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News outlets backtrack on Gaza blast after relying on Hamas as key source – NPR

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A woman holds a pillow near the Al Ahli Arab Hospital in Gaza City, the site of a blast that killed hundreds on October 17. In the aftermath, Hamas and Israel traded blame.

Mahmud Hams/AFP via Getty Images

Mahmud Hams/AFP via Getty Images

For the latest updates on the Israel-Hamas war, follow our digital live coverage.

When the fog of war envelopes the pursuit of breaking news, the journalism that follows often suffers.

The stakes cannot be higher. The sources can prove unreliable. Concrete facts are often scant. And yet readers reward publications that push out information instantaneously.

The initial coverage of a deadly blast at a Gaza hospital last week offers a fresh reminder of how hard it can be to get the news right — and what happens when it goes awry. The list of those news organizations that fell short is long and illustrious, including The New York Times, the BBC, Reuters, The Associated Press and more.

The news coverage was said to help inspire furious protests across the Middle East that scuttled some of President Biden’s efforts at easing tensions through diplomacy. The Israeli government accused the BBC of a “modern blood libel,” invoking centuries-old slanders against Jews as killers. That came after the BBC’s Jon Donnison told viewers just hours after the incident, “The Israeli military has been contacted for comment and they say they are investigating. But it is hard to see what else this could be, really, given the size of the explosion, other than an Israeli airstrike or several airstrikes.”

The BBC later issued a statement citing the full breadth of its coverage but saying that the degree of speculation in his report was, in retrospect, wrong.

On Monday, The New York Times went further. It publicly acknowledged that its initial coverage had served its readers — and the facts — poorly. It relied upon allegations from Hamas government officials to report that an Israeli missile strike had killed hundreds of civilians at the hospital. “The report left readers with an incorrect impression about what was known and how credible the account was,” Times editors wrote.

The Israeli government has denied the Hamas claim, asserting the blast came from a failed rocket that they say was fired by the militant group known as Palestinian Islamic Jihad. Israel’s stance has since been backed by U.S. and Canadian intelligence assessments. Other outside institutions have cast increasing doubt upon the validity of Hamas’ allegations, although it’s still not clear what actually happened.

Despite its measured tone, The Times‘ editor’s note was an unusual concession by the paper of the magnitude of its failings.

“The early versions of the coverage — and the prominence it received in a headline, news alert and social media channels — relied too heavily on claims by Hamas, and did not make clear that those claims could not immediately be verified,” it read. The paper said it would re-examine its protocols and safeguards for covering breaking news in light of the incident.

Citing Hamas poses particular problems

The original headline atop the paper’s website and sent out in push alerts to millions of subscribers read: “Israeli Strike Kills Hundreds in Hospital, Palestinians say.” The Times now reports that almost every element of the accusation is in doubt as Hamas has failed to provide evidence of the Israeli involvement or even the remnants of the explosion. The question of how deadly the blast proved to be — disputed by the Israelis — is also unresolved.

The Times is far from alone in relaying the claims of interested parties as facts. Other news outlets also cited Hamas, which governs Gaza, in their coverage of the hospital explosion. In its initial dispatch, Reuters called the blast an “Israeli air strike,” citing Gaza officials. The AP cited the “Health Ministry” in its headline.

Yet Hamas is much more than that. It is deemed by the U.S. and the European Union to be a terrorist organization. Indeed, it just unleashed the most deadly attack in Israeli history, with more than 1,400 people dead, and more than 200 people taken hostage.

And Hamas is the source of much of the information — and misinformation — about events in Gaza. Last week, for example, a Hamas spokesman denied in an interview with NPR’s Steve Inskeep that militants from the group had slaughtered hundreds of civilians at a music concert in the Israeli desert, despite accounts by survivors, Israeli officials and journalists for major news outlets. (Inskeep pointedly noted that the attackers did kill civilians.)

In retaliation, Israel unleashed a wave of strikes. Gaza’s health ministry says more than 5,000 people have been killed. That figure underscores the difficulty of reporting on this conflict; given Hamas’ authority in Gaza, reporters must seek information and comment from the group — and verify it independently as best they can despite the difficulties.

News outlets struggle to get reporters inside Gaza

Unlike in some other war zones, such as in Ukraine, it’s nearly impossible for outside reporters to get into Gaza, even from Israel. Most news outlets are either covering it remotely or relying on local journalists whose families are themselves at risk from Israeli strikes.

The Times‘ selection of journalists has come under sharp scrutiny in recent days as well. An Israeli diplomat chastised the paper for employing Soliman Hijjy as a freelance videographer in Gaza to document the conflict. On numerous occasions over the past 11 years, Hijjy has praised Adolf Hitler or invoked the Nazi leader in social media postings. A spokesperson for the Times says the paper reviewed those “problematic” postings last year, when the issue was first raised, and took actions “to ensure he understood our concerns and could adhere to our standards.”

The statement says Hijjy has done so and “has delivered important and impartial work at great personal risk during this conflict.”

Israel’s past actions cast a shadow

For its part, the Israeli government has been accused by human rights groups of hitting civilian targets in the past. And its credibility has also been challenged: For instance, the Israeli military initially denied that one of its soldiers had fired the shot last year that killed the Palestinian American journalist Shireen Abu Akleh of Al Jazeera.

The Israeli military conducted its own investigation and subsequently confirmed that an Israeli soldier had likely fired the lethal shot but did not disclose the shooter’s name. A government spokesperson’s expression of sorrow for her death, a year later, was deemed insufficient by Abu Akleh’s family. (An FBI investigation, opened last year, has not been resolved.)

Last week, The Washington Free Beacon‘s Drew Holden documented a series of prominent news outlets and public figures that appeared to rely on Hamas’ claims as authoritative with little or scant acknowledgement of how little had been verified before publication.

By contrast, the advocacy group Physicians for Human Rights put out a call on the day of the blast for the protection of civilian life and for the incident to be the subject of an independent investigation. It notably did not project blame.

The audiences’ perceptions of media outlets’ fairness determine how much trust they have — not just in the veracity of specific coverage but the independence of their journalists. Speed may matter a lot to readers, viewers and listeners. Accuracy and fairness still matter more, especially when stakes are so high.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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