news
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Last summer, Overstory solicited millions in investment capital to expand into small and mid-size North American cities. “These local markets are wide open and we intend to take them,” the company said in a pitch deck obtained by the Logic.

Since launching in 2021, however, the company has fallen far short of its ambitious expansion goals. With growth slowing in recent months, Overstory began cutting jobs. The deepest came in early February at Capital Daily, after the publication lost four of its employees, bringing its staff to three. The Victoria-based publication had repeatedly been held up as the company’s exemplar of an award-winning, profit-making publication.

Amid deteriorating finances, the outlet was also caught in a larger battle over the future of its operations, with executives weighing a shift to more frequent daily stories and staff pushing for longer, more time-consuming investigative articles.

“We know the daily newsletter is the most profitable part of the operation. And we were willing to play ball with this idea of shorter, quicker and more responsive pieces,” said Jimmy Thomson, the former managing editor of Capital Daily, who was among those fired. “But we also really felt that our community needs and values the longer stuff. And we really loved doing it.”

The layoffs quickly morphed into a broader public feud, after company cofounders posted a series of tweets seen as both naive about the journalism industry and dismissive of their employees.

Cofounder Andrew Wilkinson tweeted the executives were “guilty of being overly optimistic” in their goals.

“Not fun. News is hard,” he wrote.

The Overstory CEO, Farhan Mohamed, prompted indignation when he tweeted: “Many journalists don’t understand business. But worse? They don’t care to.” He later apologized to staff for his remarks.

But employees pushed back, saying the cuts left them “blindsided” and confused over the direction of the company, according to audio from a 6 February meeting.

Mohamed, who previously ran the news and entertainment media outlet Daily Hive, told staff the past weeks have been among the worst in his career.

“Maybe we underestimated this business and how hard it actually is. I thought it would be easier, thought it was going to be a lot simpler than it actually turned out to be,” Mohamed told staff, according to the recording. “We made some big bets, and a lot of them haven’t paid off.”

The firings in early February came a day before Overstory staff announced they were unionizing, but those involved in the efforts don’t believe the events are linked.

As it tried to quickly expand across the country, Overstory faced growth challenges, including questions over recruitment efforts.

Gabrielle Drolet, a Montreal-based freelance writer, said she spoke with Mohamed two years ago, hoping for an internship at Overstory. Instead, he suggested she run a publication.

“I had never been in a newsroom before. I didn’t have much editing experience … I could not believe it was happening.”

Drolet turned down the offer.

“It’s frustrating to see people who don’t know much about journalism assume that the industry is failing because of journalists, and not because of wider issues,” she said.

In a separate row, journalists and senior staff at the Ontario-based Queen’s Park Briefing resigned last week over allegations of editorial interference by company owners.

Days later, other reporters were also laid off.

But the cuts at Overstory have also raised broader questions about the company’s model, which aimed to rapidly turn a profit in an industry where publications struggle to survive.

Emma Gilchrist, editor in chief and cofounder of the environmentally focused publication the Narwhal, said pursuing nonprofit status made sense when she and colleague Carol Linnitt launched in 2018.

“When we started, we looked around and saw that other outlets were all operating as for-profit entities – but they weren’t making any profit. They were technically for profit, but they’re operating like a nonprofit without any of the benefits of being a nonprofit,’ she said.

The approach has paid off, with more than 6,000 readers contributing in 2022, enough to expand.

“People come to us to find stories they can’t find anywhere else,” Gilchrist said. “You need to have an audience and you need to have a growing audience. They need to be loyal and they need to be coming back.”

Other newly launched outlets have taken the nonprofit route, including the Investigative Journalism Foundation, which styles itself as the “future of Canadian journalism”.

Wilkinson, the Overstory cofounder, tweeted that he had lost C$5m (US$3.75m) of his own money in the venture, adding that nonprofit status “doesn’t mean you can lose money endlessly without cutting costs”.

Amid the tumult, former and current staff have also expressed concern about the future of the brand.

“There’s an opportunity here for Overstory. But they need to meet us in good faith and be a part of this solution together,” said Martin Bauman, a spokesperson for the Overstory media guild and a reporter at the Coast, which is owned by Overstory.

“We still believe in the vision of community news. We want to see they still do too. At this point, we’re looking for actions, not words.”

… as you’re joining us today from Canada, we have a small favour to ask. Tens of millions have placed their trust in the Guardian’s fearless journalism since we started publishing 200 years ago, turning to us in moments of crisis, uncertainty, solidarity and hope. More than 1.5 million supporters, from 180 countries, now power us financially – keeping us open to all, and fiercely independent. Will you make a difference and support us too?

Unlike many others, the Guardian has no shareholders and no billionaire owner. Just the determination and passion to deliver high-impact global reporting, always free from commercial or political influence. Reporting like this is vital for democracy, for fairness and to demand better from the powerful.

And we provide all this for free, for everyone to read. We do this because we believe in information equality. Greater numbers of people can keep track of the events shaping our world, understand their impact on people and communities, and become inspired to take meaningful action. Millions can benefit from open access to quality, truthful news, regardless of their ability to pay for it.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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